诡辩

The fact that casuistry underwent a further development after the sixteenth century, is connected with further changes in the penitential discipline.

说： 事实是诡辩进行了进一步的发展后，十六世纪，是与进一步改变悔罪的纪律。

All that philosophy of right and wrong which has become famous, or infamous, under the name of Casuistry, had its origin in the distinction between Mortal and Venial Sin.

在诡辩学的名称下成为著名的或是不名誉的有关是和非的哲学，它的渊源来自"不可赦之罪"和"可赦之罪"间的区分。

On the other hand, Casuistry borrows little from Roman law, and the views of morality contended for have nothing whatever in common with the undertaking of Grotius.

在另一方面，诡辩学很少借用罗马法，而其所主张的道德观念和格罗修斯所断言的全不相同。

It rendered an eminent service to casuistry; for though we cannot approve of everything, yet the authority of various opinions has been carefully sifted and fully discussed.

它作出了杰出的服务，以诡辩；为虽然我们不能同意的一切，但权力的各种意见已经仔细筛选和充分的讨论。

If at any time this part of moral theology should be pushed to the background, moral theology would become one-sided and would need a revision, not by cutting down casuistry, but by devoting more time and energy to the doctrine of virtues in their scientific, parenetical, and ascetical aspect.

如果在任何时候这一部分的道德神学应该被推到背景下，道德神学将成为片面的，将需要修改，而不是削减诡辩，而是把更多的时间和精力的理论，美德在他们的科学， parenetical ，并ascetical方面的问题。

Such works of a mixed character now grow common, they treat the whole subject-matter of moral theology, in as far as it is serviceable for the confessor and the pastor, in this mixed manner, though they insist more on casuistry than did Lugo.

这些工程的一个混合的性质现在共同成长，他们对待整个标的物的道德神学，在尽可能它是可用的忏悔和牧师，在这种混合的方式，但他们坚持更多的诡辩比卢戈。

"I'm very woiiied about chicanery," Schneider says.

施奈德说：我很担心这些诡辩。

Some people think that the current navel vogue is more a symptom of cultural childishness than sexual sophistication ...

有些人认为目前的肚脐时尚＂与其说是性的诡辩不如说是文化幼稚的象征。。。

Don't chop logic with your boss, he will fire you!

别和你的老板诡辩，他会炒了你的。

I don't want to chop logic with you, it's boring.

我不想同你诡辩，这太无趣了。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。