诗人的

It's an experimental creation period from "Boatman's Elegy" to "Sirius" during which the performance of poetry's perception and the knowing are not mature/Under the influence of the west modernism art, his poetry has been experienced from the new moon romantic to the modernism. It's his mature period from "Lotus's Association" to"Separates the Water Goddess of Mercy". During this time his poetry's intellectuality and sensibility tends to be mature. Through the reconsidering of the westernization, the poet starts to inaugurate a new sky, and the poetry displays a bright neoclassic principle characteristic, then penetrates into the traditional nationality culture;and the "Bestows on from Cercis chinensis" is the deepened time until now which the poet displays for all kinds of practical styles, which includes multiplex characteristic.In his poetry, the intellectuality blends with sensibility, the sensation combined with logos.

从《舟子的悲歌》到《天狼星》是诗人创作的实验期，这一时期诗歌的感性和知性的表现还不成熟，其间由于受西方现代主义艺术的影响，其诗歌经历了从新月浪漫派到现代主义的变化；从《莲的联想》到《隔水观音》是诗人创作的成熟期，这一时期诗歌的感性和知性表现趋于成熟，诗人通过对西化的反思开始"浪子回头"，诗歌表现出鲜明的新古典主义特征，进而深入到民族传统文化之中；而自《紫荆赋》至今是诗人创作的深化期，表现为兼容并蓄的写实风格，并具有多元取向的特征。

How little that which thou denisest me is,Me it sucked first, and now sucks thee,And in this flea our two bloods mingled be;A sin, or shame, or loss of maidenhead,Yet this enjoys before it woo,And pampered swells with one blood made of two,And this, alas, is more than we would do.Oh stay, three lives in one flea spare,Where we almost, nay more than married are.This flea is you and I, and thisOur marriage bed and marriage temple is;Though parents grudge, and you, we are met,Andcloistered in these living walls of jet.Though use make you apt to kill me,Let not to that, self-murder added be,And sacrilege, three sins in killing three.

第一段诗人看见了那只先后叮过两人的跳蚤，便指着它向情人证明两人的鲜血已通过一只先后叮咬了双方的跳蚤溶为一体，而血的交融则意味着生命的交融，诗人因此推断，两人的生命已经在事实上结合在一起了；第二段，诗人发现情人正抬手欲向跳蚤打去，便急忙劝阻，说这样一来，被害的就是三条性命；第三段，对方显然已经下手，掐死了跳蚤，所以诗人戏谑地称对方为"残忍"、"用无辜者的鲜血把自己的指甲染得红紫"。

The mold for modern equations of female creativity with psychological abnormality -- the Emily Dickinson or Sylvia Plath stereotype -- is Ovid's portrayal of Sappho as a desolate melancholiac.

罗马诗人奥维德把萨福描绘成一个孤独的忧郁症患者，这是把女性的创造力等同于心理反常的现代公式的原型－－例如针对爱蜜丽·狄更森（译注：十九世纪美国著名诗人）或希尔维亚·普拉斯（译注：1932-1963，美国著名女诗人）的老套评论。

And if a poet writes of the sufferings of Niobe --the subject of the tragedy in which these iambic verses occur--or of the house of Pelops , or of the Trojan war or on any similar theme, either we must not permit him to say that these are the works of God, or if they are of God, he must devise some explanation of them such as we are seeking; he must say that God did what was just and right, and they were the better for being punished; but that those who are punished are miserable, and that God is the author of their misery-- the poet is not to be permitted to say; though he may say that the wicked are miserable because they require to be punished, and are benefited by receiving punishment from God; but that God being good is the author of evil to any one is to be strenuously denied, and not to be said or sung or heard in verse or prose by any one whether old or young in any well-ordered commonwealth.

如果诗人去描写尼俄柏丧尽儿女令石头也流泪的悲痛——这些悲剧主题在诸如此类的抑扬格诗歌中随处可见——或者去描写佩罗普斯王族的父子相残，或者去描写特洛伊战争之类的主题，那么我们不能允许诗人说这些残暴故事都是神造的孽，就算跟神有关，那也应该解释清楚来龙去脉；他应该说明神帮扶正义和真理，而那些罪人的下场都是罪有应得；而不是去描写受到惩罚的人是如何如何的悲惨，神则是炮制这些悲惨的罪魁祸首——我们是不会让诗人这么去胡编乱造的；然而诗人可以去描写邪恶之人其所以都会其悲惨的结局是因为他们必须遭受惩罚，并因他们接受神的惩罚而使大家受益匪浅；说神代表着善却又是恶的帮凶会遭到所有人的极力反对，诗文中就再也不要去传播、歌唱或者道听途说地去宣扬这些恶事了，秩序井然的联邦中人民不论老少都不应该听到这些恶事。

His progress in proses has already overtaken in poems. he is not only a personal poet but also a talented one. from a poet to a prose writer, zhoutao finds a field in which he can display his ability and the feeling of life, his original creation has made a deep influence on the model proses.

