视角

At present,the domestic related television in the morning news program item's research multi-attention in the concrete business problem's discussion as well as to the individual program phenomenon's analysis,the news program item lack systematic combing in the morning to our country entire television from the idea to the form development transformation. This kind of relative isolation dispersion's angle of view easy to cause the research class in the surface,but studies the business problem not to be able to be separated from the history of view.

目前国内有关早间电视新闻节目的研究多关注于具体业务问题的探讨以及对个别节目现象的分析，对我国早间电视新闻节目从观念到形式的发展变革缺乏系统性的梳理，这种相对孤立分散的视角容易使研究流于表面，而研究业务问题不能脱离史的视角，微观现象需要放置在宏观的社会文化背景下进行分析。

With the angle of view of the reader of puissance and authority to research Chinese contemporary literature is differ from the study of literary history, the study of history of literary thought, the research of authors and works, and the research of readers criticizing.

从权势权威型读者的视角来研究中国当代文学的发展，分析和探讨这种现象对中国作家及其作品的影响，是不同于过去那些专门对文学史、文学思想史的研究，以及对作者和作品的研究，也不同于一般的读者反映批评，从一般读者的视角来分析对作品的反映和接受美学的单项研究。

The paper is structured as follows: section 1 provides an introduction of practical background, research issues, related notion, research framework, research method and innovation points. Section 2 presents related literature review and comments. Section 3 focuses on the research on the factors of industrial environment and networking backgrounds which influencing dualistic-innovation of clustered firms, and puts forward the hypothesizes; Section 4 is the empirical research that inspect and verify the authenticity of hypothesis proposed in section 3; section 5 concentrates on research on coordination mechanism of dualistic-innovation for clustered firms; section 6 is another empirical research that exam the theoretical derivation of section 4; followed by section 7, the conclusion and suggestion for government policy and further research.

论文的主要内容如下：第一章是绪论，介绍研究的现实背景、研究问题、x相关概念、研究框架、研究方法和创新点等；第二章是对文章所涉及的创新领域研究文献的回顾与评述；第三章是网络视角的集群企业二元式创新的影响因素研究，分析影响集群企业二元式创新活动的产业环境和网络环境的关键因素及其作用机制，并提出相应的命题假设；第四章是对应的实证分析，检验上一章提出的二元式创新影响因素的命题假设成立与否；第五章是网络视角的集群企业二元式创新的协调方式研究，提出相应的协调模型和具体的运行机制；第六章同样是对应性的实证分析，检验集群企业二元式创新协调方式的理论推导；第七章是结论、建议与未来的研究展望。

The first part states in a comprehensive way the research on Zhou Zuoren so as to define the purpose, methodology and significance of the dissertation. The second part analyzes the experience of Zhou's self-culture creation from a personal angle-Yue culture in Zhejiang gave Zhou a perceptual knowledge of folklore, while the idea of world folklore gave him a rational cognition of folk' culture. The combination forms a dual folklore. The third part observes Zhou Zuoren's examination of literarure from folklore's perspective as well as its pioneering significance. The fourth part explores in a further way Zhou's perspective of folk culture, and analyzes the method he has established to conduct literary criticism from the angle of folklore as well as his research on Chinese Culture. The fifth part analyzes the impacts folklore theory and folk culture have on the formation of Zhou' literary ideas, focusing more his folklore interpretation and humanism perspective about the origin and hist ory of literature, also his literary aesthetic standards about "ordinary humanism" and "loving amusement" from the position of folklore. The sixth part expounds Zhou's achievement in combining literature and folklore and explores the consistency of their focus on human, thereby presenting a complete picture of Zhou's literature. The last part generalizes the revelation drawing from the research done in this dissertation.

本文分为六章：第一章综述周作人研究的历史与现状，从而确定本文的研究目的、方法及意义；第二章从社会、时代背景、区域文化传统和个人文化选择的角度，阐释周作人选取民俗学视角观照文学的原因，侧重分析周作人自我文化建构的心路历程——浙江越文化传统的浸润给周作人以民俗学的感性认识，而世界民俗学的理念赋予他注重民间文化的理性精神；第三章考察周作人的民俗学研究及先锋意义；第四章进一步探讨周作人的民俗文化观，分析他确立的从民俗文化角度进行文学批评的方法，兼及他从民俗学视角进行的中国文化研究；第五章分析民俗学理论及民俗文化观在周作人文学思想生成中的影响，着重论述周作人关于文学起源和文学发展史的民俗学阐释、文学的民俗人性观，以及从民间立场出发所具有的"平凡的人道"、"有情的滑稽"等文学审美原则；第六章从创作实践方面，探讨周作人文学作品的民俗文化意蕴，进一步论述周作人将文学与民俗结合在一起的实绩，并揭示二者以"人"为核心的内在精神的一致性，从而呈现出周作人较为完整的文学风貌；最后是余论，指出这一研究的启示。

In an Einsteinian Universe, there is no singular point of view, but alternate points of view to ponder a particular problem.

在爱因斯坦的宇宙里，没有单一的视角，要从不同的视角去分析特定的问题。

The legislation of the open heart permission system is slipshod and has a greater randomness in practice.

心证公开制度立法粗疏，在实践中有较大的随意性，其理论视角偏狭，应当转换研究视角，以保障法定听审请求权的理念完善具体制度。

Then image sequences are stitched to continuous panoramic image mosaics, and the panoramic image of different swathes can be stitched to the full\|view spherical panoramic image.

将系列图像的拼接结果整合，得到360°视角的全景图像；然后进行上下层全景图像的拼接，生成全视角球面全景图，效果较好。

Thirdly, scar literature breaks the visual figure criterion: the common people come forth as front and focus figure; not only traditional methods but some modernism methods such as stream of consciousness, superrealism and free-association are applied to represent mentality; a set of complex characters are coming up with complex composing and movement.

第三，"伤痕文学"打破了以往形象塑造的规范，出现了一些新的特点：普通人物作为正面形象大量涌现，成为文学表现的焦点；从外部视角开始转向内在视角，不仅使用传统的心理描写方法，而且开始使用意识流、超现实、自由联想等现代主义的表现手法；出现了一批具有复杂性格的人物形象，揭示了他们性格构成的复杂性和性格运动。

Bakhtin s carnivalization tries hard to turn around the angle of view on literature from the superstratum official to the folks.

巴赫金的狂欢化理论力图把人们对文学的观照从上层的官方视角转向底层的民间视角，重视其民间诙谐文化的重要传统，拓展了诗学研究的新领域。

Some of the evidence for inferring is solid and some is tenuous.

因此，视角的合作实质上是对彼此视角选择根据的一种推论，推论的根据有的确凿，有的模糊。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。