诗歌

Cinderella The prince leans to the girl in scarlet heels, Her green eyes slant, hair flaring in a fan Of silver as the rondo slows; now reels Begin on tilted violins to span The whole revolving tall glass palace hall Where guests slide gliding into light like wine; Rose candles flicker on the lilac wall Reflecting in a million flagons' shine, And glided couples all in whirling trance Follow holiday revel begun long since, Until near twelve the strange girl all at once Guilt-stricken halts, pales, clings to the prince As amid the hectic music and cocktail talk She hears the caustic ticking of the clock.

她的诗歌选集曾因&改变当代诗歌创作方向&而获得普利策诗歌奖；她和英国桂冠诗人特德·休斯的恋情与婚变成为英美文坛的一桩著名公案；女权主义者、忧郁症患者、迷乱而热烈的诗人、因悲伤而自杀的女人……这些身份，纠缠着她短暂的一生……普拉斯：&活得精彩又乱糟糟的女人&--袁楠----------------------------------------------灰姑娘那王子倾身向穿鲜红色高跟鞋的姑娘，她碧绿的双目斜视，随着回旋曲缓缓播放那扇形的银发飘逸闪烁波光现在舞曲以翘起的小提琴开始持续悠扬那整体旋转的高大玻璃殿堂宾客如酒悄悄滑进灯光；玫瑰蜡烛摇曳在紫丁香墙上映射着百万葡萄酒瓶的光亮，而滑移的舞伴们都昏旋迷转领会假日开始的长长的陶醉，临近午夜十二点那奇怪的姑娘突然象被击而止，紧握王子，面色苍白仿佛负罪在忙乱的音乐和鸡尾酒交谈中她听到敲响了尖利刺耳的钟。

The "pre-obscure poems" is different from the previous "Underground Salon" and the "Folk Poetry". It puts more emphasis on the historical and artistic contact with obscure poems.

本文主要关注20世纪60、70年代北京地区的非主流诗歌活动，与此前的&地下沙龙&、&民间诗歌&等指称不同，&前朦胧诗&主要在诗歌本体意义上强调其与此后的&朦胧诗&的历史和艺术关联。

Imagists have obtained the quintessence of classic Chinese verse—use of imagery and its linguistic style, but have not attained the aesthetic realm of Yijing owing to the cultural differences; on the other hand, they have not inherited the traditional western aesthetic principle.

受中国古代&天人合一&、&虚实相生&哲学观的影响，中国古典诗歌形成了空灵、恬淡、朦胧、含蓄的特点和语言简洁、不加修饰、不说教、不判断的语言风格。19世纪末到20世纪初，中国古典诗歌通过中西文化的交流，对西方诗歌的影响日益增强。

Lu Xun wrote the essay On the Poetic Power of Maras to support rebellious poets; suggesting the rebellious and resistant nature of poetry can flourish anywhere, anytime, even today.

1907年鲁迅先生作《摩罗诗力说》，荐举&立意在反抗，指归在动作，而为世所不甚愉悦&的反抗诗人，特意点出诗歌天性中的不随俗同沦：&其声度时劫而入人心，不与缄口同绝&，正因这诗歌天性的存在，诗歌中的反抗，在每个时代每个地方都存在着，即使是犬儒之风极盛的今日21世纪。

The poetry has always been occupying the Chinese classical literature mainstream and the orthodox status, it is not only manifests the vigorous development of poetry itself, but also manifests the seepages and the radiation to other literary styles.

一直以来，诗歌都占据着中国古典文学的主流和正宗的地位，这不仅体现在诗歌本身的蓬勃发展上，也体现在诗歌对其他文体的渗透和辐射上。

This paper, grounded on the related literature theories, sets as its goal to explore the characteristics and styles of the feminine poetry in the 1990s on the whole. At the same time, it also analyzes the individual poetesses and their poetic works over a span of time. Based on "the Collected Works of China"s Feminine Poetry" published in 1997 yet not confined to this book only, In the meanwhile, three perspectives will be taken into consideration, namely,"feminism","language" and "popular culture.

