记数的

His cleaned-up and pared-down signature collection was full of the kind of clothes that get fashion editors scribbling, not because they will make pretty pictures—although there's plenty of potential for lovely editorial pages in his paneled-chiffon evening numbers, accessorized here with lace stockings and fingerless gloves—but rather because they'll make such pretty additions to their closets.

他的清洁的-向上和剥-向下的签名收集是的全部一种衣服那获得样子编辑潦草的写法，不广告。因为他们将制造漂亮的画—虽然那儿有许多潜在的为了可爱的社论页在他的面板-薄纱傍晚民数记，装饰在这里有饰带长袜和fingerless手套—但是宁愿广告。因为制造这样的漂亮的加到他们的壁橱。

For example, some of the plagues strongly resemble exaggerated versions of actual pestilences common in the ancient world, the famous Red Sea crossing may have been a marsh (the "Reed Sea") through which the Egyptian chariots could not penetrate, the manna which God bestowed on the hungry Israelites may have been the secretion of the hammada shrub, and the swallowing of Korah (Numbers 16) could have been an earthquake.

例如，其中的一些瘟疫看上去好像是把古代世界通常所发生的瘟疫夸大。著名的横过红海的故事也许是一个沼泽地，埃及的战车无法通过，神赋予饥饿的以色列人的甘露也许是沙漠灌木丛的汁液，可拉的吞没（民数记 16）也许是一场地震。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。