诗句

You know the first lines of the Iliad, in which the poet says that Chryses prayed Agamemnon to release his daughter, and that Agamemnon flew into a passion with him; whereupon Chryses, failing of his object, invoked the anger of the God against the Achaeans .

你应该熟悉《伊利亚特》的开头几行诗，诗人在诗句中谈到克莱塞斯乞求阿伽门农释放他的女儿，阿伽门农对他大发雷霆之怒；克莱塞斯的哀求不成，因此将神的愤怒转嫁到亚该亚人身上。

8A型,和订阅的57B章;十三.47-59, which treats of leprosy in garments, was codified separately, for in verse 59 it has a colophon of its own.

47至59段，其中治疗麻风病的服装，被编入另外，在59诗句colophon它有它自己的。

This is a spiky, nervy book of poems, dramatic, and self-dramatising too, with some of the driven compulsiveness associated with Sylvia Plath.

这是一本充满着尖刻而有些神经质的诗句，但又不乏梦幻，甚至是自己的幻梦色彩，同时具有Sylvia Plath。的恐怖成分。

As such the above verses written entirely out of priggish conceitedness are pretty ordinary and mundane literature devoid of any divinity that goes with the hymns and hence not attributable to the above mentioned saint.

因此，上面的诗句书面完全是出于自以为了不起自负心态是相当普通和世俗文学与任何神的颂词，因此，并非由于上述圣去没有。

Among his later works (about 1607 to 1614) are the tragedies Antony and Cleopatra, Coriolanus, and Timon of Athens, as well as the fantastical romances The Winter's Tale and The Tempest.

莎士比亚的戏剧大致以五步抑扬格诗句写成，散发著不寻常的诗意，有生动微妙而复杂的人物刻画，还有高度自创的英文句法。

So is it not with me as with that Muse Stirr'd by a painted beauty to his verse, Who heaven itself for ornament doth use And every fair with his fair doth rehearse Making a couplement of proud compare, With sun and moon, with earth and sea's rich gems, With April's first-born flowers, and all things rare That heaven's air in this huge rondure hems.

二一 我的诗神①并不像那一位诗神只知运用脂粉涂抹他的诗句，连苍穹也要搬下来作妆饰品，罗列每个佳丽去赞他的佳丽，用种种浮夸的比喻作成对偶，把他比太阳、月亮、海陆的瑰宝，四月的鲜花，和这浩荡的宇宙蕴藏在它的怀里的一切奇妙。

So is it not with me as with that MuseStirr'd by a painted beauty to his verse,Who heaven itself for ornament doth useAnd every fair with his fair doth rehearseMaking a couplement of proud compare,With sun and moon, with earth and sea's rich gems,With April's first-born flowers, and all things rareThat heaven's air in this huge rondure hems.O' let me, true in love, but truly write,And then believe me, my love is as fairAs any mother's child, though not so brightAs those gold candles fix'd in heaven's air: Let them say more than like of hearsay well; I will not praise that purpose not to sell.

我的诗神①并不像那一位诗神只知运用脂粉涂抹他的诗句，连苍穹也要搬下来作妆饰品，罗列每个佳丽去赞他的佳丽，用种种浮夸的比喻作成对偶，把他比太阳、月亮、海陆的瑰宝，四月的鲜花，和这浩荡的宇宙蕴藏在它的怀里的一切奇妙。哦，让我既真心爱，就真心歌唱，而且，相信我，我的爱可以媲美任何母亲的儿子，虽然论明亮比不上挂在天空的金色烛台。谁喜欢空话，让他尽说个不穷；我志不在出售，自用不着祷颂。

So is it not with me as with that muse, Stirred by a painted beauty to his verse, Who heaven it self for ornament doth use, And every fair with his fair doth rehearse, Making a couplement of proud compare With sun and moon, with earth and sea's rich gems: With April's first-born flowers and all things rare, That heaven's air in this huge rondure hems.

只知运用脂粉涂抹他的诗句，连苍穹也要搬下来作妆饰品，罗列每个佳丽去赞他的佳丽，用种种浮夸的比喻作成对偶，把他比太阳、月亮、海陆的瑰宝，四月的鲜花，和这浩荡的宇宙蕴藏在它的怀里的一切奇妙。哦，让我既真心爱，就真心歌唱

ONNET 21 So is not with me as with that Muse, Stirr'd by a painted beauty to his verse, Who heaven itself for ornament doth use And every fair with his fair doth rehearse, Making a couplement of proud compare, With sun and moon, with earth and sea's rich gems. With April's first-born flowers, and all things rare That heaven's air in this huge rondure hems.

hakespaere 《十四行诗集》第21首我的诗神①并不像那一位持神只知运用脂粉涂抹他的诗句，连苍穹也要搬下来作妆饰品，罗列每个佳丽去称赞他的佳丽，用种种浮夸的比喻作成对偶，把他之太阳、月亮、海陆的瑰宝，四月的鲜花，和这浩荡的宇宙蕴藏在它的怀里的一切奇妙。

The five books, the subject matter of which is recalled by the well-known verse:"judex, judicium, clerus, connubia, crimen"(ie judge, judgment, clergy, marriages, crime), did not display a very logical plan; not to speak of certain titles that were more or less out of place.

五书籍，所讨论的事项，其中回顾了由著名的诗句：" judex ， judicium ， clerus ， connubia ，不构成犯罪"（即法官，判断和神职人员，婚姻，犯罪），没有表现出一个十分合乎逻辑的计划；不要说某款游戏的人较多或较少出的地方。

The absorption and distribution of chromium were studied in ryeusing nutrient culture technique and pot experiment.

采用不同浓度K2CrO4(0，0.4，0.8和1.2 mmol/L)的Hoagland营养液处理黑麦幼苗，测定铬在黑麦体内的亚细胞分布、铬化学形态及不同部位的积累。

By analyzing theory foundation of mathematical morphology in the digital image processing, researching morphology arithmetic of the binary Image, discussing two basic forms for the least structure element: dilation and erosion.

通过分析数学形态学在图像中的理论基础，研究二值图像的形态分析算法，探讨最小结构元素的两种基本形态：膨胀和腐蚀；分析了数学形态学复杂算法的基本原理，把数学形态学的部分并行处理理念引入到家实际应用中。