本文旨在回归诗歌文本，以相关文艺理论为依据，对90年代女性诗歌整体特点与风格进行探索，然而纵向切入的角度则始于单个诗人及作品；以1997年《中国女性诗歌文库》所收录的诗人为出发点，但不局限于此文库：同时横向兼顾从&女性主义&、&语言&和&大众文化&三个角度进行研究。

First of all, Chinese unique geographical surroundings result in cultivation civilization, in which people's living and production were utterly influenced or even controlled by sun and such disasters as floods and droughts caused by sun made our ancestors much more dread and hate the moon. On the contrary, in the view of our ancestors, moon not only is beneficial to the growth of crops, but brings about brightness, coolness and enjoyment, which in turn makes moon much more popular than sun. As a carrier of national emotion, mythology also contributes to the development of "valuing moon above sun"in that the collective unconscious of hating sun but loving moon reflected in mythologies such as "Hou Yi Shot the suns"and "Chang E's fly to moon"easily finds its expression in the course of selecting poetic images. Philosophically,"masculine"and "feminine"are realized in many aspects of social life, but the trinity of sun, monarchy and father, which is identical with "masculine"dominates the political and ethical field while the trinity of moon, mother and daughter, which represents "feminine", plays a leading part in culture and art. So far as poetry is concerned, the image of moon has an overwhelming superiority. Aesthetically speaking, the moon spirit has been embodied in several ways. Moon is both the origin and the summit of such aesthetic standards as softy, sweetness and clearness, so it is reasonable that the image of moon has been regarded as aesthetic object in poetry much more frequently than the image of sun.

中华民族所处的独特的地理环境孕育出了农耕文明，在农业社会中，太阳对人们的生产生活具有绝对的控制与影响，因日而起的水旱灾害更加深了先民对太阳的畏惧与仇恨；而月亮在先民心中，不仅能促进农作物的生长，而且带来了与太阳相反的皎洁、清凉、闲适，所以月亮比太阳受到更多的欢迎；神话是是民族情感的载体，&后羿射日&与&嫦娥奔月&所映射的恨日爱月的集体无意识，在诗歌意象的选取中自然地流露出来，有助于&重月轻日&现象的形成；哲学上的&阴&&阳&范畴在人们社会生活的多个方面均有体现，但与&阳&直接同一的&日—君—父&三位一体控制了政治、伦理领域；而代表&阴&的&月—母—女&则在文化、艺术领域占据了突出地位，具体到诗歌中，则是月亮意象完全压倒日意象；审美上的月神精神，在月亮意象上得到了多方面的反映，月亮既是阴柔美、恬静美、澄澈美等艺术审美准则的来源，也是其最高体现，月亮意象自然比日意象更多地进入诗歌审美领域，成为审美对象。

At first, the thesis research personal life of Wang Ji, and reveals that his later career setbacks influenced on the his spirit , thereby form desolate tone of his poetry; Then, Wang Ji Poems are divided into ...

论文首先探究了王寂的个人生活，揭示了他晚年仕途的挫折对他精神上的重大影响，从而形成他诗歌悲凉的基调；接着，将王寂诗歌分成四个题材，并逐一进行了分析；在艺术上则以&清刻镵露&说为切入点，探讨了王寂诗歌的艺术特色；在艺术借鉴方面上分析了他对苏轼的学习。

At first, the thesis research personal life of Wang Ji, and reveals that his later career setbacks influenced on the his spirit , thereby form desolate tone of his poetry; Then, Wang Ji Poems are divided into four themes, and each is analyzed;"Qing ke chan lou" said is a starting point that explores artistic features of his poems in the artistic aspects. What he learned by Sushi is analyzed in the art reference aspects.

论文首先探究了王寂的个人生活，揭示了他晚年仕途的挫折对他精神上的重大影响，从而形成他诗歌悲凉的基调；接着，将王寂诗歌分成四个题材，并逐一进行了分析；在艺术上则以&清刻镵露&说为切入点，探讨了王寂诗歌的艺术特色；在艺术借鉴方面上分析了他对苏轼的学习。

In the fountainhead of Chinese poetry-"The Book of songs", there are many onomatopoeias reduplications and alliterations: All of these are Chinese language's particular "poetry function" displayed in the first poetry anthology.

在中国诗歌的源头《诗经》中，有大量的摹声词、重言词及双声叠韵词，这些词汇正是汉民族语言特有的&诗歌功能&借上古第一部诗歌总集的大展示。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了