视觉形象

The newspaper, a kind of plane carrier, whose external images are constructed by visual symbols. Visual and non-linguistic symbols have more effect than written language on readers' vision so that readers can get deeper understanding and impression of the newspaper.

报纸作为一种平面载体，它的外在形象是由视觉性符号构造出来的，而且视觉性非语言符号要比文字语言符号在视觉上给读者的视觉冲击更大，也更能加深读者对报纸的认识和记忆。

DCC,set up in 2004, has been focusing on the foundation and enhancement of Chinese retailing brands, upgrading brands affixation and outstanding sales by visual marketing. We provide professional, systematic and tactic brand identification plans by harmonious combination of plane and room visions. We also offer final vision designs, brands consultants, plane designs and enhancing marketing for authorized stores and markets. We have succeeded in the creation of final visions for famous domestic brands. DDC accumulated mostly vanguard, experienced, professional and elite designer teams from the whole country. You may find unique designers for your brands, which, with high qualification and passions, are to deliver you with most excellent designs.

DCC中国零售品牌设计中心 2004年创立于杭州，专注于中国零售品牌形象的建立和提升，运用视觉营销提升品牌附加值及销售业绩，将平面视觉与卖场空间有机整合，提供专业化、系统化、战略型的品牌识别整体解决方案；提供从专卖店、专业店到商场规划的卖场终端形象设计及品牌咨询策划、平面设计、推广执行等服务，已为国内众多著名品牌成功打造终端形象；DCC汇集了全国富有前沿创意及实战经验的专业设计精英团队，在这里您可以找到适合您品牌独特气质的设计师，我们的设计师团队以高度的职业素质及热情，为您提供最切合实际的出色设计。

We offer design strategy with directive significance as detailed as possible for brand composition through analysis of the subject matter of competitors, model, structure and color so as to create an identity with vivid particularity, intensive distinguishability and visual striking.

标志想象是品牌传达的视觉语言。是产品与消费者沟通的形象代言人。我们通过对竟争对手题材、造型、结构、色彩的剖析。最大限度地为品牌构建提供详尽而有指导意义的设计策略，以塑造出具有鲜明个性，强烈认别和视觉冲击力的形象。

Modern advertising to people's daily lives play an invaluable role, But advertising in the media image of women more than men based visual culture product either as a metaphor or image of a beautiful image, in fact, are female image of the reification of space.

现代广告对人们的日常生活起着不可估量的作用，但在传媒广告中的女性形象多是男本位视觉文化的产物，无论是做为隐喻的形象还是美丽的形象，其实都是女性形象的物化与空间化。

The brushworks, here played by no means the configuration role, were only the undertakers of colors, even though we still could get the visual impression of flowers from the widespread of brushworks.

尽管这些笔触给人随意涂抹的印象，但整体上绿叶红花的视觉形象在画面上仍然给人呼之欲出的感觉。

We apply ourselves to provide holistic scheme of settlement for visual image from advertisements of films to factures of multimedia, and we have most advanced technology of making films and corporate technology of three-dimensional virtual reality.

致力于提供从影视广告到多媒体制作的视觉形象整体解决方案，拥有目前国内最先进的影视制作技术和三维虚拟现实核心技术，拥有完善的影视广告摄制系统，在辖区内已经成为最具竞争力的专业技术领先型企业。

As observed by critic Jia Fangzhou, these are semblances of characters; being illegible and unable to be pronounced, they are but structures resembling Chinese characters, or visual images with features of Chinese characters.

正如评论家贾方舟先生所指出的，这是一些似是而非的文字，它们既读不出字音，也辨不出字义，而只是一种与中国文字相类似的形体结构，或者说只是一种具有汉字结构特征的视觉形象。

As observed by critic JiaFangzhou, these are semblances of characters; being illegible andunable to be pronounced, they are but structures resembling Chinesecharacters, or visual images with features of Chinese characters.

正如评论家贾方舟先生所指出的，这是一些似是而非的文字，它们既读不出字音，也辨不出字义，而只是一种与中国文字相类似的形体结构，或者说只是一种具有汉字结构特征的视觉形象。

In this set of works, the self-image disappeared and the surreal empty space disappeared. They are replaced by landscape or objective images, but these images are of symbol and metaphor, rather than particular figures. In the 1990s, the trend of Pop art finally had an impact on Deng Jianjin. The obscure colors are replaced by bright colors which are neither the natural colors nor the tone pursued by traditional oil painting. They come from the space of contemporary life that is the visual space of icons and landscapes.

在这一批作品中，自我的形象没有了，超现实的虚无空间也没有了，代之以景观的或客体的形象，但这种形象是隐喻与象征的，而非特定的人物形象。90年代波普化的大潮终于对邓箭今产生了影响，晦涩的颜色被明亮鲜艳的颜色所代替，这种颜色不是自然的颜色，更不是传统油画所追求的色调，它来自于当代生活的空间，亦即图像与景观的视觉空间。

Along with his graphic design work, he also experiments with visual images, and his works have been screened at international film festivals in Oberhausen, Rotterdam, Edinburgh, and many other places around the world.

除了平面设计作品，他还做了视觉形象的实验性探索，其作品在许多国际电影节如奥伯豪森、鹿特丹、爱丁堡及其他许多地方播映。

They weren't aggressive, but I yelled and threw a rock in their direction to get them off the trail and away from me, just in case.

他们没有侵略性，但我大喊，并在他们的方向扔石头让他们过的线索，远离我，以防万一。

In slot 2 in your bag put wrapping paper, quantity does not matter in this case.

在你的书包里槽2把包装纸、数量无关紧要。