视角

This article analysis such a function through the point of explicit and implicit function, individual function and group function of the sport.

本文从体育的外显功能与内隐功能、个体功能与群体功能的视角，探讨其价值。

This paper deals with implicitness and explicitness in English reading in terms of the scope of new course design, aiming at the rationale for reforms in teaching reading.

目的：从新课程视角，探讨英语阅读中的外显与内隐问题，为阅读教学改革提供理论依据。

This process is comprehensive and could be explored from different aspects.

这是一项综合性的过程，分析问题的视角也是多方面的。

He employs mechanisms more commonly associated with lavish "motion picture" productions for cinema: notably his trompe l'oeil cinematographic vision, manifested in elaborate chiaroscuro combinations of light and half-light; tight control of changes in perspective and arrangement of the cast in majestic tableaux vivants; and a miniaturist's hypersensitivity in committing human emotions to film, his precise handling of the camera capturing the subtleties of sadness, melancholy, and grief as well as of prolonged expressionlessness and impassivity.

他使用了奢华的"电影"更普遍采用的影院制作机制：精心设计出明暗对照的光线组合所产生的电影错视画面；严格控制视角的变化和场面宏伟的活动画面中演员走位的安排；正如一个微图画家般的超敏性，将人类情感赋予电影，通过他对摄影的准确把握，捕捉悲伤、忧郁和哀痛，长时间的沉默和平静的细微差异。

This paper attempts to make recommendations, with a new view to the contract breach fine research, on the nature of contract breach fine should be compensation, punitive coexist, through the study of different national legislation on the different provisions of contract breach fine, combined with existing academic disputes, and the expurgation of confusion and false in the concept of contract breach fine.

本文试图通过对各国立法关于违约金性质的不同规定之考察比较，结合阐述学界对违约金性质所存在的争议，廓清违约金概念中的混乱与不实之处，对我国违约金性质应赔偿性、惩罚性并存提出建议，以期展现违约金问题研究的一个新视角。

The paper reveals problem obstacles,market environment restrictions,the interior motive power and the exterior pressure of system innovation and draws the outline of the policy framework fulfilling the developmental strategies of banking of China in the 21 centuries.

综上所述，本文对经历了近二十年改革的中国银行业目前的制度基础、存在的缺陷及问题、面对外资银行的威胁、改革目标、政策取向进行了深入分析和研究，揭示了中国银行业发展的问题障碍、市场环境约束、制度创新的内在动力及外部压力，从发展、创新和世界经济一体化的视角，勾画了实现中国银行业21世纪发展战略的政策框架。

Forestry production are divided into three production stages as camp wood, timbering and,processing,combined with the exterior theories,the forestry exteriority is divided into the positive exteriority of camp wood production and negative exterior of timbering and processing

将林业外部性分为营林生产的正外部性和采伐、加工生产的负外部性，并从法律经济学视角进行了解释和论述。

Therefore, this article attempts from the external angle of view to embark and to introduce the literature sociology the concept to ponder this question, thus seeks the literature and art discipline construction the new path.

所以，本文试图从外在视角出发并引入文学社会学的概念来重新思考这个问题，从而寻求文艺学学科建设的新道路。

Then, Chapter Three is, from the external visual angle and by using the method of costs analysis, going to analyze and estimate the social cost losses of the state and consumers due to tobacco smoking, and comprehensively review difficulties confronted by enforcement of smoking control measures in China as well as importance and urgency of the tobacco monopoly system vs. the state's overall economic interests in consideration of the economic benefits offered by tobacco.

然后，第三章从外部性视角并运用成本分析方法分析和估算了吸烟给国家和消费者所带来的社会成本损失，并结合烟草所提供的经济利益，来综合考察我国实施控烟措施所面临的困难和烟草专卖制度对国家整体的经济利益的重要性和迫切性。

Concept of culture Shenzhen is a city of speed and we can make a response with the marker's external form and composite streamline system; Shenzhen is a city of diversity and the marker's performance at different visual angles and function composition is its external manifestation; Shenzhen is a city of innovation, marker is the external form and composite function carrier of its urban wonders, a brand-new experience in behavior is triggered when a super strong attraction is generated.

文化 深圳是个速度的城市，我们通过标志物外在形式及复合流线体系予以回应；深圳是个多样的城市，标志物不同视角的演绎与功能复合是其外在体现；深圳是个创新的城市，标志物以其城市奇观外在形式与复合功能载体，产生超强行为吸引力的同时触发全新行为体验。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。