解释的

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xu's works, spur his works to enter audience's habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artist's conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesn't stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

When audience face these images, it is natural to invoke the memory of source images, and it is such basic memory or source images intention that produce the reaction and confrontation to Xus works, spur his works to enter audiences habitual recognition of images, and combine thinking with image cognition to form new interpretation of images, as to highlight the dubiety of source images and to increase the possible reinterpretation of source images, but the artists conceptual interference is not close-ended but discloses the mechanism of contemporary image reading: i.e. the interaction between image and audience, as result such works are the presence of artistic conception but the absence of artist and that artist doesnt stress the input of personal experience into the work, but looks for the methodology of image-construction and the combination of thinking methods for creating the entity of joint between image and language.

当观众面对这些图像时，很自然地唤起对原有图像的记忆，正是这种基本记忆或原图像意图的捕捉对许昌昌的作品产生了反作用和对抗，促使作品图像进入到观众的图像识别习惯中，将思考与图像认知结合，形成新的图像阐释，既是突出原图像的可疑性，又增加了对原图像的重新解释的可能性，但艺术家的观念介入并不是封闭的，而是敞开了当代图像阅读的机制：即图像与观众的互动性，这样的作品是艺术观念在场而艺术家缺席，艺术家不强调个人生活经验进入作品，而是寻求图像构成的方法论和思维方法论的结合，创造图像与语言切合的实体。

Particularly, these strategies consist of the following two levels.On the macroscopic level, the "technical" strategy of teaching mainly reflects the effectiveness of teaching to adjust the content, approach and means of teaching , to satisfy with scientific and technical requirements of teaching goal; the "explanatory" strategy of the teaching mainly reflects the subjectivity and inter-subjectivity of the teaching subjects to increase understanding and acceptance in inter-person , to meet the requirements of humanistic spirits of teaching goals; the "emancipator" strategy of the teaching mainly reflects teachers' and students' personality development, also to achieve humanistic value .

这些策略分处两个层面：处于宏观层面的有：立足"技术的"教学策略，主要反思教学的有效性以调节教学的内容、途径和手段等，旨在满足教学目的的科学技术要求；立足"解释的"教学策略，主要反思教学主体的主体性与主体间性的发挥，增进人际的理解和认同，主要满足教学目的的人文要求；立足"解放的"教学策略，主要反思教学中师生个性发展问题，也是为了实现教学目的的人文价值。

Everyone inside the hearts of a sleeping soldier, as long as you wake up this sleeping soldiers, you will be able to leap the fear, can reproduce the ultimate destruction of the wall.Yifulite Rite, in the legends of ancient Rome's Colosseum on the soldiers, when they have no fear of death and fighting, on the brink of the brink of death, they will hear a war drum, and to hear the drum all the soldiers, Will no longer fight hatred, not to fight for victory or defeat, or even no longer fight for themselves, and some would rather die than just stop the fighting, and this time they will go beyond that to the world, so logical thinking Can not explain the ultimate strength, as if their lives, dedicated to the god of fighting, but the ceremony known as the fighters of ancient Rome:"The Rite of Yifulite."

伊芙利特之祭每个人的心里面都有一个沉睡的战士，只要你能唤醒这沉睡的战士，你就能跨越这份畏惧，重现可以毁灭极限之墙的，伊芙利特之祭，传说在古罗马竞技场上的战士，当他们有着不畏惧死亡而奋战，濒临死亡边缘时，他们会听到一种战鼓声，而凡是听到这鼓声的战士，将不再为仇恨而战，不在为胜负而战，甚至不再为自己而战，有的只有宁死也不停止的斗志，而这时，他们将会达到超越这世上，所有思想逻辑，都无法解释的终极力量，好象他们的生命，奉献给战斗之神一样，而这场祭典古罗马战士称为：&伊芙利特之祭&。

Josie指着这几张钱背面解释说:on the back side of 5 pound note depicts elizabeth fry'sface,she was a philanthropist in 19th century britain,the left side picture showing a scene with her reading in a charity campaign;the 10 pound note depicts mr.charles darwin who was an aturalist in 19 th century britain;the 50 pound note depicts sir.john houblon who was the first governor of the bank of england;the back side of his face is his house;as for the back side of 20 pounds,it depicting sir.edward elgar's face with aview of worcester cathedral,elgar was a famous composer in the world.

