诗歌

According to the direct or indirect method of being influenced, Taoistic poems can be divided into two categories correspondingly. Those poems influenced directly by Taoism includes intercourse eulogy between poets and priests, and depressed Taoist landscape poems. Those poems influenced indirectly by Taoism includes poems imitating placid style and autarkic reclusion of Tao Yuanming, poems imitating unrestricted style and fairyism of Li Bai and Li He, and poems admiring Taoist inclusion and deity's immortality.

这些诗从影响方式可分为受道教直接影响的诗歌与受道教间接影响的诗歌，前一类型包括两种：一为诗人与道士之间的赞美式的酬唱赠答诗，二为带有沉重思绪的游宫观山水诗；后一类型包括三种，一为学陶渊明的冲淡诗风和躬耕隐居的诗歌，二为学李白、李贺的自由张扬与具有神仙思想的诗歌，三为羡慕道徒隐居和飞升成仙的慕道诗。

Certainly, verse language a type usually is with interfuse rhetoric in other verse, much more lexical righteousness in verse in common composing.

因而对多义性诗歌语句的改写也最能察看诗歌语言句式在诗歌实际表达中的应用情形，同时也最能体会诗歌语言句式在实际表达中的效果。

Starting off from the "the agreement of language and expression" pursuit of late-Qing intellectuals and concrete poetry creation to the flourish of free verse written in vernacular during the May 4th Movement of 1919, the article reviews the complex genesic intertwinement and concrete view of modern Chinese poetry from the interactive angle of experience, language and form.

对这一形态的辨析，会发现"现代汉诗"的"发生"的内在机制和隐藏的问题。本文倾向于诗歌本体内部的语言、形式与现代性语境中的个体经验的纠结、互动对诗歌发生的影响：在论述方式上，注重的诗歌文本和语言、形式理论的分析。在晚清至"五四"这一中国现代知识分子追求现代性的语境下，本文试图通过对知识分子对新的汉语言说方式的追求和具体诗歌创作情况来考察"现代汉诗"的"发生"的语言脉络和形式依据。

Depending on this, we concluded the difference of Zeitgeist between mid ages and pre-modern literature on merchant spirit: either the dominant idea of the mid ages poetry is "powerful commerce leads to underdeveloped farming", or the idea that focuses on "mutual benefits" based on court and local policy; but the beginning of pre-modern literature----- the agreement between scholar-bureaucrats and merchants comes from lightheartedness, joy, sentimental expression and lyrical description expressed by middle period of Ming merchant poetry that deeply reflected the citizenly cultural spirits. Contrast to the poetry on merchant of middle literature, this is the ultimate transformation, showed the mostly characteristic of pre-modern literature priorly .

以此为界说，可以归纳出中世、近世涉及商贾诗歌的不同的时代精神：中世时期的诗歌或以"贾雄则农伤"为其主导思想，或主要着眼于朝廷与地方政策的层面张扬"农商兼利"的思想；而近世文学的起点———明中叶涉及商贾的诗歌往往在自由自在、安享快乐及张扬情欲、舒展性灵等方面有士商心灵的契合，在深层次上反映了市民文化精神，相对于中世涉及商贾的诗歌有根本性的转变，较早地显示出近世文学的主要特征。

The following three parts are thinking and rethinking respectively over the three main aspects of Wordsworthian poetics: Nature, language and revisionary aesthetics.

文章的三、四、五部分分别分析了华兹华斯诗歌理论中的三个核心命题：诗歌中的自然，诗歌的语言以及诗歌的美学效果。

On the other hand, poetry is also advantageous to nature; it is the eulogy of poetry that achieves the fame for the places of interest; it is the poetry that beautify the natural surroundings, which will consequently enhance the original value; it is the wisdom in poetry that spiritualize human mind, therefore, nature will be correspondingly preserved and protected.

另一方面，诗歌也对自然产生了多方面的助益：借助诗歌的传颂，许多自然风景得以流芳千古；借助诗歌的力量，自然物也平添了更多的人文色彩，提升了原有的价值；借助诗歌的智慧，人类的心灵获得了净化，自然则得到了更多人的尊重与保护。

Spoken Poetry article from the network of morphological characteristics, the causes of oral sex, and oral performance, the ultimate meaning and limitations of folk poetry and network position, low-poem "waist" to explain the two major aspects of the language require the trivialization of poetry Poetry and its network is now moving toward the development of a civil position of stability and low-poem "waist" of the boom.

文章从网络诗歌口语性形态特征、口语性的成因、及其口语化的表现、最终的意义与局限和网络诗歌的民间立场、低诗"下半身"走向两个大方面阐释出诗歌语言的庸常化及其现在网络诗歌的一种发展走向，民间立场的稳定和低诗"下半身"的热潮。

This thesis takes Tu Fu's pomes from his beginning creation time, through the AnShi armed rebellion, to the time of his resignation in Huazhou as the research object. Firstly, it is because that Tu Fu's poems are the representation of the highest achievement of our traditional poems. Particularly his works created during the AnShi armed rebellion reach the crest of Chinese realism poems creation for its characteristic of "great collection".

本文以杜甫自有作品以来、经历安史之乱再到华州弃官一段时期的诗歌作品为研究对象，首先因为杜诗代表了中国传统诗歌的最高艺术成就，特别是他安史之乱前后的诗歌，以其"集大成"的特色，达到中国现实主义诗歌创作的顶峰。

He used to utilize concise language and plain poetic form: vocabulary in his poems is mainly informal, and most of them belong to monosyllables; on syntax, Frost mainly adopts normal, prosaic lingual orders and strict and orthodox grammars; on the poetic form, he often writes traditional blank verse, sonnet and pays more attention to the phonetic natural rhythm, lines' musical effect and the relations between sound and meaning, which form his unostentatious artistic style.

他的诗歌通常运用简洁凝炼的语言和平淡的诗歌形式：诗歌中出现的大多是口语化的词语，并且大多数词都属于单音节词；在句法方面，大多的句式采用的都是正常的、散文化的语序和严格正统的语法；在诗歌形式上，他主要使用无韵诗和十四行诗，他也十分重视语音的自然节奏和诗句的音乐效果以及音与义之间的联系，从而形成质朴无华的艺术风格。

At the same time, This part elaborate detailedly his transformation of his poems style, from simulate to mature, which relates to his vagabondage .

同时，这一部分对其各个时期诗风的转变进行了详细的阐述，从最初的模拟之作到最终走向成熟，无不与其漂泊的人生有着密切的联系；第三部分对汪元量诗歌创作进行成因分析，揭示出蒙元统治是汪元量诗歌创作的政治动因，宽松的文化环境是他诗歌创作的契机，而"宗唐得古"风尚，则是汪元量诗歌创作的温床；第四部分对汪元量研究中存在的"宋旧宫人诗词真伪"和汪元量仕元两个问题进行了更加全面、更加科学的论述，揭示出王国维先生提出的宋旧宫人诗词为伪作这一观点不能成立。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了