诗

After she studied at the Amherst Academy for seven years in her youth, she spent a short time at Mount Holyoke Female Seminary before returning to her family's house in Amherst.

在她生前，她的诗只有10首公开发表过；其余的都是她死后30年内由亲友整理、结集，陆续出版的。她的诗公开发表后，得到了越来越高的评价。

The second part of my dissertation explains the homology of poetry and painting in Lessing's theory.

论文第二个部分，阐释了莱辛诗画理论中有关诗画相通的论述。

During the 19th and 20th centuries there were huge achievements on philosophy literature art and music; a variety of activities were also booming at that time Richard Strauss(1864-1949) born at that era when the social phenomena influenced his music learning process combined the classical and romantic music styles and further developed his unique composing style There were 5 chapters in the dissertation The research motivation purposes methodology and the literature review were included in Chapter One Chapter 2 focused on understanding how the history background and personal attitude influenced Richard Strauss' composing style Through the study of the romantic musicians like Franz Schubert1797-1828 Robert Schumann(1810-1856 Johannes Brahms(1833-1897) Hugo Wolf(1860-1903) Gustav Mahler(1860-1911) and etc I attempted to get a complete picture of musical evolution in Chapter 3 In addition Richard's classic compositions were categorized and organized in order to gain a deep understanding of his music From the study and the analysis of Strauss'"Vier letzte Lieder" the features styles the format and the life of the two poets Hermann Hesse1877-1962）and Joseph von Eichendorff(1788-1857 were explored and the relationship between the music of this composition and the poetry were also discussed Chapter 5 summarized the main arguments to give a short account of Strauss' lifetime rich experiences and thinking in his eighties

横跨十九、二十世纪的理察·史特劳斯（Richard Strauss，1864-1949）正是欧洲人文发展空前灿烂的年代，无论在哲学思想、文学、美术以及音乐方面，都有辉煌的成就。在他音乐学习历程中，结合了古典时期及浪漫时期两种音乐风格，发展出独特的作曲风格。本论文分成五章：第一章绪论包括研究动机、研究目的、研究方法及步骤以及文献探讨；第二章则从对理查史特劳斯生平的详实记载中，了解他创作作品的时代背景和心情；第三章则就浪漫时期艺术歌曲作家舒伯特（Franz Schubert1797-1828）、舒曼（Robert Schumann1810-1856）、布拉姆斯（Johannes Brahms1833-1897）、沃尔夫（Hugo Wolf1860-1903）及马勒（Gustav Mahler1860-1911）等，以诗人、旋律、伴奏型态及曲式和声，稍加整理并说明，以便了解艺术歌曲在此时期之演变过程。并将理查史特劳斯艺术歌曲作品分类统整，藉此对他的艺术歌曲能有更深一步的了解。第四章《四首最后的歌》之音乐探究与分析，则探讨此部作品诗人赫塞（Hermann Hesse 1877 - 1962）及艾辛朵夫（Joseph von Eichendorff﹐1788-1857）的生平和作品特色，以及诗的结构与格式，和此部作品音乐与诗的关系。第五章结语说明史特劳斯一生丰富经历与晚年想法，创作出一组宁静感人又深刻的终曲。

We read and write poetry because we are members of the human race.

我们读诗写诗，因为我们是人类的一员。

We read and write poetry because we are members of the human race...

我们读诗写诗是因为我们是人类的一份子。

Grace shines around her with serenest beams, And whisp'ring angels prompt her golden dreams. For her th'unfading rose of Eden blooms, And wings of seraphs shed divine perfumes, For her the Spouse prepares the bridal ring, For her white virgins hymeneals sing, To sounds of heav'nly harps she dies away, And melts in visions of eternal day

诗以女孩写给情人的语气写成，诗中反覆翻绕著爱与恨、希望与绝望、庆幸与后悔，夹缠难理的痛苦，而电影片名的「无瑕心灵的永恒阳光灿烂」回到上下文，也是电影灵感来源，指的是，只有摆脱记忆、不再牵挂，这个斑驳的心灵才能得到救赎。

Chinese Christian music, especially Chinese hymnody, has long beenthe center of attention since the early 20th century.

自二十世纪初始，基督教圣诗音乐中国本色化问题一直是教会关注的焦点，基督教从一个"洋教"落地中国，生根开花结果，终于形成了中国本色化的教会，圣诗音乐本色化是其中的重要部分。

In The Legend Of Good Women, he used for the first time in English the rhymed couplet of iambic pentameter which is to be called later the heroic couplet.

在《好女传说》中，他在英语中第一次使用长短五步诗的押韵对句，后来被成为英雄偶句诗。

This is the reason why imagism could not become the mainstream school though it marked the beginning of modern English poems.

美国诗人埃温曾说：不考虑中国诗的影响，美国诗就无法想象。

The open - style language of Taoist aesthetics and Chinese poetry led to the birth of Ezra Pound ' s imagist poems .

道家美学与中国诗的开放式的语言更直接导致了庞德领衔的美国意象派现代诗的诞生。

I didn't watch TV last night, because it .

昨晚我没有看电视，因为电视机坏了。

Since this year, in a lot of villages of Beijing, TV of elevator liquid crystal was removed.

今年以来，在北京的很多小区里，电梯液晶电视被撤了下来。