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We can still do that, of cause, something ought to be changed, you feel the time-changing, or agedness.

我那个时候30多岁,30岁现在看很年轻,我女儿现在有30多岁了,那个时候还有诗人跟我说,你到50岁的时候总不能写情诗了吧,他是好意,但是我觉得写诗不是我的专业,我觉得我是要写才写的,我也不知道50岁怎么了,我现在离50岁已经很远了,但是我还在写,谁说50岁不能写,照写,但是有些东西得改变,有一些沧桑。

No such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is more than 30 now; I remember, a poet said to me in his good willing that writing love poems are quite beyond age of 50, however, poetry is not my expertise, I write for I have to. Nothing wrong with the age of 50 either; now, its pretty far from my age of 50; but I go on writing, no body says one can not write when you re 50 years of age? People still can do that, of cause, something ought to be changed, you feel the time-changing, or some agedness.

我那个时候30多岁,30岁现在看很年轻,我女儿现在有30多岁了,那个时候还有诗人跟我说,你到50岁的时候总不能写情诗了吧,他是好意,但是我觉得写诗不是我的专业,我觉得我是要写才写的,我也不知道50岁怎么了,我现在离50岁已经很远了,但是我还在写,谁说50岁不能写,照写,但是有些东西得改变,有一些沧桑。

No, such rules; I was in my 30's of age, a women in her 30 could be very young from now; my daughter is 30 years age now; remember a poet said to me in his good willing that love poems are quite beyond age of 50, however, poems composing is not my expertise, I write for I have to, nothing wrong with age of 50 either; now, its pretty far from my age of 50; but I still write, no body says one could not write when you re 50 years of age? We can still do that, of cause, something ought to be changed, you feel the time-changing, or agedness.

我那个时候30多岁,30岁现在看很年轻,我女儿现在有30多岁了,那个时候还有诗人跟我说,你到50岁的时候总不能写情诗了吧,他是好意,但是我觉得写诗不是我的专业,我觉得我是要写才写的,我也不知道50岁怎么了,我现在离50岁已经很远了,但是我还在写,谁说50岁不能写,照写,但是有些东西得改变,有一些沧桑。

On one hand, exhibiting talent in the course of antiphon give rise to oddish ryhme and allusion, even language and sense break apart. On the other hand, it motivated poets to explore poetic aesthetics and innovate on and on,which promoted the prosperity of poetry terrace.

唱和诗的赓和逞才,一方面造成了唱和诗押韵、用典方面的求新求怪,时有文意割裂的现象发生;同时,它激发诗人去钻研诗艺,在艺术上寻求创新,不因循守旧,这对元祐诗坛的繁荣也起了一定的促进作用。

Normally for Chinese, the one who writes the best is the one, who leaves a picture or a painting in the readers' mind through his writing while the best painter is the one who leaves a poem or an article in the appreciator's mind.

对于中国人来说,能够通过其文章给读者的脑海里留下某个画面的作者才是最好的作者,而能够通过其绘画而能给欣赏者脑海里留下某首诗和某篇文章的画家才是最好的画家。

Eight months ago, Ong Tee Keat vowed to make public the report on PKFZ, this was however only realized recently. Rumor has it that Ong was dissatisfied with the backbencher and CEO of Wijaya Sdn Bhd Dato' Seri Tiong King Sing in failing to honour his promise on payment of handling fees'.

8个月前,翁诗杰信誓旦旦表示要公开巴生港口自由区的调查报告,但一直拖延到迄今才公开,其中一谣言指翁诗杰是不满国阵后座议员理事会及Wijaya有限公司首席执行员拿督斯里张庆信,不守承诺支付有关"处理费"而撕破脸皮!

Analysis The seven-seven-poem The author of this poem, Xie Lingyun had this comment :"There is only one stone. Hatta Caozijian monopoly, I am a hundred, the world consists of a struggle."

七步诗简析对于七步诗的作者,谢灵运曾这样评说:"天下才有一石,曹子建独占八斗,我得一斗,天下共分一斗。"

Usual, a lot of the time, wealways rush, no time to explain their feelings, when left alone toface a lot of time before the emergence of anxiety and regret, ifthat, of those buried in between the word and sentence Theintention is the life of poetry, it is better to say that, in fact,in a certain time the text of the poem is the heart., And here ismy sincere.

平常,很多的时候我们总是非常的匆忙,没有时间去解释自己的心情,等到独自必须要面对的时候才会涌现许多的不安与歉意,假如说,那些深藏在字与句之间的意向,是诗的生命,那么不如说,其实是在某个时段,是文者的诗心。,而在这里,便是我的真心。

But it is a little upsetting to read in the explanatory notes that a certain line describes a fight between a Turkish and a Bulgarian officer on a bridge off which they both fall into the river—and then to find that the line consists of the noise of their falling and the weights of the officers: Pluff!

但是有一行诗看了注解才明白诗的内容,这一点实在让人感到有些不安。

Apart from school work, I wrote vers d' occasion, semicomic poems which I could turn out at what now seems to me astonishing speed -- at fourteen I wrote a whole rhyming play, in imitation of Aristophanes, in about a week -- and helped to edit school magazines, both printed and in manuscript.

除了学校的写作任务,我还写些半诙谐的&应景诗&。我写这些诗的速度现在看来真使我吃惊。14岁时我模仿亚里斯多芬的笔调写了整整一出押韵诗剧,才用了一个星期。我还参加编辑校刊,这些有印刷的,也有以手稿的形式传阅的。

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The split between the two groups can hardly be papered over.

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This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

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