诗文学的

This essay, through a critical analysis of the women's images in Robert Browning's well-known dramatic monologue,"My Last Duchess", attempts to prove that the two women's images in this poem are in fact an embodiment of two archetypes of women, which were handed down from an early literary tradition, misogyny and Mariolatry.

通过对罗伯特·勃朗宁的著名戏剧独白诗《我的前公爵夫人》中的女性形象进行批评分析，旨在阐明这两个女性形象实际上所隐含的从早期文学传统，厌女症和对圣母马利亚的崇拜继承下来的两个女性原型

Chapter III, in the four periods of the Eastern Han Dynasty, by reviewing the relation of the power balance between the regality and monarchical mother"s family along with eunuch, disappearing here and lasting there, we reveal that the chaos of the regality have the suppression and distortion on the scholars′identity, the extreme shortage of political chaos not only leads to the partisans′resistance at the same time, but also makes Scholars′poetic pursuit to be fully embodied in the field of the aesthetic theory and the literature creation . The former is that Huan-tan and Wang-chong attache great importance to the aesthetic thinking of the real, the emotional ,the freedom and the creation, the later is that the Yue-Fu ,the Wen-Ren-Shi,"19 Ancient Poems have gentle lyric and Jian-An poets chant in a heroic but mournful tone.

第三章，则对东汉四个时期君权与外戚、宦官此消彼长权力制衡关系的考察，揭示出君权的乱为对士人认同的压制与扭曲，在极度的政荒朝乱最终导致党人奋起抗争的同时，也使士人的诗性追求在审美理论与文学创作领域得到充分体现：前者表现为桓谭、王充非常重视真实、感性、自由与创造的美学思想，后者表现为乐府文人诗、《古诗十九首》的温婉抒情和建安诗人的慷慨悲歌。

The article, focusing on the thought orbit especially in the field of literature, emphasizing the inter-link between the changes of their thought, explaining the life choice of thought subject and taking the learning and thought idea of World Consciousness and World View as breakthrough points, depicts their social and moral bear and transcendality of their thought version. Contrasting their literary thoughts of organon and ontology with each other, the article explains the central role played by "tragedy" in their thought structure and homorganic and interdynamic relations between their best but last aesthetic "tragedy" and life "tragedy".

本文以描述王国维、鲁迅二人的思想轨迹为中心，其中又以揭示二人思想、诗学迁变的内在链接为描述重点，兼及思想主体的生命选择，以学术、思想的&天下意识&与&天下观&为切入点，凸显二者的社会、道德承担和思想眼界的超越性，对比二人文学思想之工具论与本体论暨&无用之用&与&善撄人心&、&境界&与&摩罗诗力&，解说&悲剧&在二者思想构造中的中心意义，阐发这种臻于至境的美学&悲剧&与二人臻于绝境的生命&悲剧&的同构与互动关系。

It covers several aspects: it expatiates that how Schubert has been affected by his age and what he has achieved on the art song and it investigates the background of the original literary work of "Die Schone Mtlllerin" as well as the dealing which Schubert has done to Wilhelm Mullers original poetry.

阐述了舒伯特受时代的影响以及在艺术歌曲上的成就；考察了《美丽的磨坊女》文学原著的创作背景和舒伯特对威廉·缪勒原诗的处理；分析了整部套曲的音乐特色。

This article starts with the two literatures of Guangqi Xu, and mainly focus on three points: Chapter 1: review about his forepart idea from the characteristic of his research on Shijing;Chapter 2: summarize his opinion about the way to unscramble Shi;Chapter 3: discuss his comprehension about the significance of Shijing, observe and study the source of his idea, and summarize his cognition between the inner lyric hypostases and outside form of Shijing.

本文主要从徐光启关于《诗经》的两部著作入手，论述了三方面的问题：第一章从徐光启的《诗经》研究的特点，考察他的早期思想：第二章总结徐光启在读《诗》方法上的见解；第三章论述徐光启对《诗经》文学意义的认识，考究其思想渊源，总结他对《诗经》内在抒情本质与外在表现形式的认识。

In Chapter 1, the course of transformation of the modern Chinese literature in the vernacular and the social culture of China in recent 100 years, was given an overall inspection at first; then the profound reason of constant evolution of the situation of writing, review and reception of modern Chinese prose in the vernacular was provided.

优秀的文学创作离不开明确的历史意识和哲学思想的深厚基础。但诗、史、思必须形成有机融合，而不能是简单的相加或拼贴。史，应是以&历史合理性&原则为基础的历史意识；思，即&究天人之际&，是&理论形态的人类自我意识&。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。