诗人的

Thus, he ascended throne of American "Poet Laureate" in the early twenty-first century because of his special creation.

丰富的生活经历使他的短篇小说创作有取之不尽的新、奇、巧的素材，他的作品散发着人性美与人情味的芳香，他以独特的创作登上了二十世纪初美国的"桂冠诗人"的宝座。

Trees Page 2 of 21 By Joyce Kilmer I think that I shall never see A poem lovely as a tree ; A tree whose hungry mouth is prest Against the earth's sweet flowing breast ; A tree that looks at God all day , And lifts her leafy arms to pray ; Anest that may in Smmer wear Anest of robins in her hair ; Upon whose bosow has lain , Who intimately lives with rain .

作者通过对树的赞美来讴歌造物的神奇。小树自得天机自长成，于不经意中已经使得诗人的才情在大自然的佳作前自叹弗如。想来，我永远找不到一首诗像树一样美妙。树的饥饿双唇紧偎大地把甜美的乳汁尽情吮吸。树整天仰望着上帝，祈祷时，举起枝叶扶苏的双臂。夏天，树还会把知更雀的小巢 Page 3 of 21 戴在自己发梢。雪花在树的怀抱里冬眠，树和雨露更是亲密无间。

The last quatrain gives an image, a feeling attaching to an image, which "came," which did not develop simply out of what precedes, but which was probably in suspension in the poet's mind until the proper combination arrived for it to add itself to.

最后的四行诗给出了一个意象，一种附着在意象上的感觉，它是"自临"的，不是简单的从前章发展而来的，大概是悬浮在诗人的思维中，直到适当的组合来临才加入其中的。

Chapter III, in the four periods of the Eastern Han Dynasty, by reviewing the relation of the power balance between the regality and monarchical mother"s family along with eunuch, disappearing here and lasting there, we reveal that the chaos of the regality have the suppression and distortion on the scholars′identity, the extreme shortage of political chaos not only leads to the partisans′resistance at the same time, but also makes Scholars′poetic pursuit to be fully embodied in the field of the aesthetic theory and the literature creation . The former is that Huan-tan and Wang-chong attache great importance to the aesthetic thinking of the real, the emotional ,the freedom and the creation, the later is that the Yue-Fu ,the Wen-Ren-Shi,"19 Ancient Poems have gentle lyric and Jian-An poets chant in a heroic but mournful tone.

第三章，则对东汉四个时期君权与外戚、宦官此消彼长权力制衡关系的考察，揭示出君权的乱为对士人认同的压制与扭曲，在极度的政荒朝乱最终导致党人奋起抗争的同时，也使士人的诗性追求在审美理论与文学创作领域得到充分体现：前者表现为桓谭、王充非常重视真实、感性、自由与创造的美学思想，后者表现为乐府文人诗、《古诗十九首》的温婉抒情和建安诗人的慷慨悲歌。

In China's vast literature in the treasure, the intention is not to ignore it, it is a big beauty and proud of bullying, frost, tenacious true-blue snow of life and various forms of beauty won the poet, also with the changing times, from focuses on its own characteristics to reality pine, and its connection to the hermit sentiment and the talent, the mood.

在中国浩瀚的文学宝库中，松意向是不不能忽视的一笔，它以它高大挺拔的崇高美、凌霜傲雪的坚贞美、顽强不衰的生命美和千姿百态的形态美赢得了诗人的青睐，也随着时代的变化，从着重于松树自身的特性到现实、与自身的联系，将隐者情操和怀才不遇的心境赋予松意向之上。

Actually, there are many valuable materials of poetics in plentiful notes in Song Dynasty, which concern author theory, writing theory, appreciating theory and so on . By collecting ,classifying ,generalizing and analyzing these materials, it's very useful for us to understand the poetic benshi ,allusions related to writers ; to review the life of poets in Song Dynasty , their excursion , missing-piece collection;to research into the writing background ,writing attitude ,aesthetic fashion .It's also very helpful to understand contents and aesthetic features of poetry correctly.

