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As one kind of literature sylloge, anthology having preserved large amount of poet does, have important document value,.At the same time the excellent poetry anthology's choice, not only having embodied the anthologist's individual sight, but also implied the social aesthetic trend that time,has the nature and functions of literary criticism.

选本作为文学总集的一种,保存了大量诗人诗作,具有重要的文献价值,同时优秀的诗歌选本对诗人诗作的选择,不仅体现了选家个人的眼光,也反映了当时的社会审美风尚,具有文学批评的性质和功能。

The GongBuCi have to describe according to the poem of DuFu behind with the structure and form of Ming Dynasty" grass shed view area" of recovering the reconstruction, re-appearing the pastoral appearance that poet so reside, constructing the thick thick poetry atmosphere;Have to set up in 1999 in flower arrangement park of" DuFu poem calligraphy wood-carved", display more than 100 DuFu's poem calligraphy wood-carved work, choose from the building hides several thousand in the pasts a hand book poem genuine calligraphy, engrave with the wood but, have to appreciate the value rather, its verse, calligraphy, have with the material, craft" four unique" it call;" big the hall" inside that locate the important male in a the third in building in thou in peaceful temple in original treasure , display the up to the present the large colored enamel of the local and biggest area(64 square meter) insets to whet to paint the mural with 12 in the pasts anthologist the person carves, image a development for displaying Du Fu usually with Chinese classic verse history;Building inside of basic display the 《 poem saint a thousand years 》, have the honor of acquiring the fifth" whole country ten big display the exhibition exquisite article" the best creativity prize.

工部祠后有依据杜诗描写和明代格局恢复重建的"茅屋景区",重现了诗人故居的田园风貌,营造出浓厚的诗意氛围;在盆景园内有1999年建成的"杜诗书法木刻廊",陈列着百余件杜诗书法木刻作品,是从馆藏数千件历代名人手书杜诗真迹中挑选出,用楠木镌刻而成,颇具观赏价值,其诗歌、书法、用材、工艺有"四绝"之称;位于原梵安寺古建筑群第三重大雄宝殿的"大雅堂"内,陈列着迄今为止国内最大面积(64平方米)的大型彩釉镶嵌磨漆壁画和12尊历代著名诗人雕塑,形象地展示了杜甫生平和中国古典诗歌的发展史;馆内的基本陈列《诗圣著千秋》,荣获了第五届"全国十大陈列展览精品"最佳创意奖。

Augustan poets continually seek to establish themselves - and the empire of Augustus - in relation to the past (by imitating earlier poets, by referencing earlier works, by employing earlier literary traditions and genres, by recasting earlier historical events).

奥古斯都时期的诗人持续地寻求建立自我–和奥古斯都的帝国–与过去的关系(藉著模仿早期的诗人、参考早期的著作、采用早期的文学传统与类型、重新诠释早期的历史事件)。

Webster, the lexicographer; Prescott, Motley, Bancroft, Parkman, the historians; Longfellow, Edgar Allan Poe, James Russell Lowell, William Greenleaf Whittier, Walt Whitman, the poets; Washington Irving, Fenimore Cooper, Nathaniel Hawthorne, Charles Brockden Brown, JK Paulding, Bret Harte, the novelists; Oliver Wendell Holmes, Ralph Waldo Emerson, the essayists and philosophers; Mark Twain and Artemus Ward, the humorists--these made up a glorious company that shed lustre on American literature wherever the english tongue was spoken.

韦伯斯特的词典编纂,普雷斯科特,莫特利,班克罗夫特,巴克曼,历史学家,诗人朗费罗,爱伦坡,詹姆斯拉塞尔洛威尔,威廉绿叶蒂尔,沃尔特惠特曼,诗人,华盛顿欧文,库柏,霍桑,查尔斯布罗克登布朗,JK保尔丁,布雷特哈特的小说家;奥利弗温德尔霍姆斯,爱默生的散文作家和哲学家,马克吐温和阿蒂默斯区的幽默大师-这些行动的光荣公司,阐明美国文学的光泽哪里是讲英语的舌头了。

What the saint did was to teach a people "accustomed to the artificial versification of courtly Latin and Provencal poets, the use of their native tongue in simple spontaneous hymns, which became even more popular with the Laudi and Cantici of his poet-follower Jacopone of Todi".

什么圣所做的教导一人习惯于人工versification的宫廷拉丁美洲和普罗旺斯诗人,利用他们的母语在简单的自发的赞美诗,成为更受欢迎的与laudi和cantici他的诗人-追随者的

His poetry is the fruit of wisdom, of beauty, of love,which is the interpretation of the poet's noble spirit , the embodiment of the poet's pursuit of beauty,the unflinching death-faced attitude towards the love.

