让与

Unlike "Rej," it's ungainly, full of awkward sounds that don't quite make sense immediately, but like all great songs it comes together in the final analysis, an unlikely club hit composed of squawking strings, gaggles of geese and angelic choirs.

与曲目&Rej&不同，这首曲目的音效处理让人觉得有些笨拙，声音的粗线条处理也让人无法立即被其吸引。不过与所有优秀音乐相同，这首曲目在最后的结尾处有一个完美的融合，而不是像那些俱乐部音乐那样，只是融合了犀利的弦乐，杂乱的音效以及甜美的和声，却没有鲜明的主题性。

The additional natural Tea Tree, Honeysuckle, Dandelion, Viola Herb and Radix Semiaquilegiae help to keep the scalp balanced, therefore reducing the secretion of excess oil by the scalp.

柠檬能净化头皮，平衡油脂分泌，搭配佛手柑与柠檬草能洁净发丝毛根，天然的茶树与金银花、蒲公英、紫花地丁、天葵子能维持头皮健康，舒缓油性头皮出油情况，让油腻的头皮得到照顾，使用后能让发丝及头皮富有轻盈及洁净感。

If you had War and Peace on a hypertextual and interactive CD-ROM, you could rewrite your own story according to your desires; you could invent innumerable "War and Peaces", where Pierre Besuchov succeeds in killing Napoleon, or, according to your penchants, Napoleon definitely defeats General Kutusov.

如果你有一部超文本和交互式 CD － ROM 的《战争与和平》，便可依你所愿重写自己的故事；你可以创造无数的《战争与和平》，让彼埃尔·别素霍夫杀死拿破仑，或是按照你的意愿，让拿破仑最后击败库图佐夫将军。

When one person gets involved in your life, shares your joys and sorrows, and partakes your pain and responsibility, what will you lose?

让一个人从此介入你的生命，分享你的喜悦与哀愁，分担你的痛苦与责任，这份拥有会让我失去什么呢？

When someone gets involved in your life, shares your joys and sorrows, and partakes your pain and responsibility, what will you lose?

让一个人从此介入你的生命，分享你的喜悦与哀愁，分担你的痛苦与责任，这份拥有会让我失去什么呢？

When one person gets involved in your life, shares your joys and sorrows, and partakes your pain and resp*****ibility, what will you lose?

让一个人从此介入你的生命，分享你的喜悦与哀愁，分担你的痛苦与责任，这份拥有会让我失去什么呢？

One the one hand,"children" has the environment and background, which are specific to themselves. This is unlike the previous image, which is merely some kind of emergence from "darkness". In this way, the works get their own "context" and offer the viewers more evidence to interpret his works, which leaves the picture all the more complex and rich. On the other hand, the image of "children" with closed eyes makes its appearance in the picture besides that of "children" with wide-opened eyes. This new image does not indicate that the communication channel between Peng Jianzhong and his viewers was stopped. One the contrary, it is endowed with the implication of some kind of "introspection".

一方面，&孩子&有了隶属于自己的环境背景，而不是像之前的人物形象仅仅是从&黑暗&中的某种浮现，这让作品拥有了自己的&语境&，也让观赏者拥有了释读作品的更多凭据，由此画面变得更加得复杂与丰富；一方面，&孩子&们除了睁大双眼的之外，还出现了闭目的形象，这一新的形象并非表示出彭建忠与他的欣赏者之间沟通交流的渠道关闭，却具有了某种&内省&的意涵，或许彭建忠已经从先前匆忙中的&拯救&，进而发展为针对人类自身危机处境的深层探究以及&拯救&本身的意义叩问。

One the one hand,"children" has the environment and background, which are specific to themselves. This is unlike the previous image, which is merely some kind of emergence from "darkness". In this way, the works get their own "context" and offer the viewers more evidence to interpret his works, which leaves the picture all the more complex and rich. On the other hand, the image of "children" with closed eyes makes its appearance in the picture besides that of "children" with wide-opened eyes. This new image does not indicate that the communication channel between Peng Jianzhong and his viewers was stopped. One the contrary, it is endowed with the implication of some kind of "introspection". Probably, Peng Jianzhong has switched from the previous hasty "salvation" to the deep exploration into the crisis situation of human beings themselves as well as inquiry into the meaning of "salvation" itself.

一方面，&孩子&有了隶属于自己的环境背景，而不是像之前的人物形象仅仅是从&黑暗&中的某种浮现，这让作品拥有了自己的&语境&，也让观赏者拥有了释读作品的更多凭据，由此画面变得更加得复杂与丰富；一方面，&孩子&们除了睁大双眼的之外，还出现了闭目的形象，这一新的形象并非表示出彭建忠与他的欣赏者之间沟通交流的渠道关闭，却具有了某种&内省&的意涵，或许彭建忠已经从先前匆忙中的&拯救&，进而发展为针对人类自身危机处境的深层探究以及&拯救&本身的意义叩问。

These two poles of experience—roughly speaking, Russian acclimatisation and Germanic colonisation—anchor Joseph Horowitz's masterful study of how the Russian revolution, the rise of European fascism and the second world war all transformed the American performing arts by sending an unprecedented wave of immigrants and refugees from Eastern Europe.

两位大师截然不同的经历（俄罗斯人的极强适应能力与日耳曼人的多方位殖民）让约瑟夫·贺乐维兹成就了一番深厚的学术研究，即俄国的革命、欧洲法西斯主义的抬头以及二战是如何让东欧那场史无前例的移民与难民大潮迫使美国表演艺术发生了转型。

In the middle of these Cogitations, Apprehensions and Reflections, it came into my Thought one Day, that all this might be a meer Chimera of my own; and that this Foot might be the Print of my own Foot, when I came on Shore from my Boat: This chear'd me up a little too, and I began to perswade my self it was all a Delusion; that it was nothing else but my own Foot, and why might not I come that way from the Boat, as well as I was going that way to the Boat; again, I consider'd also that I could by no Means tell for certain where I had trod, and where I had not; and that if at last this was only the Print of my own Foot, I had play'd the Part of those Fools, who strive to make stories of Spectres, and Apparitions; and then are frighted at them more than any body.

天命难测，使人生显得多么光怪陆离，变化无穷啊！在不同的环境下，人的感情又怎样变幻无常啊！我们今天所爱的，往往是我们明天所恨的；我们今天所追求的，往往是我们明天所逃避的；我们今天所希翼的，往往是我们明天所害怕的，甚至会吓得胆战心惊。现在，我自己就是一个生动的例子。以前，我觉得，我最大的痛苦是被人类社会所抛弃，孤身一人，被汪洋大海所包围，与人世隔绝，被贬黜而过着寂寞的生活。仿佛上天认定我不足与人类为伍，不足与其他人交往似的。我当时觉得，假如我能见到一个人，对我来说不亚于死而复生，那将是上帝所能赐给我的最大的幸福，这种幸福仅次于上帝饶恕我在人间所犯的罪孽，让我登上天堂。而现在呢，只要疑心可能会看到人，我就会不寒而栗；只要见到人影，看到人在岛上留下的脚印无声无息地躺在那里，我就恨不得地上有个洞让我钻下去。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