诗篇

From the first verse of Psalm 22, it is clearly evident that this is a Messianic prophecy.

从诗篇廿二篇第一节来看，显然，这是一篇有关弥赛亚的预言。

Which of the Psalms of this lesson are millennial and messianic?

其中的诗篇的这个教训是千年和救世主？

At the conclusion of the psalm, we find verses of Messianic significance.

在这篇诗篇结束时，我们看到几节有弥赛亚意义的经文。

In that case the Psalm takes on a millennial aspect.

在这种情况下，采取的诗篇千年方面。

Iii, 19-21, 64-66, and chapter v, which, like a Miserere Psalm of Jeremias, forms a close to the five lamentations.

三， 19-21 ， 64-66和第五章，其中，像一个求主怜悯的赫雷米亚斯诗篇，形成了密切的五个悲叹。

The first chapter discusses the origin of poly-choral style, including historical background on the tradition of psalms singing. The second chapter focuses on Renaissance time at Venice, and discusses the politics, artistic, glass craft, mosaic art synopsis at that time. The third chapter discusses poly-choral music of Venetian school in the early times of 16th century, and main composers of Venetian school including: Andrian Willaert, Andrea Gabrieli, Giovanni Gabrieli, and Claudio Monteverdi in early time of Baroque period. The fourth chapter discusses poly-choral works, the effects of the acoustics "stereo sound", questions of chorus establishment, textures, and questions of annotation and questions when conducting these pieces based on the discussion and summary from the previous three chapter.

第一章讨论的是复合唱风格的源起，包括诗篇对唱式唱法的传统溯源；第二章讨论文艺复兴时期的威尼斯，包括政经情况，及艺术、玻璃工艺、马赛克艺术的简介；第三章讨论威尼斯乐派在十六世纪早期的复合唱雏型，及盛期的主要作曲家，包括：威拉尔、安德拉E噶布里埃利、乔望尼E噶布里埃利，及巴罗克早期的孟特威尔第…等复合唱作曲家的风格；第四章整合前三章的论述，由实际的复合唱作品，讨论「立体声」的音响效果、合唱团的编制、织度问题，以及诠释及指挥上会遇到的问题。

In place of a sometimes overwhelming monumentalism of "the" great poem, Zukofsky emphasized the need for "a" series of poems.

他的"以'the'开始的诗篇"曾一度咄咄逼人成为诗坛风标，但他更强调他的系列长诗"A"的必要性。

Nomos, a Law, so great and famous a term in the political vocabulary of the later Greek society, does not occur in Homer.

至于NFμσ是指一条"法律"，这是后期希腊社会政治语言中一个非常伟大而著名的名辞，但在荷马诗篇中却没有见到过。

Speaks of God's omnipresence as something beyond his comprehension:"Such knowledge is too wonderful for me; it is high, I cannot attain unto it."

诗篇一百卅九篇，大卫提到上帝的无所不在，是超过人的理解能力，「这样的知识奇妙，是我不能测的；至高，是我不能及的。

Psalm from God's creation to see God's omniscience, omnipotent.

诗篇》从上帝的创造看到上帝的全知、全能。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。