诗歌

As Empson concentrated his attention on discussing the poetic effects of Shakespeare play from the multi-meanings of the words, his Shakespeare criticism was regarded as confusing the diction with the poem by quite a lot of critics in 1940s and 1950s.

由于偏重根据词语的多义性讨论莎剧的诗意效果，燕卜荪的莎评在40、50年代被相当一部分批评家看成是混淆了诗歌与语言的关系。

She thereby not only underscores time's duration; her implementations in installations, drawings, poetry, and music are especially focused on the repetition and endlessness inherent in the course of time.

因此，她不仅强调了时间的持续时间，她实现了装置，绘画，诗歌和音乐的，尤其是在重复和无穷的过程中所固有的时间集中。

Endymion marked a transitional phase in Keats's poetry, though he himself was not satisfied with it.

魏标志着一个过渡阶段济慈诗歌，尽管他自己也不满意。

The taste for them is as enigmatical and yet as common as the taste for dogmatic theology and the poetry of Edgar A Guest.

人们对这类丑陋图案的欣赏，就同某些人对教条主义神学和埃德加·A格斯特的诗歌的迷恋一样，既不可思议，又让人习以为常。

Wales' annual Eisteddfods are an opportunity to enjoy a wealth of music and performance, but they are also a chance for the visitors to share in the people of Wales's love of music, poetry and culture.

威尔士年度艺术节是尽情享受音乐和获得表演财富的良机，同时也是游客与威尔士人分享音乐、诗歌和文化的机会。

There is an epic poem about it...

有一首史诗般的诗歌描述它。。。

At last ,the article mainly dissertates the limitation and value of epical writing.

第四部分，主要探讨了新时期"史诗"追求存在的局限和问题，以及它在当代诗歌史上的现实意义和价值。

First,the article dissertates the cause and background of epical following.

新时期诗歌的"史诗"追求首先受制于"文化寻根"思潮的影响，是对"文化寻根"思潮的一种回应；其次，朦胧诗在文化上的匮乏，以及它在新时期初的某种"退潮"，也导致了"史诗"追求的出现。

Poetry should be lyrical, epical, didactic, satiric or dramatic, and each class should be guided by its own principles.

诗歌应当是抒情的，史诗的，说教的，讽刺的或者是戏剧的，每一个阶级应当由他自己的原则所指导。

Poetry should be lyrical,epical, didactic, satiric or dramatic,and each class should be guided by its own principles.

诗歌应当是抒情，史诗，训教，讽刺或者戏剧的。每一个阶级应当由他自己的原则所引导。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。