诗歌

Its poetry implication rich but cannot gather, the significance melts in the form, becomes is characteristic "has meaning the form", completed a poet in to be exhausted truly, the extrusion, under the distortion disassimilation condition poetic sentiment of regression the mental.

其诗歌言外之意丰富而不可凑泊，意义融化在形式之中，成为独具特色的"有意味的形式"，真正完成了一个诗人在困顿、挤压、变形的异化状态下精神之诗意地复归。

There is a reason besides philosophical bias which makes the disconnection in the poem.

除了哲学上的偏见，还有一个原因造成了诗歌创作中的不连贯。

The moon has six images in ancient poems-homesickness, parting, seclusion, hidden bitterness, disconsolation and lovesickness.

月亮意象在古典诗歌中表现为乡思、别离、隐逸、幽怨、闲愁、相思等六种主要类型。

The Imagists rejected the sentiment and discursiveness typical of much Romantic and Victorian poetry.

拒绝的意象的情绪和discursiveness许多典型的浪漫主义和维多利亚诗歌。

Disenchantment is Han Dong is an important feature poetry.

祛魅，是韩东诗歌的一个重要的特征。

The truth is that, just as in the other imitative arts one imitation is always of one thing, so in poetry the story, as an imitation of action, must represent one action, a complete whole, with its several incidents so closely connected that the transposal or withdrawal of any one of them will disjoin and dislocate the whole.

事实是，正如在其他模仿技艺中人们总是只模仿一个事物，诗歌中也是如此，作为对行为的模仿，故事必须呈现一个行为，一个完整的行为，这一整体由数个事件构成，其相互关联极为紧密，以至其中任何一个事件只要调换了位置或者消失就会使这一整体分离混乱。

So in the paper,"space" is a clue of understanding Dong Han, dispart three chapter, in order to tear the literature history label on the body of Dong Han, to understand his persist and success in literature personal integrity and literature idea from his poesy and novel.

所以本文以"空间"作为一条理解韩东的线索，分三章，意在撕掉韩东身上的"文学史"标签，通过对其后来诗歌和小说文本的细读来爬梳其文学中的"空间"意识，发觉"文学史"以外的韩东，挖掘其对文化操守与文学理想的坚持及其成就。

With the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed.

米勒以诗歌体的凝练和散文体的率直，描绘了一幅被放逐者的图景。

"Who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed".

她，以诗歌的专注和散文的率直，描述了一无所有流浪者的生活状况。

Who, with the concentration of poetry and the frankness of prose, depicts the landscape of the dispossessed.

瑞典文学院的颁奖词称：以诗歌体的浓度和散文体的率直，描绘了一幅被放逐者的图景。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。