诧异

This should be a moonset at dawn, followed by saying that "the middle of the night," middle of the night and on the ups and downs, time-dependent is clearly wrong; Crow is a daytime animal, and chickens like to sleep at night, at midnight to hear a crow call, just as unnatural as Banyejijiao ; Moreover, the monastery has little to midnight bell,"Chimes at Midnight" also makes surprise to us.

月落本应该是黎明时分，后面又说"夜半"，夜半与月落的时间相关显然不对；乌鸦是白昼动物，和鸡一样晚上睡觉，半夜听到乌鸦叫，就像半夜鸡叫一样不自然；再者寺院也鲜有半夜敲钟的，"夜半钟声"也让人感到诧异。

Again his astonishment was obvious; and he looked at her with an expression of mingled incredulity and mortification.

他又显出很惊讶的样子，他带着痛苦和诧异的神气望着她。

Again his astonishment was obvious; he looked at her with an expression of mingled incredulity mortification.

他又显出很惊讶的样子，他带着痛苦和诧异的神气望着她。

Have no inclination to meet on the battlefield.

上相遇的话，我都倍感诧异。

Perhaps that victory is not so surprising given that some of the self-absorbed offspring of the nation's one-child policy are just picking up their paintbrushes.

如果考虑到中国只生一个的生育政策中产生的那些自我为中心的孩子已经到了拿起画笔的年龄的话，这种胜利也许不是那么让人诧异。

It's a mark of how pitiless Ms.

而令人诧异的是，那些编辑当中都有些满脸皱纹的，也并非完美。

The Wii is still at a mass market price point at $249, and Microsoft's $199 version of the console sells surprisingly well.

Wii还处于249美元的大规模市场价，微软199美元版本主机卖的令人诧异的好。

At a quarter-past four, that is to say, when night was fully come, he passed in front of the theatre of the Porte Saint-Martin, where The Two Convicts was being played that day.

当国王的车子在一中队穿银绦制服的侍卫骑兵的护卫下，从妇女救济院转进医院路时，他见了有些诧异，并且几乎吃了一惊。

Portentously, the engines began to roll.

令人诧异的是，发动机开始转动了。

I wonder how this air –brown, putrid and acid – can sustain life.

我不禁诧异，在这样棕黑、腐臭且酸性很高的空气中怎么能维持生命。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。