诗的

Emotional impulse and eruption make the creators body fiercely turbulent and intensive, emotions then link with poetry through the sustainer of body, we study the relations between poetry and emotions from the angle of emergence of poetry; But from the angle of reading of poetry, emotions in poetry contain movements, and can make muscles intensive-, vigour inspiring, blood boiling.

情感冲动与爆发使创造者的身体产生剧烈的动荡、紧张，情感从而通过身体这个承受体与诗发生联系，这是从诗的产生来看诗与情感的关系；从诗的阅读来看，诗中的情感隐含着身体的动作性，能让人肌肉紧张、精神振奋、血液沸腾。

Coleridge的词条前再加一条Purchas的词条,如下::: Purchas his Pilgrimage, or Relations of the World and the :: Religions observed in all Ages and Places discovered, from the :: Creation unto this Present...

的诗是英语中最为性感的，这不过是一个品味问题。我们要关心的是Purchas这个人，Coleridge在写这首诗的时候并不是在读马可波罗的游记，而是在读Purchas的书。

A19 line poem of fixed form consisting of five tercets and a final quatrain on two rhymes , with the first and third of the first tercet repeated alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain .

田园诗一种有固定格式的19诗；由五个三押韵的诗节和一个四诗节组成，其四诗节有二个韵，在第一个三押韵诗节中，第一和第三作为结束后继诗节的重复句间隔地重复出现，并作为四诗的结尾对句一起再现

A19 line poem of fixed form consisting of five tercets and a final quatrain on two rhymes , with the first and third lines of the first tercet repeated alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain .

田园诗一种有固定格式的19诗；由个三押韵的诗节和一个四诗节组成，其四诗节有二个韵，在第一个三押韵诗节中，第一和第三作为结束后继诗节的重复句间隔地重复出现，并作为四诗的结尾对句一起再现来源：词友

A19 lie poem of fixed form consisting of five tercets and a final quatrain on two rhymes , with the first and third lines of the first tercet repeated alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain .

田园诗一种有固定格式的19行诗；由五个三行押韵的诗节和一个四行诗节组成，其四行诗节有二个韵，在第一个三行押韵诗节中，第一行和第三行作为结束后继诗节的重复句间隔地重复出现，并作为四行诗的结尾对句一起再现

A 19 line poem of fixed form consisting of five tercets and a final quatrain on two rhymes , with the first and third lines of the first tercet repeated alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain .

田园诗：一种有固定格式的19行诗；由五个三行押韵的诗节和一个四行诗节组成，其四行诗节有二个韵，在第一个三行押韵诗节中，第一行和第三行作为结束后继诗节的重复句间隔地重复出现，并作为四行诗的结尾对句一起再现

A19 line poem of fixed form consisting of five tercets and a final quatrain on two rhymes , with the first and third of the first tercet repeated alternately as a refrain closing the succeeding stanzas and joined as the final couplet of the quatrain .

田园诗一种有固定格式的19诗；由五个三押韵的诗和一个四诗组成，其四诗有二个韵，在第一个三押韵诗中，第一和第三作为结束后继诗的重复句间隔地重复出现，并作为四诗的结尾对句一起再现

But other side , Dark value of oneself yet possess underrating the point , In immediate future the real scenery that lived on the community upper levels at that time may be out of probe into out , Secondly abstracting the element differentiateed Si in the poetry seeps into and also reacts mankind's necessity to the art effect of thinking development , As to taut with dark to spring up is the best instance verse speaking walk but scenery with hills and waters verse coming , It produces the regression to the image as displaying the poetry , But make known the sublimation in the one kind taller step that the poetry was produced , In immediate future in some essence that adjust to conceal the scenery with hills and waters image after pursues , But hoop of this middle , Ought to be undoubtedly that the dark word verse adjust in the firsthand poetry natural abandoing of image , This is that the dark word verse is living at the value location on the history of poetry .

而另一方面，玄言诗自身的价值仍有不可低估之处，即一可以从中探究出当时社会上层生活的实景；二是诗歌中抽象思辨因素的渗入也反应了人类思维发展对艺术影响的必然，至于紧随玄言诗步履而来的山水诗的兴起就是最好的例子，它既体现了诗歌创作对物象的回归，又反映了诗歌创作的一种更高层次上的升华，即对隐藏在山水物象之后的某种精神上的追求，而这中间的一环，无疑应是玄言诗对原始诗歌中朴质物象的舍弃，这才是玄言诗在诗史上的价值所在。

NYQ: When you talk about craft in writing, and when you talk about home repair of poetry, you seem to be stressing much more than poetic forms—such as pantoums or sestinas.

当你谈到写诗的技巧的时候，还有当你谈到诗的修理的时候，你似乎在强调比诗的形式更多的东西──诸如隔行同韵的四行诗或六节诗。

This paper mainly consists of five parts. The Introduction mainly defines the scope and relative concepts, and covers the present situation of research about it. The first chapter traces the Seeing-off-poetry's cultural origin, classifies its emotion contents and artistic achievements, and differentiates the flows from the base of comprehensive reorganization of the Seeing-off-poetry from pre-Qin to latter-Han Dynasty. The second chapter studies its variations about styles, artistic expressions, and gentries' spirit features. And in this part we also discuss the reasons of Four-word-see-off-poetry's booming and its peculiarities in Jin Dynasty. The third chapter demonstrates the influence on Seeing-off-poetry in the Early and Glorious Ages of Tang Dynasty such as the construction ways, poetry images and emotion styles. The Appendix enumerates all the 465 Seeing-off poems' tittles, authors, their birth and dead time, writing time and sources of quotation one by one, so that all of them can be checked to prepare the investigation.

论文主要有五个部分：&绪论&重在界定魏晋南北朝送别诗的研究范围和相关概念，并对其研究现状作一全面回顾；第一章&送别诗溯源&，在全面整理先秦两汉送别诗的基础上，对《诗经》以来送别诗的文化渊源、情感內容和艺术成就分类概说，辨明其源流；第二章&魏晋南北朝送别诗研究&，从诗体、艺术表达、士人精神风貌三个角度研究这一时期送别诗的演变，并探讨两晋时期四言送别诗的繁盛原因及其特点；第三章&对唐代送别诗影响&，从建构方式、诗歌意象、情感风格三个方面论证魏晋南北朝送别诗对初盛唐送别诗的影响；&附录&部分列出魏晋南北朝送别诗系年一览表，分朝代逐条列举魏晋南北朝465首送别诗的诗题、作者、生卒年、创作时间及其出处，以备查考。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失