语境

Deictic expressions are of the preemptive nature, which is, however, conditioned; in certain contexts and/or styles, such nature may disappear, that is, the anti-preemptiveness arises.

指示词语具有先用性的特点，但这种先用作用是有条件限制的，在一些特殊的语境和语体中会随之消失，即出现反先用现象。

In technichques, his works mostly present destructionism and carnivalization.

在后现代语境下，巴塞尔姆的作品从创作方法上看主要体现了解构主义艺术思维策略的运用和狂欢化美学效果的追求。

The French philosopher Jacque Derrida is the founder of Destructionism Theory and the Ruassian philosopher Bakhtin is the creator of Carnival Poetics.

由香港著名影星周星驰创造的无厘头影片，是后现代文化语境下中国当代喜剧电影的重要代表，其喜剧性与传统喜剧电影有着很大的区别。

The Chinese traditional culture which has once been regarded as the opposite of the May 4th new culture had constituted the most stabilized psychologic fluid of the Group of New Trend members. And the extremely deviative environment had once moulded their spiritual attitudes and thinking ways of action of killing our traditional culture.

曾经是&五四&新文化&对立物&的中国传统文化构成了新潮社成员最为稳定的心理之流，偏至的文化语境又一度塑造了其&文化弑母&行为的精神姿态与思维方式。

To analyze these two concepts dialectically in native circumstance has its own historical meaning and value.

在本土化语境中，必须辩证地认识世俗化与大众文化的历史意义与价值。

The other feature of interaction is dialogically observed in social context, inter-cultural frame and under non-verbal constraints.

按照多向度理论，本文将口译的另一个特征，即&人际互动&置于社会语境，跨文化背景和非语言交流中进行观察。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

On the one side, Bakhtin borrows resources from the mythological world, and permutes"Dionysus"with the"Carnival"by way of"displacement"in discourse, and at last, develops Nietzsche's Dionysian spirit into his unique carnival spirit; on the other side, Bakhtin apparently leads a different way from Nietzsche ranging from interpreting contexts to religious attitudes and spiritual orientations in the following souls of the Dionysiac Theory. He eventually transforms Nietzsche's aesthetically artistic ideal of"Traum und Rausch"("Dream and Drunk") into a religious spiritual demand of"leading two lives", and fulfills"a transcendental journey from the God to the man".

尼采的酒神理论和巴赫金(来源：A4eBC论文网www.abclunwen.com)的狂欢理论之间，存在着无比亲密的&对话关系&：一方面巴赫金从神话世界中索取理论资源，通过话语的置换，用&狂欢&取代了&酒神&，将尼采倡导的酒神精神发展成自己独特的狂欢精神；另一方面巴赫金又在遵循酒神理论精髓的同时，在阐释语境、宗教态度、精神所指上，与尼采存在明显的不同，并最终将尼采&梦与醉&的审美艺术理想转换为走向&两种生活&的宗教精神诉求，实现了一种&从神到人的超越之路&。

This paper applies some pragmatic theories to explore the pragmatic features of irony, including its echoic and adaptive traits.

本文运用语用学的理论知识，探讨了反语的主要语用特征，如反语的回应性、隐性展示性和语境顺应性。

Context is more important and complex in elaborative theory than in rhetoric.

语境在阐释学中的比修辞学中更为重要，也更为复杂。

By the time of its fall, most of the prisoners were writers who had written against the corruptions of the government.

到它被攻陷的时候，里面多数的犯人是写了反对政府贪污文章的作家。

The most obvious variation to ovum morphological character was that the color was changed from light green to sepiaceous in embryonic development, and all the ovums were almost hatched after 96h.

在胚胎发育过程中卵的形态特征最明显的变化是颜色从淡绿到深褐色，卵在发育96h后卵基本全部孵化。