诗歌

This is a movement that advanced modernism in arts which concentrated on reforming the medium of poetry as opposed to Romanticism, especially Tennyson's wordiness and high-flown language in poetry.

这一运动推动了现代派艺术的发展。在诗歌中，反对精工细琢夸夸其谈的语言，主张改革诗歌的媒体。

This is a movement that advanced modernism in arts which concentrated on reforming the medium of poetry as opposed to Romanticism, especially Tennyson's wordiness and high-flown king1970uage in poetry.

这一运动推动了现代派艺术的发展。在诗歌中，反对精工细琢夸夸其谈的语言，主张改革诗歌的媒体。

The histrionic discourse contrined in poetic art is an important art form for aesthetics obtaining.

诗歌艺术中所具有的戏剧性话语，是诗歌得以获得审美性的一种重要艺术形式。

Aldington's poems were in the November issue of Poetry and HD's in January 1913 and Imagism as a movement was launched.

奥尔丁顿诗歌是在11月的诗歌和HD的在1913年1月和意象作为运动已经展开。

Imagery in the Chinese classical poetry is subjective and emotional performance as a means in the hands of the Imagist poet poetry evolved into the ultimate goal.

意象在中国古典诗歌中是表现主观情绪的一种手段，在意象派诗人手中演变成为诗歌的终极目的。

He is good at imbibing strongpoint of foreign poetry, especially modern western poetry. He used ferment of his life to digest and integrate. And then he wrote modern poetry containing Chinese characteristics.

他善于吸收外国诗歌、尤其是西方现代诗歌的长处，用自己生命的酵素去消化融会，于是从他的笔端流出富有中国特色的现代新诗来。

The other aspect of this Impersonal theory of poetry is the relation of the poem to its author.

这种诗歌的非个人理论的另外一面，即诗歌和他的作者之间的关系。

Normal writers of poetry will inanely place themselves above poetry, they enjoy playing the role in order to obliterate or deny the attaching relationship in between themselves and spiritual homeland.

平庸的诗歌书写者，会愚蠢地把自己凌驾于诗歌之上，他们喜欢充当这样的角色，从而遗忘或否认自己与精神故乡的依附关系。

Among the poems, especially those texts presenting a reinterpretation of the classical legend, his alternative modernity at the aspect of their poetic art deepened and extended Chinese new poetry's modernism. We should treat his after poems as a pinnacle of modern Chinese poetry at all events.Chapter 6 is the last part of this dissertation. The researcher analyses Fei Ming circle's poetry concept and practice, for example, Nan Xing and Zhu Yingdan. Nan Xing was an inaugurator and founder of modern Chinese idyll.

南星作为中国现代田园诗的开创者和奠基人，在中西诗歌观念的双重影响下，以其柔和温情的心性、敏锐的观察力和纯熟的语言技巧，不仅为新诗写作如何面对田园或者正在城市中消失的田园风景，提供了可资借鉴的想象方式，同时也极大地丰富了中国古已有之的田园诗传统；而朱英诞则以中国新诗里的古典作风为中国现代诗歌带来了古典与现代互动互涉的美学想象。

Secondly, to some extent, Tu Fu"s poem inditement use for reference from the comparison in the works of Qu Yuan,ut his technique has further development more than Qu Yuan"s creation in the tactics of revitalizing in Tu Fus poem .

其次，杜甫的诗歌创作对屈原创作中的比兴手法有所借鉴，但杜甫诗歌中比兴手法的运用较屈原的创作有了更进一步的发展，也更加成熟。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。