话语

This paper observes some inverse proportion between discoursal continuity and inference in monologic and dialogic discourses.

本文探讨的是独白式话语的语句之间和互动式话语的话轮之间的连续性与推理量的反比关系。

The fifth chapter is the conclusion. As a post-colonial text, through Jamesbs eyes, mind, and his physical journey to find his kinfolks, Kinfolk concentratedly reveals how the lost discourse power of Chinese culture is reconstructed through resistance to Western cultural hegemony. As Foucault says,!

第五章即本文的结论部分指出，《同胞》作为一个后殖民文本，通过主人公詹姆斯寻根之旅中的所见所想集中体现出，后殖民时期在西方文化霸权的强压下失去话语权力的中国文化如何通过对抗重建了自身的话语权力。

Finally, in Chapter Five, by taking the history and culture of the South into account, the thesis points out the relationship between the women in the literary world of Faulkner and the myth of the South and the myth of Southern ladyhood. It makes it clear how Faulkner acquired the power to represent women in the bond of social and cultural forces and how he exerts his own power as a writer to write the historical progress of the South.

第五章结语部分在南方特定的历史与文化的背景下揭示了了福克纳文本中南方女性形象与南方神话、南方淑女神话的关系，总结了福克纳作为小说家如何从历史话语与文学话语中汲取力量，积极参与南方的历史进程，参与对二十世纪初叶南方现实的构塑。

The discussion will focus on the discourse on feminism, lesbianism and lesbian rights within the women's movement at an Asian continental level rather than at a national level.

本文讨论的重点是女权运动中的女性主义话语和女同性恋行为及权力话语。讨论是基于一个亚洲大陆的视角，而不是一个国家的视角。

The appearance of the Chinese Archetypal Criticism is directly related to the new condition of the literatus at that time, such as the weakening of the realism, and the appearance of a new kind of literature form with the similar aesthetic conceptions to the Archetypal Criticism.

新时期本土文艺观的转变为原型批评进入本土话语体系清除了认识上的隔阂，以往强大的现实主义话语的势危为原型批评的异军突起创造了机会，而本土文学创作中一种与原型批评审美观相近的文学形态的出现，又为原型批评向批评实践的渗透准备了充分条件。

Discourse, therefore, had to trace the meeting line of the body and the soul, following all its meanderings: beneath the surface of the sins, it would lay bare the unbroken nervure of the flesh.

正是由于罪恶与肉体之间的千丝万缕，语言被仔细清洗为一种典范，性沦落于话语的掌控，不断地被话语追踪，没有丝毫躲藏与喘息的机会。

This kind of tension is mainly displayed through the narrative structure of text, the narrative rhythm, fictional and nonfictional descriptions,narrative and non-narrative discourses andthe intrinsic contradictionof characters.

这种张力主要通过文本的叙事结构与叙事节奏、虚构性与非虚构性描写、叙事性话语与非叙事性话语、人物形象的内在矛盾性等方面表现出来。

Later in the third chapter, this theory is introduced in aspects of background, problems at issue, representative figures and their respective theory, etc. The most emphasis is put on Adward Said, the leading image in this realm, and his Orientalism, analyzing orientalist discourse and strategies of discursive revolution advanced by him.

本文第三章从产生的背景、关注的问题、代表人物及其理论要点等几个方面对后殖民理论进行论述，着重讨论了后殖民理论的领军人物爱德华·赛义德的东方学理论，并对其提出的东方学话语及话语革命的策略进行分析。

If reversible language can be said to be relief and illumination of man's existence, then the existential painfulness is soothed by the cleansing of the inertia of language.

审美语言既然是一种话语，就应该把它作为与语言结构既相区别又相联系的"话语"来研究。

The article intends to start from the new crisis of description caused by the social change, the breakdown between authority and knowledge Parol, to analyse the background of the new state literatural birth, the posvibility of the new Paroll resultant, and through the analysis of the texts, to induce the features of appreation, Value and insufficiency of New Dynamic literature.

本文拟从九十年代社会转型，权力——知识话语断裂，造成新的表征危机入手，分析新状态文学诞生的背景，新的话语生成的可能，通过对本文的解析总结新状态文学的美学特征、价值和不足。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。