观看者

These images record simple gestures and actions, such as crushing a lemon, pouring milk, waving or devouring and aim at engendering a kind of poetic archetypes that lead the viewer to a state of detachment and impartial joy, to a moment when absolute fragility coincides with infinite joy and ecstasy, to a moment of autonomy and freedom.

这些图像记录着简单的行为，比如踩扁一个柠檬，浇注牛奶，挥手或吞噬的动作，它们创造出一种诗意的原型，引导观看者达到一种超脱的幸福状态，达到极端脆弱和无限幸福并存以及独立和自由在瞬间存在。

Because the traditional anamorphosis is restricted by fixed viewing position and the still content,the research will enrich the demonstrations by adding dynamic contents and allows the viewer moving.

此外，过去透视Anamorphosis 呈现的内容仅限於静态的物体与固定位置观看，为了让呈现内容更加丰富且多元，本研究将使用投影机呈现具透视Anamorphosis 特性之影像，增加动态物体显示，允许观看者移动位置等功能。

FLASH software produced animation of the display is simple and accurate so that those watching at one glance.

FLASH软件制作出的演示动画简洁，准确使观看者能够一目了然。

So we need you, the main viewer and builder of the 2008 Olympic games to do it.

所以我们需要你，2008年奥运会的主要建设者和观看者，去解决它们。

This thesis analyze the TV text and the interview of viewers, in order to realize what the TV text presented, and viewers how to recognize the TV text. With regard to the TV text, it represented the virtual relationship of diffuseness, this is the main element to attract viewers, that the talk show looks like many people who discuss the social event, but it is just chatting.

透过对於电视文本的分析，以及对於个案访谈的分析中发现，该节目透过亲和力的展现而构筑出虚拟的扩散性关系，其中亲和力的展现，主要是透过语言和和谐的情境，此为吸引观看者的元素，也就是该节目所展现的只是如同日常生活中与亲朋好友聊天的情境，对於社会事件的谈论，也并真正提出了建立在学理上的分析，大多只是来宾、主持人陈述自己的心得与对於事件的揣测。

Leave footmark to begin to be able to feel interesting everywhere, time grows, you can discover, some of footmark stays is not the result that you want, the page that you are not willing to there is affection lubricious suspicion in a piece keeps track, lest be misunderstood,bearing has a problem, make much time, the footprint that this kind of convenient author and successor track, the interest that does not accord with him person that watch, be happy to expose oneself trace completely, have the taste of bit of exhibitionism.

到处留脚印开始会觉得有意思，时间一长，你会发现，有些脚印留下来并不是你想要的结果，你不愿意在一张有情色嫌疑的页面留脚印，以免被人误解"人品有问题"，许多时候，这种方便作者和后来者追踪的"脚印"，并不符合观看者自己的利益，乐于把自己的踪迹完全暴露，有点裸露癖的味道。

The interpretation of meaning mostly depends on the bias of the perceiver; there is thus no absolute value,good or evil, except in the eyes of the beholder.

对任何意义的解释完全取决于理解者的倾向，因此除了从观看者的眼中以外，没有绝对意义上的好与坏。

The value of photography is that it not only accommodates the audience's looking at, but allows the reenactment of history as well.

摄影的价值在于，它不仅承载了观看者的观看，也承载了历史的再生。

Ever since the literate history, the relation between male and female is basically that of the opposite duality. Among the opposite dualities, such as subject and object, creator and the created, observer and the observed, reproducer and the reproduced and so on, male represents forever the former, and female the later.

自有文字记载的历史以来，男性与女性之间基本上表现为二元对立的关系，在主体与客体、塑造者与被塑者、观看者与被看者、再现者与被再现者等对立的双方中，男性永远代表着前者，而女性则永远代表着后者。

The unpresented viewer has certain assumed authenticity as he roams beyond time and space in the dark metropolitan night and witnesses everything in the painting-the landscape, the wastes and the figures. Particularly, presentation of scenes is just like an embezzlement of images and photographic picture composition makes everything unfurling in sensed reality, making the viewer authentic and sensible. Viewer can be either the assumed ego of the subject or people viewing the painting.

不在场的观看者有一种假定的真实性，他在都市的黑夜中跨越时空地漫游，画中的每一物都是他的所见，景观、废弃物和人物，尤其是，场景的表现如同图像的挪用，摄影式的构图使得一切东西都在感觉的真实中展开，这样也把观看者置于真实的境地。

In the United States, chronic alcoholism and hepatitis C are the most common ones.

在美国，慢性酒精中毒，肝炎是最常见的。

If you have any questions, you can contact me anytime.

如果有任何问题，你可以随时联系我。