他的诗歌是智慧的结晶、美的结晶、爱的结晶,它诠释了诗人高尚的灵魂,体现的诗人对美的追求,对爱情的视死如归。

The poet, that beautified the sect,that was otherwise inferior to the rest, saith yet excellently well:'It is a pleasure to stand upon the shore, and to see ships tossed upon the sea: a pleasure to stand in the window of a castle, and to see a battle, and the adventures thereof, below:but no pleasure is comparable, to the standing, upon the vantage ground of truth:'(a hill not to be commanded, and where the air is always clear and serene;)'and to see the errors, and wanderings, and mists, and tempests, in the vale below:' so always,that this prospect, be with pity, and not with swelling, or pride.

有一派哲学在别的方面都不如他派,可是有一位诗人为这派哲学增光不少。这位诗人曾说:"站在岸上看船舶在海上簸荡是一件乐事;站在一座堡垒底窗前看下面的战争和它底种种经过最一件乐事;但是没有一件乐事能与站在真理底高峰(一座高出一切的山陵,在那里的空气永远是澄清而宁静的)目睹下面谷中的错误、漂泊、迷雾和风雨相比拟的";只要看的人对这种光景永存恻隐而不要自满,那末以上的话可算是说得好极了。

We found that in Transformations Sexton were trying to start a new way of self-exploration. Though Transformations dose not change the plot and the structure of the stories, it has the sophisticated form. Without the fabulous camouflage of the fair tales the truth which exposed to the Sexton is the fragmentized American dream. Transformations not only responds the intrapersonal struggle of the author but also reflects the culture trait of the modern America under the consumerism.

通过对诗集的互文性解读,笔者发现塞克斯顿在《变形》中开始尝试一种新的探索自我的方式,她的改写绝不是对《格林童话》的简单重复,诗集不只响应了诗人内心的挣扎,也透视出整个美国社会的文化精神;诗人不仅在消费主义语境下赋予了格林童话崭新的意义,更在某种程度上还原了其在流传过程中被改编者试图抹去的残酷真相。

The life-relatedness of poems of the early Tang Dynasty is seen in theexpression of the rise-and-fall theme of Urban Poems, the pursuit of individual valueof one's life of the Frontier Poets and Chivalry Poets, and the hope placed on lifeconsciousness in the intoning poems and peacefulness of life of the landscape poems,etc. In addition, it can also be seen in the expression of emotions and ambitions in aparticular image, the pursuit of and the persistence in integrity on the part of the poets,and in the choice and application of the different poetic forms like the Hepta-cantusand the sao style, etc.

初唐诗歌生命化现象普遍存在于都市诗对盛衰主题的表现、边塞诗和咏侠诗对诗人个体生命价值的追求、咏物诗对生命意识的寄寓和山水诗对生命的安顿等方面;此外,还体现在特定意象对情志的抒发,诗人对&风骨&的自觉追求和坚持,对诗歌形式诸如七言歌行、骚体诗等的有意识的选择和运用。

This paper attempts to study those typical texts in detail,on the basis of the in-depth analysis of the narrative art and techniques of the 1940's narrative poems,mainly from four aspects:the lyric narration,imagery narration, dramatic narration,"moledicized" narration,so as to explore and appraise their historical contribution,values,functions and limitations in the modem poem history.In the narrative poems in the 1940s,the technique of"lyric narration" is embodied mainly in the high degree of artistic integration of "felling" and "polt".The lyricism is fully embodied in both structure and language,and generally through two ways:the lyricism of the dramatis personae and the lyricism of relaters or poet himselfThe narrative poets in 1940s have further developed the "mood" type of narrative poems(a kind of structure model of the modem narrative poem)which was created by predecessors.

本文试图在对有代表性的文本进行细致研读的基础上,对40年代叙事长诗的叙事艺术与策略进行深入剖析,主要从抒情化叙事、意象化叙事、戏剧化叙事、谣曲化叙事四个层面展开,以发掘、评判其在现代诗歌史上的历史贡献、价值、功能及局限等。40年代叙事长诗中的&抒情化叙事&策略主要体现于&情&与&事&的高度艺术融合,抒情形态表现在抒情结构与抒情语言方面;其抒情策略大体有两种方式:一是诗中人物的自我抒情,一是诗人自己或叙述人的抒情。40年代叙事诗人进一步发展了前人创造的&情绪型&叙事诗这种现代叙事诗的结构模式。

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