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The third chapter is that the author makes use of the rhetoric basic theory to analyse Li Bai's poems. In this chapter the author summerize the main rhetorical characteristics of his poems on the basis of the former describings and point out the shortcomings and dissufficiences of the ancient people.

第三章是笔者利用修辞学的基本理论来集中分析李白诗歌的文本,在借鉴前代人成果的基础上总结出李白诗歌的主要修辞特色,并指出前人在描述李白诗歌的修辞艺术特色方面的局限和不足。

The poet fancies to create a kind of great poetry which could surpass both female parent and the male parent. This is undoubtedly great humanity---something of the character of poetry.

诗人幻想着能创立一种伟大的诗歌,这一伟大的诗歌不仅要超越母本,而且要超越父本,是一种伟大的人类精神——一种诗歌总集性质的东西。

Rhythm and"Ping Ze"make the sound of poetry become musical sound--the rhythmized and melodized sound with concrete or abstract pitch, interval and tone quality. The time of sound thus turns into intuitive original Time.

汉语诗歌中的平仄系统的建立,使得具有音乐规律的声调系统通过音调渗透到汉语诗歌的每一个音节中,正式宣告了诗歌声音过程作为一种音乐性文本的独立。

By making an analysis of some important poets and their words, the author attempts to illustrate that Persistent Probe of life on the Part of the poets plays a significant role in the poetry of Wei and Jin dy- nasties.

本文通过对魏晋时期的一些重要诗人和诗作的分析,试图说明:执着人生探索是魏晋诗歌的一个重要内容,它形成了一条主线,贯穿魏晋诗歌的始终,这正是魏晋风度的魅力所在,也是魏晋诗歌的底蕴所在。

His poesies were studied from the longitudinal and horizontal angles respectively.

中文摘要:本文以中唐诗人权德舆的诗歌艺术为研究对象,从纵向与横向两个角度切入,以三个部分展开:正文第一部分为纵向对其诗歌分期研究,注意分析其入阁前后两个时期的生活与诗歌创作的关系及在艺术风格上的差异,其基本方法是&知人论世&。

In this thesis, I want to go further in reading Poe s poems by situating them within the social and psycho-cultural context in order to interpret his patriarchal consciousness and to explore the gender identity Poe represents in his poems through feminist eyes.

本论文将从文化研究的视阈,运用女性主义批评理论,通过追溯坡的诗歌创作生涯,将坡在不同时期的诗歌创作中塑造的男性形象与女性形象进行对比,以女性主义立场和视角解读其诗歌作品中的男权意识,从而使国内对坡及其作品有更深刻的了解,引起人们对其文化问题的更大关注。

That arethe reason of" the poetry tunning " in the particular popetry atmosphere.finally, at thattime, the boundary of the nobility and bottom layer people was broken, that causes theboundary between elegant and cheap in poetry start to disappear, this is the reason of"the poetry tunning" in the poetry standard.

这是&诗运转关&在这一特定时期中文学风气方面的原因。最后,此时的士庶升降则使诗歌的雅俗标准被打破,这是此时诗歌变化在诗歌标准上的原因。

In detailed study, this paper will base on extractive reading and classifying a large amount of poetic texts to review the creation of female poets in this period: their writing subjects come down to various aspects of social life, which shows that they have walked out their boudoirs in this revolution and held a wider world; they have primary female consciousness, so their poets display everywhere their pursuit for independence and equality; they also seek for artistic invention and change, and have made a new breakthrough in language, style, etc.

在具体研究中,本文以对大量诗歌文本的细读、分类为基础,考察了五四女诗人的创作:她们的创作题材涉及到社会生活的各个方面,这表明她们在革命中已经走出闺阁,拥有了更为宽广的世界;她们有了初步的女性意识,诗歌中无处不表现出她们对自立、平等的追求;在艺术上,她们也努力求新求变,在语言、诗歌体式等各方面有了新的突破。

With examples of different Chinese versions of John Donnes poems, the writer of this thesis discusses some essential problems for poetry translation, focusing on the esthetic reproduction in poetry translation.

本文以不同版本的多恩诗歌的汉译为例,探讨了诗歌翻译中的一些基本问题,着重研究了诗歌翻译中的美学再现。

First, the social environment, emotions and functions refracted from the epilogues published in succession can deepen our understanding of the years between 1957 and 1964, and at the same time, mirror the government policy on creative writing. Secondly, it transpires from the findings about the ebb and flow of the Poetry, the activities sponsored by the Poetry and its policy on defining the writing community that the Poetry once struggled to weave 'propaganda' and 'poetic inspiration' into a coherent whole.

其一,从陆续发表的&编后记&这个特殊文本中折射出的社会环境,社会情感和社会功能能够加深我们对1957年至1964年这一阶段社会形态的理解,同时,&编后记&也反映了国家对诗歌创作的管理与监督,体现出国家对一个时期文艺创作状况的基本看法;其二,在对《诗刊》栏目的兴废、《诗刊》举办的诗歌活动与《诗刊》对作者群体的选择三方面进行的数据分析中,可以看出《诗刊》在&思想宣传&与&诗歌想象&方面进行统一的努力。

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