诗作

The book includes, for example, Qu Yuan, a poet from Chu at the end of the Warring States Period in China, an outstanding statesman and the first great patriotic poet to be loved and esteemed by the Chinese people, and his long poem Lisao; Li Bai, the great poet of the Tang Dynasty, who has been honored as "The Immortal Poet," and his representative masterpiece extolling wine-drinking, Being Invited to Drink; Du Fu, the great Tang poet of realism in China, and his Expressing Feelings in Five Hundred Words on the Way to Fengxian County from the Capital, which is representative of his five-word poems; Su Shi, a great litterateur of the Song, one of the eight famous writers of the Tang and Song Dynasties, and one of his representative works, Prelude to Water Melody--The Mid-Autumn Festival; Li Qingzhao, the most famous woman poet of the Nansong Dynasty, and her famous ditty, The Plucked Blossom: The Gloom of Separation; and several other prominent poets.

譬如，本书中收录的诗人及其诗词包括：中国战国末期楚国杰出的政治家、深受中国人民热爱和景仰的中国历史上第一位伟大的爱国诗人屈原及其长篇诗作《离骚》；人们奉为&诗仙&的唐朝大诗人李白和他咏酒的代表杰作《将进酒》；中国唐代伟大的现实主义诗人杜甫及其五言诗代表作《自京赴奉先县咏怀五百字》；唐宋八大家之一的宋代大文豪苏轼及其代表作之一的《水调歌头--中秋词》；南宋最著名的女诗人李清照及其小令词作名篇《一剪梅》；还有一些其他著名诗人。

The voices of the desert sound in his poems; he speaks of the swift-footed dromedary running to and fro, of the cattle grown wild on the plains, of the thirsty wild ass gasping for breath with dim eyes, and of the bird of prey which the fowler has tied to a stake in order to attract his victim.

的声音沙漠健全他的诗作中，他谈到了迅速右脚单峰骆驼来回穿梭，该牛生长野生平原，在口渴野驴喘一口气与暗淡的眼睛，和猛禽其中福勒挂钩的股份，以吸引他的受害者。

In 1920, Soupault sent the painter a copy of the original edition of his poem Rose des vents (Paris, Au sans pareil Publishers) with the following dedication:"To Robert Delaunay who knows the Eiffel Tower like his back pocket like I know the Ferris wheel"(Paris, Bibliothéque Nationale de France), which may have prompted the painting of this portrait.

苏保罗于1920年将自己的诗作《粉红的风》手稿送给德洛内，并赠言「给侯贝尔德洛内，他对艾菲尔铁塔如自己袋中物般谂熟，亦好像我对摩天轮般熟悉。」相信苏保罗所赠的诗，对这幅绘画有着莫大的影响。

The focus of the thesis is on observing the musicality of Yang Mu's poetry, for the purpose of establishing the value of his poetry and grasping concrete content of musicality.

本文选择杨牧诗作为论述对象，是因为他的诗确实展现一己特殊的语言风格，进一步锁定其「音乐性」予以观照，不仅有助於厘清杨牧诗的价值，亦可充分掌握诗之音乐性的具体内涵。

Wilbur: In my poems, the most recent explicit memory of war comes in the third section of "This Pleasing Anxious Being," where as a child I "might foresee" such landings as my division made at Anzio or Fréjus.

& 在我最近的诗作中，战争的记忆出现得最明显的是第三编&愉悦焦虑的生存&，在那里面我作为一个孩子，&可能预见了我们部队在安齐奥、弗莱儒等地的空降。

We sang Christmas songs, I read Clement Moore's 1822 poem "Twas①the Night Before Christmas", and we had a low-price gift exchange.

我们唱了一首首圣诞歌曲，我朗读了克莱门特·摩尔在1822年的诗作《圣诞节前夜》，我们还交换了小礼物。

In here, I'd like to quote Tagore's poem Devotion as my devotion

在这里，我要引用泰戈尔《奉献》中的诗作为我的奉献

This image of a young tubercular prostitute belongs to Chabaud's second Parisian period, the time after his apprenticeships and travels: that of the companionship, in the Salons and exhibitions with The Fauves, even though after 1907, the main artists among them, Matisse, Derain and Braque had already gone their separate ways and had begun to explore quite different avenues.

作者在遗留下来的众多信件及诗作中，都常提及这位伊维。作品属于夏布巴黎时代的第二期作品。当时他与野兽派的艺术家为伍，然而在1907年后，艺术家如马谛斯、戴伦、布拉克等都各自发展。

Here, the poet includes Shackleton's vision in part of his famous poem "The Waste Land."

在这里，诗人包括沙克尔顿在他的著名诗作&荒原远见。&

Aristotle called him the father of rhetoric, and, although he acknowledged only the meter as a point of comparison between the poems of Empedocles and the epics of Homer, he described Empedocles as Homeric and powerful in his diction.

亚里士多德说他是&修辞学之父&，虽然他仅仅把格律诗作为恩培多柯勒的诗与荷马史诗的比较之处，但他把恩培多柯勒说成是在修辞上荷马式的、强有力的。

Plunder melds and run with this jewel!

掠夺melds和运行与此宝石！

My dream is to be a crazy growing tree and extend at the edge between the city and the forest.

此刻，也许正是在通往天国的路上，我体验着这白色的晕旋。