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Hold it on a hand of hands at heart, a warm expression in one's eyes, a sentence of close words, it will let feel when we the depressed one silk have the warm,will because feel this moment individual have absolute loneliness true, and it rise it is slightly satisfaction and consolation, the we one each other until this world is difficult in inch of land actually from, it is unalterable storing interdependently not to also matter, we are unable to become unable to agree in unison, this is in the world, too many things make us gaping, but must face straightly.

握在手心里的一只手,一个温暖的眼神,一句贴心的话语,会让我们沮丧时感到一丝温暖,会因为这一刻真实地感觉到个体不是绝对的孤独,而升起些微的满足与慰藉,我们之于彼此在这尘世其实是寸土难离的,却也没什么是一成不变的相依相存的,我们无力统一变无法苟同,这世上,太多东西让我们目瞪口呆,却还得直面。

From hooligans, we can see the vacuity of adults and attitude of game, but what Mu Jun wants to express is the absurdness and ridiculousness of the Juvenile.

如果说成人的无聊会让我们感到一种无奈,那么未成年人的无聊与荒谬则让我们看不到希望,而希望正是孩子的未来。

He reveals the acceleration of gravity accompanied with the thought falling down from the cliffs. The glittering surface not only expresses the meaning of the image itself, but the process of the negation and extension of the significance. Anti-visual focus becomes a method to overthrow the identity and the modernity, which results in the uncertain world of the future.

他让人们看到了思想从悬崖边坠落的重力加速度,波光粼粼的褶皱传达出来的不仅仅是图像本身的意义,更让人感受到了意义被否定并无限延异的过程,反视觉中心成为他瓦解主体性与现代性的一种策略,其结果是人们看到了一个不确定性的未来世界。

Keeping apart, throw all the suspicion and quarrelling to the period, let him dissolve all these things, in case of hurting each other, even the third person. To think of the salty and acerb of the tears, eyes dried up eventually remember the sadness of the past, however, the pain here is more algetic then before.

分开,让所有的猜忌,所有的不信任,所有的无聊的争执抛给时间,让它去消化,何必相互伤害着,进而伤害第三个人,渐渐回忆起眼泪的咸与涩,干涸的眼睛终究回想起当初的无奈,只是现在的痛比当初还要受伤。

Therefore, the Sonification of Chinese Classical Poetry and Chinese Calligraphy Painting not only provide a free access for the visually impaired and people who are unfamiliar with Chinese to appreciation but also enrich the state of mind and imagery in the delivery process. Thus, an immersive learning environment of Chinese Classical Poetry and Calligraphy Painting can be further developed.

透过诗词与书法的可听化研究,除了提供视觉障碍或不熟悉华文的人们另一种途径来欣赏中华文字的艺术表现之外,也使得诗词与书法在文字与图像上可以透过声音的辅助让鉴赏者能更即时地感知其中的意境,甚至建立出一套沉浸式华文诗词与书法学习环境。

Based on international relations and domestic developments, the author discussed the effects of Beijing Olympic Games on the integration and mobilization of various aspects in China, the capacity of the will and power of various groups, as well as the promotion of national spirit: 1 in such 3 ways as communication media, true ex-perience of officers and athletes, and experience of volunteers and audience, Beijing Olympic Games let the world know more about China; 2 the birth of Beijing Olympic spirit given by Beijing Olympic Games in the process of preparation and the implementation of peaceful Olympic Games have forged the cohesive force of the Chinese na-tion; 3 the cultural education chain made by Beijing Olympic Games in the process of preparation has vitalized the charm and value of Chinese elements; 4 the implementation of humanistic Olympics, scientific Olympics and green Olympics in Beijing Olympic Games have boosted the active development of hard strengths; 5 the successful holding of Beijing Olympic Games plays a significant role in the construction of a harmonious society.