实际上，在数量众多的宋人笔记中，保存了大量的有价值的诗学材料，其内容涉及作家论、创作论、风格论、鉴赏论等诗学理论的各个方面，对这些材料进行搜集、分类、归纳和研究，对于今人了解与诗歌创作主体相关的诗歌本事、诗坛掌故及奇闻逸事，考察宋代诗人的生平、交游，为其作品辑佚、系年，研究宋代诗歌的创作背景、审美风尚，以及把握宋诗的思想内容和艺术特色等，均具有重要的意义。

I don't know whether we've forsaken our poetic nature, our romanticism, inherent inner beauty, or whatever we've done to ourselves, that nowadays most of the time we think more of finances. We think more of material comfort than the caretaking of our inside beauty or even our own representation outside of the inner beauty, such as nice clothes, walking with dignity and manners, talking with gentleness and sweetness.

我不知道是我们抛弃了自己诗人的本质、浪漫的精神、我们与生俱来的内在美，还是对自己做了什么，以致今天的人更多时候想的是金钱以及物质上的享受，而比较不注重内在美，甚至也不注重外在美的表达，像漂亮的衣服、高雅的仪态、温文尔雅的言谈等等。

We think more of material comfort than the caretaking of our inside beauty or even our own representation outside of the inner beauty, such as nice clothes, walking with dignity and manners, talking with gentleness and sweetness.

我不知道是我们抛弃了自己诗人的本质、浪漫的精神、我们与生俱来的内在美，还是对自己做了什么，以致今天的人更多时候想的是金钱以及物质上的享受，而比较不注重内在美，甚至也不注重外在美的表达，像漂亮的衣服、高雅的仪态、温文尔雅的言谈等等。

Like Mark Eitzel of American Music Club, to whose work the Painters were invariably compared and to whom their early success owed a tremendous debt, Kozelek laid his soul bare on record, conjuring harrowingly acute tales of pain, despair and loss; unlike Eitzel, Nick Drake and other poets of decay, Kozelek's autobiographical songs walked their tightrope without a net — forsaking the safety offered by metaphor and allegory, he faced his demons in the first person, creating a singularly haunting body of work unparalleled in its vulnerability and honesty.

Mark Kozelek经常会和American Music Club乐队的Mark Eitzel相提并论，而事实上Kozelek的确继承了Eitzel的音乐气质，他在音乐中讲述着悲痛敏感的故事，它总是让人感到痛苦、绝望和失落。Kozelek也有不同于Eitzel、Nick Drake这些颓废派摇滚诗人的地方，在他的作品中丝毫没有善意的寓言、模棱两可的美好，他习惯剖析自己的内心阴暗面，用独特的致命弱点和过份的诚实感让他的音乐回响在听者的灵魂深处。

This article uses the poems written by Samuel Taylor Coleridge (1772-1834), an important Romantic theologian in the history of European Christian thoughts and one of the Lake Poets key figures, as examples to discuss the relationship between Passive Romantic and Aesthetic Theology. It tries to explain this topic by analyzing the countless ties existing between Passive Romanticism and Western Christian Theological Aesthetic, both in style as well as in substantial contents.

本文以欧洲基督教思想史上的浪漫主义神学家、英国&湖畔诗人&的重要代表人物柯勒律治的诗歌及相关作品为例，从不同的角度分析消极浪漫与神学美学的关联，并由此提出：消极浪漫主义与西方基督教神学美学无论在其表现形态、内容构成，还是所蕴涵的内核上，都有着千丝万缕的关联。

Breath, muscle contraction of the buttocks; arch body, as far as possible to hold his head, right leg straight towards the ceiling (peg-leg knee in order to avoid muscle tension).

呼气，收缩臀部肌肉；拱起身体，尽量抬起头来，右腿伸直朝向天花板（膝微屈，以避免肌肉紧张）。

The cost of moving grain food products was unchanged from May, but year over year are up 8%.

粮食产品的运输费用与5月份相比没有变化，但却比去年同期高8％。