诗歌

Sin' auld lang syne.For auld, etc.We twa hae paidl'd in the burn,Frae morning sun till dine;But seas between us braid hae roar'd.Sin' auld lang syne.For auld, etc.And there's a hand, my trusty fiere!And gie's a hand o' thine!And we'll tak' a right gud-wellie waught,For auld lang syne.For auld, etc.

他的才情多面向，他不仅写情诗、叙事诗、风景诗……也像德国的格林兄弟一样，深入民间，采集古老而又新鲜的乡野故事，经久耐唱的乡间民谣，改写成诗歌。

The motherland, from the pieces which are covered all over with inscriptions on oracle bones, we know your childhood intelligence;we understand your unconstrained youth from the beacon-fire Great Wall; we see your more robust years of a person's life maturity on the earth being studded with poetry and song and science ... I wanted to speak being unwilling to say , I saw also once motherland's frailness: I thought that the motherland is a puddle of blood on Yuanmingyuan charring ruin;"The distant warship " of Deng Shichang, I thinkthat our country is a ball of fire.

祖国，在爬满甲骨文的钟鼎上，读您童年的灵性；在布满烽火的长城上，读您青春的豪放；在缀满诗歌与科学的大地上，读您壮年的成熟……我想说又不愿说，我也曾看到祖国的孱弱，在圆明园烧焦的废墟上，我看祖国是一滩血；在邓世昌勇猛的"致远舰"上，我看祖国是一团火。

It would be free verse as opposed to classical rhymes or classical forms.

这将是自由诗有别于古典诗歌或古典形式。

Poems should not be more than 30 lines long and can be in any form, from sonnets to free verse.

诗歌不应超过30线长，可以以任何形式，从十四行诗，以自由诗。

Dickinson's poems can easily be set to music because of the frequent use of rhyme and free verse.

由于大量的押韵和自由的诗体，狄金森的诗歌很容易配乐。

She grew up traveling around the world, fed on poetry, and schooled by her mother's freewheeling example.

她成长的过程中曾环游世界，受到诗歌的陶冶，还有母亲这样一个特立独行的人生楷模。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the trans ie nce of the e XP er ie nce of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

More often than not, the students devoted part of their works to the discussion of Benjamin or discussed him together with others in their works. The former practice includes the French scholar. R. Rochlitz, who wrote a chapter, the Price of Modernity in his monograph the Disenchantment of Art: the philosophy of Walter Benjamin, dealing with chidhood and memory, the end of the Art of story-telling, lyric poetry at the epoch of capitalism allegory and the evaporation of the Aura, etc. The latter practice includes D. Frisby who placed Benjamin on a par with Simmel, Kracauer in his work Fragments of Modernity, claiming that Benjamin, similar to the others, focused on the transience of the experience of modernity.

前者如法国学者R·洛希里兹的专著《艺术的去魅——本雅明的哲学》中有一章名："现代性的代价"，内容涉及儿童和记忆、讲故事艺术的终结、资本主义抒情诗歌、寓言、灵韵的消失等；后者如D·弗瑞斯比在其著作《现代性的碎片》中将本雅明与齐美尔、克拉考尔相提并论，强调本雅明同他们一样，关注的核心在于对现代性体验的短暂易逝的特性。

Go! Go! and old Rheinhold Cacoethes the father of the Frisco poetry scene was wiping his tears in gladness.

走！走！（都像身在爵士乐即兴演奏会那样），而旧金山诗歌之父老卡索埃特则高兴激动得在一旁擦眼泪。

He also believed, from first to last, that poetry had a special place in the education of children.

他也认为，从开始到最后，诗歌在孩子的教育方面具有特殊的地位。

According to the clear water experiment, aeration performance of the new equipment is good with high total oxygen transfer coefficient and oxygen utilization ratio.

曝气设备的动力效率在叶轮转速为120rpm～150rpm时取得最大值，此时氧利用率和充氧能力也具有较高值。

The environmental stability of that world - including its crushing pressures and icy darkness - means that some of its most famous inhabitants have survived for eons as evolutionary throwbacks, their bodies undergoing little change.

稳定的海底环境─包括能把人压扁的压力和冰冷的黑暗─意谓海底某些最知名的栖居生物已以演化返祖的样态活了万世，形体几无变化。