5镑背面描绘的是英国19世纪慈善家伊丽莎白弗雷的肖像，左侧是她参加慈善活动的图案；10镑钱描绘的是英国19世纪博物学家查尔斯达尔文；50镑钱描绘的是英格兰银行第一任董事约翰霍布伦，他肖像的后面是他的家；至于20镑钱，描绘的是爱德华埃尔加的脸和伍斯特大教堂埃尔加是著名的作曲家）

Business English Pod's MP3 lessons feature example training dialogs with clear explanations of the target language, vocabulary, idioms and useful phrases, followed by a short practice and review session.

商务英语荚果的MP3功能的教训，例如培训的对话与明确的解释的目标语言，词汇，成语和有用的词组，其次是短期的实践和审查会议。

Judging from the historical change of international legislation concerning the onus probandi allocation of the carrier in sea transportation claims and from the challenges of theories of the onus probandi by some of China's legislative regulations, there is not a general standard for the allocation of onus probandi. There is a close relationship between this allocation and civil responsibility. In present age, China can consider solve the allocation of onus probandi by means of legal explanation.

从关于海运索赔中承运人过失举证责任分配的国际立法的历史变化和部分国内立法的有关规定对举证责任分配诸学说的挑战中得到的启示是，不存在举证责任分配的一般性标准，更不应过于迷信罗森贝克的规范说；举证责任分配与民事责任之间存在密切联系；我国目前可以考虑用法律解释的方法解决举证责任分配问题。

Some of the timidity in Europe is explicable: its generous welfare states have more "automatic stabilisers", such as payouts to unemployed workers, to support economies in recessions than hard-hearted America does.

欧洲的一些胆怯也是可以解释的：欧洲慷慨的福利国家比硬心肠的美国拥有更多的&自动稳定器&来支撑衰退中的经济，譬如对失业者的补贴。

Abstract」By the approaches of index and explanation of cause and effect,with the statistics in all kinds of yearbooks edited by the authorities ,in comparisonwith some scholars'same studies about other countries or areas ,this article analysesthe impacts of modernization on the evolution of litigation rates in China,1978—2000,and tests the theoretic hypothesis about the relations between social developmentand evolution of litigation established by some foreign scholars.

内容提要」本文运用指标的方法和因果解释的方法，针对国外学者提出的有关社会发展和诉讼率变迁的关系的理论假设，参照国外学者对其他国家和地区这种关系的经验研究，利用政府出版的各种年鉴中的统计资料，分析了中国大陆1978—2000年间现代化发展对民事经济诉讼率变迁的影响。

When Frederick Delius explained his master piece "Summer in the courtyard" he quoted an anonymous poem," Roses and lilies, countless fragrant flowers, butterfly flashing wings, coming through the flowers, the brown bee dancing in the warm summer air, gently flowing river beside of old trees, the sound of birds coming through distance ..."

音乐家戴留斯在对其所作管弦乐《夏日的庭院》解释的时候曾引用过一首无名诗：&玫瑰与百合，无数芬芳的花朵，彩蝶闪动翅膀，往返穿梭于花丛中，金褐色的蜜蜂在温暖波动的夏日的空气中嗡嗡飞舞，老荫树下，河水缓缓流过，水鸟清越的啼声远远传来。…。。&。

It has been put forward that there exists single Ball point and double Ball points on the symmetrical connecting-rod curves of equilateral mechanisms.

从鲍尔点的形成原理出发，分析对称连杆曲线上鲍尔点的产生条件，提出等边机构的对称连杆曲线上有单鲍尔点和双鲍尔点。

The factory affiliated to the Group primarily manufactures multiple-purpose pincers, baking kits, knives, scissors, kitchenware, gardening tools and beauty care kits as well as other hardware tools, the annual production value of which reaches US$ 30 million dollars.

集团所属工厂主要生产多用钳、烤具、刀具、剪刀、厨具、花园工具、美容套等五金产品，年生产总值3000万美元，产品价廉物美、选料上乘、质量保证，深受国内外客户的青睐