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In recent years, with the growing concern on the antiphony of Tang dynasty, researchs began to pay attention to joint sentences poem. To my point of view, the reason of low achievement of poem-joint sentences is the insufficience of further study and the limitation of reserch range, particularly the joint sentence poem of Tang Dynasty lacks further reserch and integrate reserch system. So I determined to make the joint sentences poem of Tang Dynasty ( the 1st year of Gaozu Wude-the 4th year of Xuandi Tianyou ,year 618–year 907) to be the study subject of my thesis.

近年来随着对唐代唱和诗越来越多的关注,研究者们也开始留意唱和诗中一种特殊的形式——联句诗,但笔者所见之文章多因联句诗总体创作成就不高的原因,或笔墨过于节省,或泛泛而谈、不够深入,或者囿于点的探讨和积累,对联句诗特别是联句诗发展黄金期的唐代尚缺乏进一步详细地整理和系统研究,这一现状使我确定了以唐代(高祖武德元年618年——宣帝天佑四年907年)联句诗为本文的研究对象。

She is really not only beauty, loveliness, and winningness, to my thinking, but also cleanness, concinnity, and holiness just as I shown the flowers are.

我喜欢英文就如我喜欢中文一样,我也喜欢英文诗恰如我喜欢中文诗。以我之见,诗就如我给大家展示过的花一样,不但美丽、可爱、动人,而且。。。

Thisarticle attempts to study the formation, characteristics and humanistic implications ofChinese hymnody in three chapters. Chapter 1 introduces the formation anddevelopment of Chinese hymnody from the political, religious, and culturalperspectives. Chapter 2 analyzes the various features of Chinese hymnody anddemonstrates that Chinese hymnody is a synthesis of Chinese and western culture andmusic. Chapter 3 explains the value, significance and influence of Chinese hymnodytoday from cultural, progressive, and aesthetic perspectives.

第一章简介了中国基督教圣诗音乐生成的政治及宗教文化背景,指出其对中国基督教圣诗音乐的作用与影响,并梳理了中国基督教圣诗音乐本色化发展概况;第二章论述了中国基督教圣诗音乐的多样性及崇拜性表现特征,从词曲的来源、和声的民族化及在崇拜中的表现特征分析中国基督教圣诗音乐中西融汇的多元特征;第三章是从人文角度对中国基督教圣诗音乐的透视,从其文化内涵、现代性变迁及审美取向来三个方面阐明了中国基督教圣诗音乐在当代的价值、意义及影响。

Quatrain: Usually a stanza or poem of four lines.

四行诗:四行诗通常是四行成段的诗或诗节。

Spenserian stanza: A nine-line stanza with the following rhyme scheme: ababbabcc.

斯宾塞诗节:斯宾塞诗节是有九行组成的诗节,其押韵形式通常为ababbabcc。

Many people thought that since is the sing, that this should be sing Li the Yang love poem, is in effect it is not so, looking from the entire poem, really has to Li the Yang love sing, but on the other hand through writes Li Yang's love to come the parable Emperor Xuanzong in Tanh dynasty heavy color light country, so that initiates "Anlushan Rebellion", therefore I thought that this first poem is not only a song chants poetry, simultaneously is also a parable poem.

很多人认为既然是歌咏,那这应该是一首歌咏李杨爱情的诗,其实不然,从全诗看,的确有对李杨爱情的歌咏,但是另一方面通过写李杨的爱情来讽喻唐玄宗重色轻国,以致引发&安史之乱&,所以我认为这首诗不仅仅是一首歌咏诗,同时也是一首讽喻诗。

His representative works are: poem collections such as Songs on the Border, In the North, Grass Sparse on the Plain, Cactus, Selected Poems by Gong Liu, I Want to Have a Home, Short Poems by Gong Liu for Perusing; collection of short stories A Street on the Border; scenario Ashma and Cloud of Waiting Wife; commentary collections Drudging on the Road of Poems and Poems and Honesty; random note collections Longing for Wine, Walking Memorial Tablet, and Voice on the Paper------ Random Notes by Gong Liu; essay collections Proper Topic Expounded Improperly, and Say No to Calcium Deficiency; reportage collections Crevices, etc.

其代表作有诗集《边地短歌》、《在北方》、《离离原上草》、《仙人掌》、《公刘诗选》、《我想有个家》、《公刘短诗精读》,短篇小说集《国境一条街》,电影剧本《阿诗玛》、《望夫云》,评论集《诗路跋涉》、《诗与诚实》,散文随笔集《酒的怀念》、《活的纪念碑》、《纸上声——公刘随笔》,杂文集《正题歪做》、《不能缺钙》,报告文学集《裂缝》等等。

There are epics of the Zhou Dynasty, poems describing life on the farm, patriotic poems depicting soldiers garrisoning the frontiers, poems of compliant and satire, love poems and sacrificial poems.

诗经》广泛而真实地反映了古代社会生活的画面以及不同阶级和阶层的人们的生活感受,内容包括周族史诗、农事劳动诗、爱国征戍诗、讽喻怨刺诗、爱情婚恋诗、燕飨祭祀诗等等。

The life-relatedness of poems of the early Tang Dynasty is seen in theexpression of the rise-and-fall theme of Urban Poems, the pursuit of individual valueof one's life of the Frontier Poets and Chivalry Poets, and the hope placed on lifeconsciousness in the intoning poems and peacefulness of life of the landscape poems,etc. In addition, it can also be seen in the expression of emotions and ambitions in aparticular image, the pursuit of and the persistence in integrity on the part of the poets,and in the choice and application of the different poetic forms like the Hepta-cantusand the sao style, etc.

初唐诗歌生命化现象普遍存在于都市诗对盛衰主题的表现、边塞诗和咏侠诗对诗人个体生命价值的追求、咏物诗对生命意识的寄寓和山水诗对生命的安顿等方面;此外,还体现在特定意象对情志的抒发,诗人对&风骨&的自觉追求和坚持,对诗歌形式诸如七言歌行、骚体诗等的有意识的选择和运用。

There were three versions regarding the compilation of the book, namely collecting of folk songs, gleaning of congratulatory poems and the selection of the poems by Confucius.

关于《诗经》的编辑,古代有&采诗&、&献诗&及孔子&删诗&之说,认为由&采诗之官&从民间搜集的诗歌,加上各诸侯国贵族的献诗,以及王朝宗庙里的祭歌,有3 000首之多,孔子从中选取305首编为《诗经》。

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