视觉的

One of the main components of the computer vision is 3D reconstruction.

三维重建是计算机视觉技术的主要内容之一。

The two parts form a strong and weak contrast, creates an unbalanced visual effect.

左右两部分形成强弱对比时，造成视觉心理的不平衡。

This paper introduces the relationship between absorption spectrum and vision chemistry.

介绍了吸收光谱与视觉化学的关系。

The features of the "Red Fillet On Earth" is summarized to six unites of the opposites as follows:(1) the unity of the historic authenticity based on the documents and the art authenticity based on the unique painting skills;(2) the unity of the continuity of the development of the works as a whole and the independent appreciation of each single work;(3) the unity of the construction of the stories in the paintings and the clue of it;(4) the unity of the content of the stories and the style of the paintings;(5) the unity of the positiveness of the people depicted in the work and the negativeness of the environment in it;(6) the unity of the modesty of aesthetic pursuing and the enrichment of the painting.

笔者将该作品概括为6大特点：(1)基于文献的历史真实性与基于独特绘画技巧的艺术真实性之间的辩证统一；(2)宏观的整体线索上的连续性与微观的单幅作品的独立欣赏性之间的辩证统一；(3)复杂的外在叙事结构与有机的内在情节联系之间的辩证统一；(4)全面庞杂的故事内容与多样统一的绘画形式之间的辩证统一；(5)坚毅乐观的人物形象与严峻恶劣的环境态势之间的辩证统一：(6)质朴无华的美学追求与繁复丰茂的绘画本体之间的辩证统一。该作品的教育价值主要在于：不仅是一种难能可贵的绘画鉴赏的视觉教材，更是一个对青少年进行革命历史传统教育的经典视觉范本。

This means that, in most cases, only a very small part of an object will lie within this area. If we want to observe the object in detail, we have to move the fixation point frequently to make the different parts of the object lie within the central area. In addition, with such a small central area, the separation of foveal and peripheral channel becomes meaningless. Consider all the above aspects, we propose in this thesis a visual computing model based on selective attention mechanism.

针对上述问题，本文的模型引入选择注意机制，并将之建立在非均匀采样表示与处理的基础上，我们提出了一种可以随视觉任务变化的可变结构的非均匀采样信息表示方法，并通过它将后继的视觉处理分成相对独立的中央和周边通道，分别完成对感兴趣物体的识别和注意点的快速转移，后者相当于对感兴趣物体的一个粗定位过程。

In vehicle side modelling part, because the very abundant vehicle commander compares Europe is medium raises the back vehicle to be many trifle, in addition line agile glass modelling, therefore in the whole visual effect, draws close in station wagon's slender feeling; In addition as a result of the large scale wheel arch design, lets the introduction dispose 18 inches tires very abundantly, in visual effect slightly obviously frail; Special 昰, although has not used the mainstream the automobile body homochromy rear view mirror, the vehicle roof both sides extend before the files to the tailstock also have the special black to break out, but in very abundant actually reveals the unique American rough atmosphere.

在车侧造型部分，由于酷博的车长较欧系中型掀背车多出些许，加上线条利落的车窗造型，因此在整体的视觉效果上，更趋近于旅行车的修长感；此外由于大型化的轮拱设计，让引进配置18寸车胎的酷博，在视觉效果上略显单薄；特别的昰，尽管并未采用主流的车身同色后视镜，车顶两侧由前档延伸至车尾亦有特殊的黑色突起，但在酷博却流露出独特的美式粗犷氛围。

One of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.

最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的&收购&的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。

Hidden Image is an image contains one or more embedded figures The hidden figure merges into typically a busy image such that it does not standout and remains unnoticeable for a while It takes the viewer to focus or some targeted effort to detect the hidden figure and might requires some hint to be able to do so In this paper we provide the technological processes to create the hidden image which normal Texture Synthesis can't be done; According to quantization of background and figure we manage to recolor the quantized color of figure through Luminance Labeling Processing which is base on relationship between background and figure we also manage to remove some parts assigned by user to make our result more natural but can still recognize the figure Finally we present the result using the Texture Processing We believe the proposed system can provide a user-friendly tool to create their own Hidden Image

Hidden Image，中文称为画中有画的艺术；在表现手法上是一们相当新颖且前卫的艺术，其表现风格多种；一般来说，常见手法是将一个或是多个物体以不同型态的方式巧妙的融合在背景当中，观察者在远方观赏整幅画时，并不会觉得特别突兀，而当视觉集中到某一个焦点上时，透过大脑重新组织之后，其隐藏的物体将渐渐浮现出来。本篇论文主要是提供一个完整的流程；根据luminance space区块化后，透过物体本身区块的相互关系，或是物体与背景的相互关系进行Luminance Labeling，并经由Erosion Processing将物体做适当的破坏，最后以贴图方式给予视觉化呈现。相信透过这样的流程，我们将赋予一般普罗大众一套机制去创造出属於自己的Hidden Image。

Art should help to strengthen the depth of knowledge. In these words, we can clearly discover his idea of attaching more importance to painting itself and psychological trend of trying to avoid its sociologic meaning. In his personal career, at least up to now, he is always a person of the form. of language. As symbols he borrowed for visual expression, those desolate faces and empty facial expressions, together with colors, shadows, strokes and textures, fully unfold before our eyes the great imagination that rhythm and tune can display in the visual field.

从这样的表述中，我们应该可以清晰地看出他重视绘画本体并企图逃离社会学含义的心理倾向，至少在迄今为止的个人历程中，他一直是一个对形式语言非常关注的人，那些荒凉的面孔和空洞的表情，只不过是他的视觉表达所暂借的符号，附着在其上的色彩、影调、笔触和肌理，为我们充分展现出节奏和旋律在视觉方面所能够企及的想象力。

The emotional relationship with Mao envisioned in Yin Zhaoyang's painting reflects the ideological influence of his portrait during the childhoods of the post-revolutionary generation. This influence was strongest in visual impact after 1949 when Mao's portrait saturated the media and was seen everywhere.. The portrait visually invaded the self image of a generation and formed an emotional aesthetics that is also one of the roots of modern youth.

在尹朝阳的绘画中，和毛的想象性的情感关系，体现为肖像在后革命一代成长初期的一种意识形态影响，在这种影响中，肖像的视觉影响即毛在1949年之后大量肖像的扩散所产生的形象无处不在的大众传播，一种肖像对于一代人自我想象的视觉侵入所产生的情感美学，实际上构成了一种青春的现代性根源。

In the negative and interrogative forms, of course, this is identical to the non-emphatic forms.

。但是，在否定句或疑问句里，这种带有"do"的方法表达的效果却没有什么强调的意思。

Go down on one's knees;kneel down

屈膝跪下。。。下跪祈祷