诗意的

The relationship between the two kinds of structure is the important pledge of healthy, comfortable and sustainable humanistic objective for urban enviroment. In allusion to the problem urgent to solve in recent creation, the article summarizes the humanistic design concept and strategy for serried region of high-rise building, from the analysis of the building noumenon, space, interior and exterior enviroment in urban"serried-core". The strategies are form creation strategies which cultivate formal individuality in the relationship with urban enviroment, and conform urban context in the relationship with restrictive factors; space creation strategies which creat humanistic space and site by attempering architectural space and urban space, and call for humanistic scalc and inspirit by the combination of architectural space and urban function; enviroment creation stategies which create sustainable physical enviroment based on steady urban zoology, and construct poetic humanistic enviroment during the course of compound urbar enviroment.

针对目前创作中亟待解决的问题，着重从城市"簇群核"的形式、空间、环境及其主要载体——高层建筑等方面深刻解析，鲜明提出了在城市大背景中高层建筑密集区的人性化创作观念和策略，论证了在与形式制约因素的关联中系统整合城市文脉、在与城市人文环境的互动中努力培育形式个性的形式创作策略；在建筑空间与城市空间的互参调度中创作人性空间和场所、在建筑空间与城市功能的有效结合中弘扬人性尺度和精神的空间创作策略；在稳定城市生态的前提下创造持续可居的物理环境、在复合城市环境的过程中营建诗意栖居的人文环境的环境创作策略。

In the designs of time, emotion has very important functions. Along with the development of computer, network, digital and electronic technologies in 1990s, non-substance designing has became a leading trend. Computer has replaced paper and pencil to become the main instrument, also the software has turned into a part of design. More important thing is the designs of physical products commence to hanker for lyric-value, advocate the designs that can arouse poetic responses and focus on the non-substance services, technique and audio-visual feeling. Design subject has already speared the evaluative trend from applied material engineering, technical science and functions of products and other physical modality and value to intangibleness such as services, technique, culture, emotion, poetry and so on.

情感在当代设计中有极其重要的作用，90年代，随着电脑等电子技术和数码、网络技术的发展，非物质设计成为设计的一个主导倾向，不仅设计的工具从手绘工具变为电脑，软件成为设计的一部分，重要的是物质产品的设计也开始追求所谓的抒情价值，提倡"能引起诗意反应的物品"的设计，注意非物质的服务、方式、视听感受等方面的设计，设计学科已出现从实用的材料工程科学、技术科学、产品功能等的物质形态和价值转向服务、方式、文化、情感、诗化等无形的非物质方面的趋向。

The writer chose representative poets' works to launch the treatise, owing to the popularity and influences of poems.The full text was divided into five parts, the first part reviewed the achievements of minority Chinese language poem; the second part analyzed the imago of the poem and explained the deep artistic connotation; the third part emphasized to analyze Jidi Maja's poems, which represented the Yi's poem at Cold Mountain and Liemei Pingcuo's poems, which represented the Tibetan poem. The fourth part discussed the innovation of minority poet about the poem pattern and artistic personality, commented on pioneer poets' conception and practice, and the attention to soul of the minority female poets. The fifth part pointed out the limitations of the new period national minority poem.

本文具体分为五个部分：第一部分从民族意识的自觉和自审，诗美建构的探索与实践等方面综论少数民族汉诗的创作成就；第二部分为精神原型的诗意体现——意象系统分析，分别从原型意识的现代演绎和宗教神性家园的守望等角度分析诗歌意象，阐释深层的艺术内涵；第三部分着重分析以吉的马加为代表的凉山彝族诗歌，以列美平措为代表的藏族诗歌，****其作品对民族灵魂的传承和文化内涵的重构；第四部分探讨少数民族诗人关于诗歌范式与艺术个性的创新，评论先锋诗人的诗歌理念与实践，少数民族女性诗人对心灵的观照；第五部分通过整合得出新时期少数民族汉语诗歌创作存在的局限，指出汉化和西化倾向导致本民族文化特色的缺失。

Wordworth in his preface contended,and most ably contended, for a reformation in our poetic diction,as he has envinced the truth of passion, and the dramatic propriety of those figures and metaphors in the original poets,which,stript of their justifying reasons and converted into mere artifices of connection or ornament, constitute the characteristics falsity in the poetic style of the moderns;and as far as ha has,with equal acuteness and clearness, pointed out the process by which this change was effected and the resemblances between that state into which the reader's mind is thrown by the pleasurable confusion of thought from an unaccustomed train of words and images and that state which is induced by the natural language of impassioned feeling,he undertook a useful task and deserves all praise,both for the attempt and for the execution.

