诗文学的

Guan Shi Ming point of penetration the main body of a book for studying work is in progress to Mrs. tube poetic prose thorough understand and explain, deep spirit endoplasm of the poem heart ; At the same time,Take the entire tube family culture as the research object, Omni-directionally makes every effort the multi- angles to study theWujin tube family culture; For the thorough research culture prominent family, the Qing Dynasty culture and the prose creation provides a vivid document.

本文以管世铭为研究切入点，对管氏诗文作品及唐诗学成就进行深入解读，发掘出管氏文学作品之诗心、文心及背后所蕴涵之深邃精神内质；同时以整个管氏家族文化为研究对象，详细考证其家族中重要成员文学及学术成就，力求多角度全方位研究武进管氏家族文化，为深入研究文化望族、清代文化和诗文创作提供一个生动的个案。

The last chapter of the dissertation deals specifically with linguistic ideas of Confucius, to be detailed, his ideas about teaching, the world, customs, literature, and language, and his own speech. Confucius' ideas of benevolence, reticence, rightfulness,"gaudiness of language should be avoided","poems are necessary for speech","ideas should be expressed in words, and words should be rhetorical"are theoretically discussed. It is revealed that linguistic ideas of Confucius and Zhou culture are related.

通过对孔子的诲人、论世、正乐、说诗及自身语言行为和语言思想的剖析归纳，阐述了他崇仁恶佞、慎言不苟、正名主义、"辞达而已"与"不学诗，无以言"、"言以足志，文以足言"等重要命题的理论内涵，揭示了孔子儒家语言观与宗周礼乐文化的精神渊源，与他"复礼归仁"的社会理念、"文质彬彬"的人格理想、"郁郁乎文"的尚文倾向的内在关联，进而分析了孔子的语言观念对战国名辩思潮的启迪、范导作用，及对中国文学和文学思想的深刻影响。

Cora encouraged her girls to be ambitious and self-sufficient, teaching them an appreciation of music and literature from an early age. In 1912, at her mother's urging, Millay entered her poem "Renascence" into a contest: she won fourth place and publication in The Lyric Year, bringing her immediate acclaim and a scholarship to Vassar.

珂拉鼓励她的女儿们要有远大志向，同时能够独立自主，并且从小就培养她们对音乐和文学的欣赏能力。1912年，在她母亲的督促下，米莱以她的诗《新生》参赛，赢得第四名的荣誉，同时得以在《抒情年代》发表，随即受到赞誉，并获得瓦萨艺术学院的奖学金。

Based on plentiful materials and careful study, the conclusion isreached: SSP in LQDERC is a transitional literati community between traditionalliterary school and modern literary society and represents the Chinese culture\'stransitional complexity from classic to modernness.

通过大量的资料梳理和细心考论，本文的结论是：清末民初宋诗派是一个介于传统文学流派到现代文学社团之间的过渡性文人群体，体现了中国文学从古典到现代过渡的复杂性。

Section two analyzes supernaturalism and European literature tradition,from Greece literature to natural poem tradition arriving again to civil literature,inquirying into the relationship of supernaturalism verse creations with them one by one.

第二节分析超自然主义与欧洲文学传统，从古希腊文学到自然诗(来源：ABC64论文e5网www.abclunwen.com)传统再到民间文学，逐一探讨超自然主义诗歌创作与它们之间的关系。

Furthermore, the thesis takes the advantage of Chapter Three "The roles' multiple relationship in Ai-Lin Yan's poems" which embraces the three kinds of writing archetypes all above to present the poetic thoughts' orientations with multiple conflicts of individual consciousness by the struggle and the escapement the role "I" treat "you" on the individual consciousness and the performance of the gender in the text, the harmony and the separation "you" treat "I" in the spirit of thinking and on the physical passion, and the metamorphosis of "him" or "her" in accordance with or against subversion "I" treat "him" or "her" that way between the interpretive community and the Other, the imagined community and the alterity.

在当代的文学批评中，相较於对现代小说或现代散文之析论趋势，专文探讨而研究现代诗之论作仍非主流大宗，而居於现代诗中边缘书写的女诗创作，在向来以阳系体制为主导之诗域内，亦往往不易彰显其独特文学价值性。因此，本论文拟择定代表当代台湾女诗中创作思维既有别於他者，亦强烈建立女性意识书写风格之颜艾琳诗作，进行深度剖析，并藉由文本中特殊凸显出之角色个体意识冲突，作为论证台湾九0年代现代女诗突破既往父权文化藩篱，且开启新世代诗创定位之初探基点。

Chapter two presents the colonial mapping of Irish patriarchal literary tradition from bardic poetry to nationalist poetic works, which dehumanizes womanhood into national symbols or into literary muses.

第二章则是阐述爱尔兰父权文学传统，从吟唱文学历史到民族主义文学传统，将女性诗人的意象物化以及扭曲为象徵国家、文学缪思或装饰诗的符号，沦为殖民霸权，绘制了一个排除女性诗人的文学殖民版图。

The theme of "Medieval Love Painting" comes from mostly the medieval poetry, the ballad, the legend, the Renaissance literature and the contemporary romantic poem taking the Middle Ages as the background.

中世纪之爱」的题材多半来自中古诗歌、民谣、传奇文学、或以中世纪为背景的文艺复兴文学和当代浪漫诗。

It's literary image began with the appearance of the "Cantos" and "Chu Elegies", after which came a state of two parallel clues developing together. One of the clues is lotus flowers as a literary image in the folk poetry, in the system of "Yuefu", this system most has the representation is picks the lotus poetry, the performance content mainly is the male and female love, in addition, picks the lotus poem also frequently to use for to express connotation homesickness, leaves, and so on lovesickness; While the other is in the system of scholars, in this system, the lotus flower frequently took noble and pure, happy, fresh, refined symbol, then has flees the world with from the suitable pursue, politics expected with frustrated, the personality unfolds and so on a series of implications and the function.

莲花文学意象的发生则是从《诗经》与《楚辞》开始的，之后，呈现出两条线索并行的状况，一条是乐府系统的莲花文学意象，此一系统最具代表性是采莲诗歌，表现内容主要是男女情爱，除此之外，采莲诗也常常用来表达思乡、离别、相思等内涵；另一条是文人诗赋系统的莲花文学意象，在这一系统中，莲花常常作为高洁、美好、清新、脱俗的象征物，进而具有遁世与自适的追求、政治期望与失意、人格展现等一系列寓意与功能。

The civil war began after the defeat of Japan; newspaper publishing industry grew and translations of modernist literature had been an increase. They mainly gathered in the "creating a poem" and "Chinese Poetry" in Shanghai and Jiuye poets and their predecessors. Translations of their eyes to the situation with a common culture of Rilke, Eliot, Auden and proposed "modem poetry" idea in light of their own practice.

抗战胜利后内战又起，报刊出版业在战乱中逐渐恢复，现代派文学的译介有所增多，主要是聚集在上海的《诗创造》和《中国新诗》周围的九叶派及其前辈诗人，他们把译介的目光投向具有共同文化境遇的里尔克、文咯特、奥登等人，并结合自身实践提出了&新诗现代化&的主张。

This one mode pays close attention to network credence foundation of the businessman very much.

这一模式非常关注商人的网络信用基础。

Cell morphology of bacterial ghost of Pasteurella multocida was observed by scanning electron microscopy and inactivation ratio was estimated by CFU analysi.

扫描电镜观察多杀性巴氏杆菌细菌幽灵和菌落形成单位评价遗传灭活率。