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Spoken Poetry article from the network of morphological characteristics, the causes of oral sex, and oral performance, the ultimate meaning and limitations of folk poetry and network position, low-poem "waist" to explain the two major aspects of the language require the trivialization of poetry Poetry and its network is now moving toward the development of a civil position of stability and low-poem "waist" of the boom.

文章从网络诗歌口语性形态特征、口语性的成因、及其口语化的表现、最终的意义与局限和网络诗歌的民间立场、低诗&下半身&走向两个大方面阐释出诗歌语言的庸常化及其现在网络诗歌的一种发展走向,民间立场的稳定和低诗&下半身&的热潮。

Through the musical form structures, melody features, and harmonic language of the eight impromptus, this article analyzes their characteristics of music shape, and thus further elaborates the emotional characteristics of romanticism embodied in the works.

通过对八首即兴曲的曲式结构、旋律特点、和声语言方面分析其音乐形态的特征,从而进一步阐述所具有的浪漫主义情感特征在作品中的体现。

It is represented in its formal syntax form, theoretic role, and semantic relationship to noun that linguistic description of verb contains object-actant trajected into various syntactic form.

与客观外在的事况相适应,动词所反映的语义关系丰富、繁杂,其语言描写涉及的客体题元相应也有种种表现,这集中反映在它的形态-句法形式、语义角色、与动词的语义关联性质等。

Of course, my interpretation of Liuming's ink painting art as the desirability of retuning to the matrix and his psychological desire of being the baby again has some connections with his constructed artistic realm, the utilized pen and ink language, the interested aesthetic gout and morphological characteristics.

当然,我把刘鸣的水墨艺术解读为一种回归母体的愿望,复归婴儿的心理欲求的含义,与刘鸣建构的艺术境界,所运用的笔墨语言,感兴趣的审美趣味和形态特征都有关系。

This paper attempts to study those typical texts in detail,on the basis of the in-depth analysis of the narrative art and techniques of the 1940's narrative poems,mainly from four aspects:the lyric narration,imagery narration, dramatic narration,"moledicized" narration,so as to explore and appraise their historical contribution,values,functions and limitations in the modem poem history.In the narrative poems in the 1940s,the technique of"lyric narration" is embodied mainly in the high degree of artistic integration of "felling" and "polt".The lyricism is fully embodied in both structure and language,and generally through two ways:the lyricism of the dramatis personae and the lyricism of relaters or poet himselfThe narrative poets in 1940s have further developed the "mood" type of narrative poems(a kind of structure model of the modem narrative poem)which was created by predecessors.

本文试图在对有代表性的文本进行细致研读的基础上,对40年代叙事长诗的叙事艺术与策略进行深入剖析,主要从抒情化叙事、意象化叙事、戏剧化叙事、谣曲化叙事四个层面展开,以发掘、评判其在现代诗歌史上的历史贡献、价值、功能及局限等。40年代叙事长诗中的&抒情化叙事&策略主要体现于&情&与&事&的高度艺术融合,抒情形态表现在抒情结构与抒情语言方面;其抒情策略大体有两种方式:一是诗中人物的自我抒情,一是诗人自己或叙述人的抒情。40年代叙事诗人进一步发展了前人创造的&情绪型&叙事诗这种现代叙事诗的结构模式。

There are two parts in this paper. The first part discusses the music of west popular Nei Monggol song-and-dance duet of Inner Mongolia globally, which is composed of five sections. The first is emergence and development; The second is character of language; Thethird is rhythm of singing; The fourth is the relationship with other folk music; The fifth is that its reform and prosperity.

全文内容分为两个大部分:第一大部分是对内蒙古西路二人台音乐的概述,包括五个方面内容,一是二人台的产生与发展;二是二人台剧本的语言特点;三是二人台唱腔的旋律形态;四是二人台与其他民间音乐的关系;五是二人台的改革与振兴。

In setting up the system of authorship protection of folk literary and artistic works, the protection range should not be too broad like "Bangui Agreement", not too narrow owing to their languages.

我国对民间文学艺术作品著作权保护进行制度设计时,划定的保护范围,既不能像《班吉协定》那样过于宽泛,也不应当仅限于语言形式的民间文学而使之过于狭窄;以物质形态固定并已出版的民间文学艺术作品,不应排斥于保护范围之外;未形成作品的民间素材,一旦形成整理本则应纳入保护范围。

In the conclusion, the integration of Sholokhov's artistic form is appraised as an integration of literary tradition, which has produced profound influence on 20th century Russian literature and has its own limitations.

小说语式、小说语言类型和小说中的对话都反映了这一特点。结语部分主要确认肖洛霍夫小说艺术形态的整合性是对伟大文学传统的解读,它在二十世纪俄罗斯文学中的影响及其局限性。

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This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

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