正如当时Mr.Wordworth在序言中写的最能干争论一样，在我们的诗用词改革中，他提升了那些创造诗人的激情，其中s隐喻戏剧性礼他们的辩护理由和转换为连接或装饰只是手腕上，构成了现代人的诗意风格特征是虚假的，并尽量医管局指出同样尖锐和明晰，出过程，这种变化是影响和在其中间的读者的心灵抛出的思想愉悦混乱的文字和图像习惯培养和该国是由慷慨激昂的感觉自然语言诱导国家有相似之处，他进行了有益的工作，值得所有的赞扬，既是为了尝试和执行

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当暮霭诗意般地如面纱一样覆上河畔时，在昏暗的天空下，破旧的房屋迷失了它们自己，高耸的烟囱幻化成了钟楼，就连仓库也成了夜晚的宫殿，整座城市就如同悬挂于天堂一般；而仙境就在我们面前——于是旅人匆匆赶回家；工作的人和有教养的人，聪明的人和快乐的人都停止了思考，就像他们已经停止了观赏一样。自然，这一次已经在合着调子歌唱，唱着优雅的歌曲，仅献给艺术家，她的孩子和主人——说是孩子，因为他爱她；说是主人，因为他懂她。

And when the evening mist clothes the riverside with poetry, as with a veil, and the poor buildings lose themselves in the dim sky, and the tall chimneys become campanili, and the warehouses are palaces in the night, and the whole city hangs in the heavens, and fairy-land is before us——then the wayfarer hastens home; the working man and the cultured one, the wise man and the one of pleasure, cease to understand, as they have ceased to see, and Nature, who, for once, has sung in tune, sings her exquisite song to the artist alone, her son and her master——her son in that he loves her, her master in that he knows her.

当夜幕为河滨蒙上一层诗意般的薄雾之时，潦倒的建筑在昏暗的天穹下像被什么东西盖住一样看不见了，高耸的烟囱变得像一座钟楼一般，仓库在黑夜中看起来像座雄伟的宫殿，整座城市悬挂在天空中，给人如置身仙境般的感觉。旅人加快了归家的步伐；忙于工作的人，聪慧和有学识的人还有快乐的人们理解不了其中的奥秘，因为他们从没用心眼去观察过自然界。而自然只曾为孤独的艺术家——她的儿子，那个大师高歌一曲，因为只有艺术家爱着她，深深了解她。

On the Grasshopper and Cricket - John Keats THE poetry of earth is never dead: When all the birds are faint with the hot sun, And hide in cooling trees, a voice will run From hedge to hedge about the new-mown mead; That is the Grasshopper's - he takes the lead In summer luxury,- he has never done With his delights; for when tired out with fun He rests at ease beneath some pleasant weed.

十四行诗十五颂蚱蜢和蟋蟀－约翰济慈试译 by &inandout& of poemlife.com.cn 大地的诗意从未死灭：当所有的鸟因炎日而恹恹，藏入送爽的树林，一种声音奔窜从树篱到树篱，在新葺的草甸四周；那是蚱蜢的－他在领头夏日的葱茏，－他从不会耗完自己的喜悦；因为当嬉闹变得困倦他在某处舒适的野草底下，安逸地休歇。

The record features acoutsic and electronic sets that will take the listener on a musical journey explaining how, through the rought times, those who have faith and work hard are poetically justified by their success.

唱片的特点是acoutsic和electronic的组合，以解读的方式将听众的心带进一次美妙的音乐之旅，通过穿越rought时代，那些有信念而努力工作的的人，他们的成功就会诗意般地合乎情理。

YangShuo country of Guangxi proven a take of the tremendous lovely view make laurel wood's landscape emerging the extreme achievement of delicately beautiful and lucid and attractive, seem symphony an inside the most beautiful a chapter, remitted to gather all poetries and romance, karst landform specially looks is also let this region of the strange rise, the strange stone became enjoying high prestige a Chinese and Foreign peach source to win a view, and in Yangshuo city in the Yangshuo County the square circle 10 kilometers, several appearances are each different, each limestone mountain peak had special features also the paradise become rock climb fancier in all countries to pursue stimulate and dreamed of the naturally ground.

广西阳朔一带的风光美景把桂林山水的灵秀清丽展现到了极致，就像是交响乐里面最优美的华章，汇聚了所有的诗意和浪漫，喀斯特地貌更是让这一地区的奇峰突起、怪石嶙峋成为了享誉中外的桃源胜景，而就在阳朔县城方圆10公里内，数十座形态各异，各具特色的石灰岩山峰也理所当然地成为了各国攀岩爱好者追求刺激与梦想的乐园。

Such aesthetic experience of perfection is derived from their much too comfortable life reality as only--children. Her paintings, however, are not limited to the blissful paradise of the current world, and, they seem to be description of the different lives of the generation, even with a poetic and philosophical tragedy in addition to a quasi-religious tragic sense.

这种完美的美学经验是在独生子女一代的优越感成长中形成的，但她的画面并没有仅仅是描绘一种天堂般美好快乐的世界，而似乎试图描绘这一代人的存在困境，甚至某种带有哲学悲剧色彩的诗意境地，以及一种准宗教式的悲剧感。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。