他是一位极具个性的军旅诗人，他又是个极具天才灵性的诗人，从诗人到散文家，周涛找到了一个更能表现自己才华的领域和便捷表现生命感悟的文本，其独特的创作对当代散文产生了极其深刻的影响。

The institute sends our so-called institute to send the poet roughly to contain such several characteristics: The poet has accepted the strict institute type education, or a longer time teaches at the institute of higher education, proselytizes instructs with the culture deliberated is important part which his enterprise composes, the knowledge, study raised the value to constitute his main life pursue We discovered that, in sparsely to sends the poet by "the institute" to society's institute and moves towards the society to experience the life the non- institute to send between the poet, a more important difference also lies in them regarding in the artistic understanding.

我们所谓的学院派诗人大体包含这样几个特点：诗人接受过严格的学院式教育，或者较长时间任教于高等学府，传道授业与文化研讨是他事业组成的重要部分，对知识、学养的重视构成了他主要的人生追求。我们发现，在以&学院&疏离于社会的学院派诗人和以走向社会来体验人生的非学院派诗人之间，更重要的差别还在于他们对于艺术的理解上。

It's an experimental creation period from "Boatman's Elegy" to "Sirius" during which the performance of poetry's perception and the knowing are not mature/Under the influence of the west modernism art, his poetry has been experienced from the new moon romantic to the modernism. It's his mature period from "Lotus's Association" to"Separates the Water Goddess of Mercy". During this time his poetry's intellectuality and sensibility tends to be mature. Through the reconsidering of the westernization, the poet starts to inaugurate a new sky, and the poetry displays a bright neoclassic principle characteristic, then penetrates into the traditional nationality culture;and the "Bestows on from Cercis chinensis" is the deepened time until now which the poet displays for all kinds of practical styles, which includes multiplex characteristic.In his poetry, the intellectuality blends with sensibility, the sensation combined with logos.

从《舟子的悲歌》到《天狼星》是诗人创作的实验期，这一时期诗歌的感性和知性的表现还不成熟，其间由于受西方现代主义艺术的影响，其诗歌经历了从新月浪漫派到现代主义的变化；从《莲的联想》到《隔水观音》是诗人创作的成熟期，这一时期诗歌的感性和知性表现趋于成熟，诗人通过对西化的反思开始&浪子回头&，诗歌表现出鲜明的新古典主义特征，进而深入到民族传统文化之中；而自《紫荆赋》至今是诗人创作的深化期，表现为兼容并蓄的写实风格，并具有多元取向的特征。

Dickinson\'s poetry and her poetic strategies inspired many poets after her, especially the modernistic poets around the twentieth century, such as the imagists Ezra Pound, Amy Lowell and William Carlos Williams.

她的诗歌影响了她身后一批又一批诗人，尤其是对20世纪前后的那些现代主义诗人来说，影响更为深刻，像意象派诗人埃兹拉·庞德、艾米·洛威尔和威廉姆斯。

Dickinsons poetry and her poetic strategies inspired many poets after her, especially the modernistic poets around the twentieth century, such as the imagists Ezra Pound, Amy Lowell and William Carlos Williams.

她的诗歌影响了她身后一批又一批诗人，尤其是对20世纪前后的那些现代主义诗人来说，影响更为深刻，像意象派诗人埃兹拉·庞德、艾米·洛威尔和威廉姆斯。

The Translations: Federico García Lorca, Nicolás Guillén, and Jacques Roumain, examines the coextensive relationship that Langston Hughes's writing had with the poetics of marginalization seen in three writers—Spanish poet and dramatist Lorca, Cuban poet and essayist Guillén, and Haitian poet and novelist Roumain.

兰斯顿·休斯全集(第16卷)·翻译：费德里克·加西亚·罗卡、尼古拉斯·桂伦、雅克·罗芒》的介绍文章探讨了兰斯顿·休斯的写作与西班牙诗人和戏剧家罗卡、古巴诗人和杂文家桂伦、海地诗人和小说家罗芒的作品中表现出来的边缘化诗学之间存在的同延关系。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。