记忆地

It is important to understand what this self-knowing is, just to be aware, without any choice, of the "me" which has its source in a bundle of memories—just to be conscious of it without interpretation, merely to observe the movement of the mind.

重要的是要了解这个自觉是什么，只要无选择地觉知那个"我"，在你记忆中有一大堆"我"的源头，——不要阐释它，只要对它有意识，只要观察头脑的运作。

And Western crowds of 'Wir sind ein Volk!

如果你是三十多岁的人，那你对柏林的最早记忆是一座分裂的城市，被东德和西德残忍地分开。

Now, you memorise in order to act skilfully.

那么，你记忆是为了能够技巧熟练地行动。

The third lady smiles smugly."Well, my memory's just as good as it's always been, knock on wood."

第三个妇人沾沾自喜地笑了一下，"好了，我的记忆还和原来一样，上帝保祜。"

In The Big Typescript, this dichotomy is detailed in his analysis of the temporal, spatial and genitive expressions, resulting in the distinction between the unspeakable"memory-time"(Ged〓chtniszeit) and the speakable"physical time", and that between the unspeakable"visual space" and the speakable"Euclidean space", etc;(4) From another perspective, the destruction of the conception of the "phenomenological language"could also be seen as the logical consequence of the radicalization of the one and the same conception, since this destruction does reinforce rather than weaken RLF's original intention of distinguishing the physical system from what are given in phenomena by demonstrating the incompatibility between this intention itself and the insistence on the speakability of the phenomena, which gives birth to the illusion of the"phenomenological language";(5) Nevertheless, what the radical distinction between the sense-data and the physical language (as the unique possible language) implies, according to Wittgenstein, is not that the latter has nothing to do with the former, but that the association between the two does not follow the"original sample-copy"pattern but the"screen-presenting-filmoperation"pattern, which indicates that phenomenon itself can be aroused by or included in-rather than to be described by-the physical language/system;(6) Thus Wittgenstein leads us to depart from the obsolete ambition of representing the immediately given data perfectly for a new destination where a comprehensive "perspicuity" of the"grammar"should be required and where his later philosophy is coming into being.

在《大打字稿》中，这一二分法在他对于时间表达式、空间表达式与人称表达式的分析中得到了细化，并导致了他对于"记忆时间"与"物理时间"的区分，以及对于"视觉空间"与"欧几里得空间"的区分，等等；(4)从另一个视角来看，维氏对于"现象学语言"观念的拆解也可以被视为同一观念在被加以彻底化后所导出的必然后果，因为这一拆解工作实际上乃是加强了，而不是削弱了他在写作《略论逻辑形式》时就已怀有的信念，即：必须将物理系统严格地区分于在现象中被直接给予的东西。换言之，维氏在这一拆解工作中所做的，只不过就是暴露了这一信念本身与对于现象之"可说性"的坚执之间的固有矛盾罢了——而所谓"现象学语言"的幻相，亦正是导源于上述坚执；(5)然而，根据维氏的本意，感觉予料与物理语言之间巨大的逻辑差异却并不意味着后者与前者毫无关联，而只是意味着两者之间的关系并不遵循着所谓的"原本—摹本"模式，而遵循的乃是"屏幕呈现—胶片运作"模式。

Provoked so easily - weak people, in other words -they stand no chance against his powers!

他们不懂得控制情绪，沉溺于悲伤记忆，让自己轻易地被人挑拨煽动－－换句话说，他们是软弱的人－－他们在他的法力面前没有丝毫抵挡能力！

Wear their hearts proudly on their sleeves, who cannot control their emotions, who wallow insad memories and allow themselves to be provoked so easily - weak people, in other words -they stand no chance against his powers!

他们不懂得控制情绪，沉溺于悲伤记忆，让自己轻易地被人挑拨煽动－－换句话说，他们是软弱的人－－他们在他的法力面前没有丝毫抵挡能力！

The only other thing I remember about my life up to the age of five was getting into temper and cutting a hated pair of knickers to pieces. The were green stockinet and laddered delightfully as I snipped, but the retributions were frightful.

在我的一生中，唯一让我记忆犹深的就是发生在我5岁时的一件事，那天我发脾气，用剪刀把一条我很厌恶的灯笼裤撕成了碎片，那是一条绿色的弹力织物，它的丝绸随着剪刀的撕扯快乐地跳跃着。

I was set on being a streetcar conductor.

我现在的记忆更多地是基于听觉而不是视觉。

Standing in front of these oil paintings of Feng Jincao , as if we were flying through the time tunnel. Whirring wind slipped by , clouds changed their shapes quickly, and continual changing views blurred and danced before our eyes. We trace the jumping-of point of human being in a diverse direction of time's growth. Those brilliant rays of history frozen in memory reflect on our dress, and the root of our culture shows loving care for modern people's sprit and life by Feng's painting.

站在冯劲草的油画作品面前，我们仿佛正在穿越时空隧道，耳边是呼呼的风声，眼前是千层万叠的烟云和不断模糊变幻的视野，我们逆向时间轴的速度要追回人类逝去的起点，那些凝结在记忆里的历史光芒斑驳地映在我们的衣杉上，我们的文化之根正通过冯劲草特殊的油画表达方式，关怀着当代人的精神和生活。

Neither the killing of Mr Zarqawi nor any breakthrough on the political front will stop the insurgency and the fratricidal murders in their tracks.

在对危险的南部地区访问时，他斥责什叶派民兵领导人对中央集权的挑衅行为。

In fact,I've got him on the satellite mobile right now.

实际上 我们已接通卫星可视电话了