诗人的

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来透视凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

The thesis concentrates on the research on the autobiographic quality of the confessional poetry of Sylvia Plath, who was an important poet of the important poetry school, the confessional poetry school, in the 20~ century in America.

本论文的论题集中于对美国20世纪重要的诗歌流派自白派中的重要诗人希尔维亚·普拉斯自白诗的自传性研究。研究的重点是努力阐明诗人的"自我"，诗人的生活与诗歌文本三者之间的关系。

All i own is only the miserable and beauteous Gobi

不是，诗人是贫穷的，但是诗人也是坚强的，诗人的手里握着石头，诗人的品质也象石头。

After discerning, making statistics and comparing the condition of the literary men inditing which was recorded by the historical bibliographic literary such as Preceding Qin Han Wei Jin South and North Dynasty poems, WeiShu and LuoYang Temple Recording, etc, I believe that compared with the actual condition of BeiWei poets and poems, the quantity of existent BeiWei poets and poems only shares the few specific weight. And these poems have not the sufficient elucidation on the quality. The dubiety is also existed on the poets' achievements.

在分别对《先秦汉魏晋南北朝诗》之"北魏卷"、"北齐卷"、"北周卷"和《魏书》、《洛阳伽蓝记》等历史文献所记载的北魏文人赋诗情形进行甄别、统计、比较之后，论文认为：现存北魏诗人及其诗歌与北魏实际的诗人诗作相比，在数量上只占很少的比重，在诗歌的质量上不具有充分的说明性，在诗人的成就上也存在可疑性。

His poetry style change constantly.This thesis thread is some important poetry collection in different period.Start with poetry ,unite poet's prose work and literature review, get in touch with poet's vicissitudes of life, surroundings, view and origin of literature and art. From the angle of creation,the author divides the poetry period into three, part: initial stage(write realistically and romantic),...

本文以诗人不同时期的重要诗集为线索，从诗篇入手，结合诗人的散文著作与文学评论，联系诗人的遭遇、所处环境以及诗观、文学艺术渊源，从创作实践的角度将他的诗歌创作分为学步期、探索期、成熟期三个时期加以讨论，指陈其思想、艺术成熟的轨迹。

As one of the greatest poets and writers of America in the twentieth century, Carl Sandburg is the only one after Walt Whitman who can be said to be "people's poet".

作为美国二十世纪最伟大的诗人和作家之一，卡尔·桑伯格是美国作家当中继沃尔特·惠特曼之后唯一能被称为"人民的诗人"的诗人。

The writer of sonnets is sometimes referred to as "sonneteer"十四行诗人, but this word can be used to describe a terrible poet too.

另外一个指诗人的词是"troubadour"，也就是游吟诗人或是抒情诗人，这个词多少有些中世纪的味道。

On the poet's choice, mainly be decided by two standards, one is the popularity and influences of works; two is the meaning of the creations development that it create for the whole colony. Owing to above two standards, the writer chooses seven writers to launch the treatise, they are Jidi Maja, Jimu Langge, Luwu Laqi, Ma Deqing, Aku Wuwu , Asu Yuer, Eni-Mushashijia. In discussing the process, the writer used the nationality and Poetics of the poem as the latent clues, emphasized to inquiry into three main roads and three main realms. On the article structure, the full text mainly is divided into two parts, one is the concrete imago analysis to each poet creations, two is upon the analytical foundation the integration of the theories, with this the treatise could be united into an organic whole. In regard to the conclusion, we educe the characteristics of the colony is deep consciousness to the nation culture, also extensive exploration and attention to poetics. The blemish is the inside emotion and sensibility is similar or duplicate and that the creation pattern is narrow. The main develop threads of the colony are upon the female clan culture the diverse poem skill investigation, its nation culture value tropism present the rising spiral type of return- leave- return again.

在研究方法上，本文以意象分析法为贯穿全文的主要方法，通过对意象的具体分析来****凉山诗群的诗歌世界；在诗人的选择上以其作品的影响力及意义为标准，选择了这一诗群的七位诗人展开论述，他们分别是吉狄马加、吉木狼格、倮伍拉且、马德清、阿库乌雾、阿苏越尔、俄尼·牧莎斯加；在论述过程上，笔者以诗歌的民族性和诗性作为前后贯穿的潜在线索，着重探讨了这一诗群创作的三个主要倾向和三个主要领域，前者详论，后者略述，具体表现在对前三位诗人的论述以诗人论的形式详细展开，探讨他们所代表的凉山诗群发展过程中的三个主要创作倾向，即民族文化的深层开掘、诗艺的实验性探索和艺术哲学的尝试性建构，对后四位诗人的论述则以主题的方式展开，探讨他们所代表的凉山诗群在爱情诗、乡土诗和文化诗三个领域的探索；在文章结构上，全文主要分为两大板块，一是对各位诗人创作的具体意象分析，二是在前文分析的基础上进行理论的整合，以此将前面散珠似的论述贯穿成一个有机整体；在结论上，我们通过整合得出：1、凉山诗人群新时期以来诗歌创作的大致发展脉络：在母族文化的基质之上的多元诗艺探索，其民族文化价值取向呈现为回归—离去—再回归的螺旋式上升形态；2、新时期彝族凉山诗人群汉语诗歌创作的特点，即民族文化意识的深层自觉，对诗性的关注和探索；3、新时期彝族凉山诗人群汉语诗歌创作的缺陷，即情感意蕴的雷同和创作格局的狭小。

The third chapter analyses Taoist Priestess Poet the Group Research which take Li Ye, Xue Tao and Yu Xuanji as the representative, through analyzing the three poetesses research of Tang Dynasty study conditions and results.

第三章简要分析了以李冶、薛涛、鱼玄机为代表的唐&女冠诗人&群体研究，通过分析唐三女诗人研究现状与成果，探寻唐三女诗人的研究规律，以此来窥视性别视角在古代女诗人研究中的运用。

The paper through reorganizing the works and papers of the Tang dynasty's poetess from 1900 to now, review these poetess study states briefly of the four different history times during the hundred of years, and take the Tang Dynasty's poetess Li Ye, Xue Tao and Yu Xuanji, the three poetess for center study, through studying their life experiences, poem creation, and female consciousness, analyzing and summarizing the characteristic of the three Tang Dynasty poetesses and the Taoist Priestess Poet research conditions which take the three as the representative, and also to explores Gender Perspective application in the Ancient Poetess Research.

本文通过整理1900年至今百多年来，有关古代女诗人研究的论著论文，简要回顾了百多年来四个不同历史时期古代女诗人的研究状况，并以唐代李冶、薛涛、鱼玄机三位女诗人为中心，从生平身世、诗歌创作、女性意识等三个方面，着重分析总结了唐三女诗人以及以她们为代表的唐&女冠诗人&群体研究的研究状况与成果，以此探寻性别视角在古代女诗人研究中的运用。

I am accused of being overreligious," she said in her quiet, frank manner,"but that does not prevent me thinking the children very cruel who obstinately commit such suicide.""

客人们在卡罗利娜·埃凯家里，举止就文雅一些，因为卡罗利娜的母亲治家很严厉。

Designed by French fashion house Herm è s, this elegant uniform was manufactured in our home, Hong Kong, and was the first without a hat.

由著名品牌 Herm è s 设计，这件高贵的制服是香港本土制造，是我们第一套不配帽子的制服。