语音的

This system includes two sets of BridgeMaster series transceiver/turning unit with INTERSWITCH,a Bridge Master 340 rasterscancolour ARPA as processor unit,a Video Master for recording Radar video/Autotrack targetsinformation/speech in a S-VHS tape recorder,a VTS manage computer,a training simulatorand a large screen synthetical display which could show radar and computer screen...

它是由两台互为备份的雷达收发机／天线，一个交换箱，一台用作数据处理中心的BridgeMaster340彩色光栅ARPA，一台用于同步记录雷达原始视频、ARPA跟踪目标数据及语音的VideoMaster，一台用于录像复示的BridgeMaster180彩色光栅雷达，一套用于VTS管理的计算机系统，一台自制的VTS训练模拟器及一台综合显示雷达图像和计算机数据的大屏幕显示器等组成。

Don't worry baby, it ain't nothin' newThat's just love sneakin' up on youIf your whole world's shakin' and you feel like I doThat's just love sneakin' up on youNowhere on Earth for your heart to hideOnce love comes sneakin' up on your blind sideAnd you might as well try to Stop the RainOr stand in the tracks of a Runaway TrainYou just can't fight it when a thing's meant to beSo come on let's finish what you started with meDon't worry baby, it ain't nothin' newThat's just love sneakin' up on youIf your whole world's shakin' and you feel like I doThat's just love sneakin' up on you 雨夜,我独自 Sittin '这Waitin '你语音电话热转冷,冷汗 Thinkin

谈一下我们不这样做还告诉我，现在我要知道，您觉得同你只需轻在提到我的名字？不要担心孩子，这不是nothin '新这只是爱sneakin '了你如果您的整个世界的shakin '，你觉得我这样做这只是爱sneakin '了你地球上的任何地方你的心隐藏一旦爱情来sneakin '在您的盲端你不妨尝试停止雨或站立在轨道失控列车你就不能作斗争的事时的意思是因此，来让我们完成你开始与我不要担心孩子，这不是nothin '新这只是爱sneakin '了你如果您的整个世界的shakin '，你觉得我这样做这只是爱sneakin '了你

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和十四行诗，他也十分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

ChapterⅠintroduces the intention, significance and methods of the research from the angle of Chinese historical phonetics. Following the course of re-examining materials, ChapterⅡsurveys the pattern of rhyme, excerpting the metrical feet, ChapterⅢconnects the rhyme categories, the rhyme of different systems contacting with each other, and literary reading and colloquial reading. ChapterⅣcompares the rhyme cateories of traditional Hua-gu opera in Changsha with traditional rhyme tablesd, as well as those of traditional Hua-gu opera in Shaoyang. The total study is conducted to become united with dialect. ChapterⅤcontains the surplus discussion with three theories: the rhyming quality, the connection between rhyme categories and oral speech, between those of literary readings in traditional Hua-gu opera.

本文正文分为五章：第一章从音韵学角度，讨论了花鼓戏用韵研究的背景、意义以及研究方法；接着谨遵韵脚字系联法的步骤，第二章侧重材料分析，包括甄别材料、审度韵例、摘录韵字，第三章侧重韵部系统，包括归纳韵部、异部相押以及文白异读的情况；第四章对传统剧目的韵部系统进行了纵横(与邵阳传统花鼓戏韵部系统的比较)两条线的考察，结合方言是纵横考察过程中的重要环节；第五章是余论部分，主要讨论了三个理论性问题：长沙传统花鼓戏押韵的性质、韵部与实际语音的关系以及与长沙读书音的关系。

Firstly it deals with the phenomenon as how the Chinese logographs have been functioning as a cross-cultural mediator between Chinese and Japanese regardless of their respective historical changes as well as the environmental influences on the two languages. In Western, written signs are generally considered an instrument for recording spoken languages.

我们以汉语中的日语借形词做为观察对象，从宏观的认知符号学角度去探讨这种非语音的文字符号，如何跨越历史的演变以及空间的迁移，在不问断的语言内部结构与外在环境造成的变化之中、依然做为两种截然不同语言文化之闻思想交流的中介，并且成为两种语言共有共享的、对外在世，口说的语言才是真正的语言，文字只是记录语界的认知媒介。

MELP vocoders utilize mixed pulse and noise as the excitation to elimate the buzzes in traditional LPC vocoders, and add a jitter voicing state to overcome the tonal noise.

MELP声码器采用混合脉冲和噪声激励解决了经典LPC的嗡嗡声的问题；引入了抖动浊音状态以克服音调噪声；利用参数插值、脉冲散布和自适应谱增强等措施提高合成语音的自然度和可懂度；此外还采用了多带激励，使其具有了比较强的抗背景噪声的性能。

The immediate cause of the murder of the two brothers was the destruction of the press of the Nauvoo Expositor, a paper established by seceders from Mormonism to give voice to the wide indignation caused by the promulgation of Smith's revelation of 12 July, 1843, establishing polygamy, which had been practised personally by the prophet for several years.

的直接原因杀害两兄弟被销毁新闻界的Nauvoo Expositor一份文件，设立了由摩门教seceders提供语音的广泛愤慨所造成的颁布史密斯的启示1843年七月12日，建立一夫多妻制已实行亲自先知了好几年。

My job at Microsoft is as challenging as ever, but what makes me "tap-dance to work" is when we show people something new, like a computer that can recognize your handwriting or your speech, or one that can store a lifetime's worth of photos, and they say,"I didn't know you could do that with a PC!"

我在微软工作的挑战性一往如昔，但每每让我能&跳着踢踏舞工作&的是，当我们向人们展示新东西（比如能识别笔迹和语音的电脑，或者能储存值得一生珍藏的照片的电脑）时，他们会说：&我不知道你还能用电脑做到这些！&

It is generally written a different article:(1) do not feel the same method --- General article is written for people-to-read, that is, through the organs of the human visual language of symbols to identify the brain caused by the concept movement; a speech by human auditory organ of the voice recognition arising from the activities of thinking.

它与一般的书面文章不同的是：（1）感受方法不一样———一般的书面文章是供人阅读的，即通过人的视觉器官对文字符号的识别而引起大脑中相应的概念运动；演讲则通过人的听觉器官对语音的识别而产生相应的思维活动。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和104行诗，他也10分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。