摘 要:基于国际关系与国内发展,讨论了北京奥运会对整合、动员国内各层面、各集团意志和力量的能力以及对民族精神提升的影响:(1)北京奥运会通过传播媒介、官员与运动员的真实体验以及志愿者与观众的经历等3个途径,让世界更加了解了中国;(2)北京奥运会在筹办过程中孕育的北京奥运精神和平安奥运的落实,铸就了中华民族的凝聚力;(3)北京奥运会在筹办过程中的文化教育链条,激发了中国元素的魅力与价值;(4)北京奥运会中的人文奥运、科技奥运和绿色奥运理念的落实,提升了硬实力的发展;(5)北京奥运会的成功举办,对和谐社会的建设发挥了显著作用。

Love and love between the real and the United States, with the clear desire to obscure, germinating the passion of youth, childhood and the pain and happiness, all heart the memory of my thoughts often erratic and volatile mood in the dusty picture, everything appears to be both cordial Also far, I have,"Hunbushoushe"......

情与爱之间的真与美,朦胧与清晰的欲望,青春萌动的激情,童年的艰辛与快乐,这一切心动的记忆常常让我思绪万千,心情在画里飞扬,一切都显得既亲切又遥远,我已经&魂不守舍&了……我真的感觉,艺术就是生活。

It is a level very hard to achieve, but with his long commitment to traditional Chinese philosophy and arts, ZHONG has achieved his new level of painting over the past years---- symbolic and expressive, free and magnificent. With jujutsu, acrobatics and other social subjects as his painting motifs, he has created, through "imaginative reconstruction" and "meaningless expression", many a coloring image combining fantasy and reality, i.e. many a painting of what he terms the "trace and image".

许多年来,钟孺乾把目光和心力投向尚虚与表意的中国哲学和文艺传统,取柔术杂技为母题,并与社会万象相联系,通过&想象性重构&和&无意味表达&,创造出&幻想&与&现实&叠合的图景,同时让笔彩与形象化生一体,弥漫成一种他之所谓的&迹象&,从而达成一种兼具象征性和表现力的、自在而恢宏的境界。

This volume provides a critical and up-to-date introduction to Weber's magnum opus. While much has been published about the various parts of "Economy and Society", this is the first book to cover all of its major sections and themes, as well as to discuss the methodological vision that unites them.

它让我们认识了Weber的巨作---《经济与社会》,尽管有关《经济与社会》的书籍和文章已被多次出版,但是《MAX WEBER的&经济与社会&》却是第一本涵盖了原作中的核心部分与主题,同时也探讨了其中的方法论。

Far from the slurs of terrorism with which it too often associated, the Middle East is in fact steeped in a rich and diverse literary tradition – from the Holy Qur'an to Omar Khayyam, from Rumi to Kahlil Gibran. Moreover, its marvelous contemporary poetry offers a distinct reflection of cultural depth and personal reality for us to behold: Turkey, with its proud imperial legacy and historical burden; Israel and Palestine, confluence of civilizations and land of strife; Kurdistan, which has nearly the same population as Taiwan, divided and suppressed by its neighbors, since World War I the most humiliated and disenfranchised of peoples; and Iraq, situated in the cradle of civilization – the valleys of the Tigris and Euphrates Rivers – caught up in the frontline of war at the beginning of the 21st century. In addition, we are visited by representatives from Iceland – a small country with a noble culture – and newly independent Slovakia. All of these nations stand as mirrors of ourselves.

不被「恐怖主义」污名化的中东,从古兰圣训到奥玛珈音,从鲁米到纪伯仑,实有丰富多元的文学传统,而他们优秀的当代诗歌创作,亦鲜明地反映了文化厚度与切身现实,足让我们以全新的眼光分享──拥有帝国遗产与历史包袱的土耳其;文明交锋、强权倾轧的以色列与巴勒斯坦的土地;人口与台湾相当的库德族,被四分五裂且遭各国镇压,成为一次大战以来最屈辱的无国之民;而伊拉克身处世界文明发祥的两河流域,却沦为二十一世纪首当其冲的战火前线……此外,还有小国寡民却独尊文化的冰岛,以及独立不久的斯洛伐克,处处可以给我们借鉴。

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