记数的

The perpetual inventory system on the values of all assets are normally increasing number and reduce the number of according to relevant accounting vouchers in the books in the registration and settlement account at any time in the property of the book inventory count materials, Usually only for field inventory system of all assets according to the increasing number of relevant accounting vouchers, account credited without registration number, reduce inventory of each month according to the actual number of inventory assets, calculate this number, and reduce relevant account books recorded.

永续盘存制平时对各项财产物资的增加数和减少数都要根据会计凭证在有关的帐簿中进行连续的登记，并随时在帐簿中结算出各项财产物资的帐面结存数；实地盘存制平时只对各项财产物资的增加数根据会计凭证记入有关帐户，而不登记减少数，月末根据实地盘点的各项财产物资的实际结存数，计算出本期减少数，并记入有关帐簿。

That there was some awareness of a change in musical techniques and outlook in the years around 1320 is suggested also by the earliest music to exemplify the notation described in Philippe de Vitry's treatise, the motets for the roman de Fauvel copied into manuscript F-Pn fr ,146 in 1316, some of them extensive works several times longer than the motets of the previous generation and displaying a range of notational values far greater than it was possible to notate with the previous Franconian and post-Franconian techniques.

人们已经意识到这些音乐技术的改变，并且在1320年前后出现的这个观点也通过早期音乐证明了维特利的论文中描述的记谱方法。1316年抄录进《福威尔传奇》的经文歌的乐谱，其中有些篇幅很大，数倍于先前的经文歌，并且显示出的音符种类的增多远多于先前记载的弗朗科式经文歌和后弗朗科式经文歌记谱方法。

If you wish to know more about this, please read up Leviticus and Numbers.

让我们的生命可以成长，让我们可以从中得利，如果你还想了解更多的知识请细细的研读利未记和民数记。

The life of Moses is found in Exodus, Leviticus, Numbers and Deuteronomy.

摩西的生平记载在出埃及记，民数记，申命记和另一本书。

Its derivative at is called the partial derivative of with respect to at and is denoted by .

它在的导数叫做在关于的偏导数，记作。

Bitmapped display: A display whose image is a representation of bits in an area of RAM called the screen buffer.

数元图记显示：影像以数元方式贮在荧幕缓冲器内。它占用即时存取贮记器内的一范围。

This treatise on music gave its name to the style of this entire era. Further more, his contributions to the notation of rhythm made possible the free and rhythmically complex music of the next hundred years. In somen ways the modern system of rhythmic notation began with Vitry. Who broke completely free from the older idea of the rhythmic modes. The notational predecessors of modern time meters also originate in the Ars Nova.

这本专著为整个这个时期的音乐风格冠名，此外，他对于节奏的记谱法的贡献使得接下来数百年自由和富有节奏的复杂音乐的发展成为可能，从某个层面来看，现代节奏记谱法体系就始于vitry，他完全打破了以往节奏模式的陈旧概念。

Yet there is a second reason that the book of Exodus goes on at such length against the golden calf – and it prefigures what is undoubtedly going to happen as banking regulations get argued about in the weeks and months to come.

然而，《出埃及记》之所以花了如此长的篇幅来反对金牛犊，还有第二个原因——而随着人们会在未来数周数月讨论银行业监管问题，这个原因预示了到时无疑会发生的事情。

Still have, you sunned clothes that day, I just pass downstairs from your dormitory, on water head, say to do not have that relative fellow first, this is main, I of trifles am written down not clear, number also is counted come nevertheless, call me how to be written down??

还有，你那天晾衣服，我刚好从你们宿舍楼下过，水滴脑袋上，先说没有关系的那个家伙，这都是主要的，鸡毛蒜皮的我记不清了，数也数不过来，叫我怎么记啊？是不是？

In Mencius, ZuoZhuan, HanFeiZi, noun had absolute superiority comparing with the adjective in group count and the number of every group. In LunHeng and LiuDuJiJing, the group count between noun and adjective became lower, and the number of every group, adjective was more than noun.

在《孟子》、《左传》、《韩非子》中，不论是同义词的组数还是个数，名词对形容词都有绝对的优势，但是到了《史记》，名词的这一优势发生了变化，虽然在组数上名词仍超过形容词，但是形容词对名词的个数之比已经超过了它们之间的组数之比，也就是说，从每组同义词的个数来说，形容词已超过了名词。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。