说到...

A refrain throughout this book is that the current state of practice of global strategy leaves significant headroom for improvement.

这本书反复说到了在当下全球战略实际操作下，还有很大的可以提升的空间。

When all the headshaking was over, he added,"All right then, let's saddle up."

当所有人都摇过头之后，他说到："那么好的，准备出发。"

As for the China and Korea thing, I have a Korean made Les Paul atleast that's what it says on the headstock.

说到中国产的和韩国产的吉他，我自己有一把韩产的 LP，无论怎样，他非常不错。

There could be genetic or social differences among the Sami, who are distint from their Finnish and Swedish neighbor, Helle said.

拉普人同他们的芬兰和瑞典邻居明显不同，也有可能在拉普人中存在遗传或者社会差异，海勒这样说到。

I knew it was not theft,"Herzog said."I had a natural right to take it.

我知道那不是偷窃，"赫尔佐格说到"我有天生的权利去拿他。

As for birds, Herzog's acres seemed to have become a sanctuary.

说到鸟，赫索格的那几亩田庄，似乎已经成了鸟的乐园。

Mr Hicks will also have his own issues and we are not sure what he wants to do.

Didato说到"希克斯先生也会有他自己的难题，我们不清楚他的想法。"

As for highland , there are many topics.

说到高原，会有很多话题。

"This is not the end of God Of War," Hight said in the video interview.

"这不是战神的结束，" Hight在电视访谈中说到。

Finally, I can't say to them that their promotions will hinge on the excellence of their paperwork.

尾段F说到："……我希望这次研讨会能给我的难题带来启示，能帮我应对未来的工作。"

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。