诗意的

The narrators of Truffaut and Godard can be classified into overtnarrators and covert ones according to the extent of perception. From the aspectof overt narrators, Truffaut is good at using poetic language, while Godardis skillful in using essayistic language to express .

从外显的叙述者角度来看，特吕弗电影擅长运用具有诗歌倾向的文学语言来营造诗意；戈达尔则擅长运用具有散文倾向的日常语言来表达自己的观念。

And his essay here concludes with a personal anecdote from his days fighting in Italy as an OSS officer that demonstrates the correctness of this answer, showing him as he finds a copy of Virgil in the debris of a bombed-out villa and ponders the lines "...a world in ruins... for right and wrong change places...."Fagles\'s language is the richer and lusher, and it seeks more identifiably poetic effects; Lombardo is more austere, and sticks closer to Virgil; he is very skillful at maintaining fidelity while keeping within the bounds of natural English.

他的散文和个人轶事从这里结束了在意大利的日子里，作为战斗人员源码这表明正确答案因为他认定展示一份Virgil在碎片炸了地道的线路别墅思考：：这世界变化是非遗址：：：：宿 fagles的语言是富有、丰美，拟治标更诗意效果； Lombardo更为严峻，接近Virgil应有尽有；他很善于维持在符合出轨保真天然英文。

Secondly, to explore mythopoetic meaning of curricular linguistic text.

综上所述，健全人格的成长，必须是理性与感性的和谐发展；当课程的概念从发展到理解，从蓝本至文本之际，我们的课程语言需要更多的诗意、创意与情意。

It presents a continuity of aesthetic experience that the artist began in the early 1970s through an exploration of the deep place of visibility using com,plex and poetic minimal means.

她的作品不断延续着自己自七十年代早期开始形成的美学经验，运用综合而又诗意简朴的方法探索深处的秘密。

We are gripped by the magic quality of these images, a quality we find in other works of the artist who creates a peculiar poetic from everyday life, common things and unprivileged people.

我们被这些形象魔法般的特质所感染，一种也存在于这个艺术家其他作品中的特质，他本人从日常生活、平凡的事物、底层的人，创造出的独特的诗意。

The prospect of ideal—that is, total, complete—emancipation bewitches susceptible souls because "it contains in itself the poetry of the unknown, of the future, of the absolute."

虚幻理想的远景，所谓整体的全面的解放，之所以能很容易蒙骗缺乏清明理性者的思想，就是因为&解放这个词本身含了一种对未知、未来和绝对的诗意幻想。&

I extracted the abstract impulse from the spiritual poetry, to split the juxtapositioned pigments, pointing to the kingdom of souls, dialoguing with the holy spiritual world, and responding to the call enlightened by divinity.

从《神曲》充满灵性的诗意中获取抽象冲动，以分裂并置的色块指向灵魂的国度，与满溢圣灵精神世界的对话，回应神性启示的召唤。

The author of this thesis holds that Chi Li"s early works tend to pursue a "fresh poetic life." From the mid-80s to mid-90s, in a series of works including A Life Full of Troubles, she presented the true life of the ordinary citizens in minute details. Thus "intoning the troubles of life became the motif of her works.

池莉早期创作有对清新&诗意人生的寻觅&。20世纪80年代中后期到90年代初中期，作家在其《烦恼人生》等系列作品中，细微地刻画了市民日常生活的原生态，&烦恼人生的咏叹&成为其作品的母题。

For him, the creative process is an inward journey mediated by his deep understanding of art and culture.

他的诗人气质与思惟决定了他的音乐中最不可忽视的、也是最与众不同的是流淌其间的诗意。

All the rest of the year the city is in that state of dull apathy, between life and death, which renders it similar to a kind of station between this world and the next--a sublime spot, a resting-place full of poetry and character, and at which Franz had already halted five or six times, and at each time found it more marvellous and striking.

一年中其余的日子，全城都在一种不死不活阴沉清冷的状态之中，看来象是阳世和阴世之间的一个中间站，是一个超尘绝俗的地点，一个充满着诗意和特色的安息地，弗兰兹曾来此小住过五六次，而每次总发觉它比以前更神奇妙绝。

As she looked at Warrington's manly face, and dark, melancholy eyes, she had settled in her mind that he must have been the victim of an unhappy attachment.

每逢看到沃林顿那刚毅的脸，那乌黑、忧郁的眼睛，她便会相信，他一定作过不幸的爱情的受害者。

Maybe they'll disappear into a pothole.

也许他们将在壶穴里消失