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But rather than lulling the audience into a false sense that all is well in the oceans, it catches the viewer's attention with meditative camerawork and lush, dramatic music and then reveals the inconvenient truth about the impact of over-fishing on the oceans.

但这并不是用来哄骗观众让他们认为大海风平浪静,《线之末》使用令人深思的摄影技艺,悦耳、富有表现力的音乐吸引观众的注意力,然后揭露过度捕捞所给海洋带来的难以忽视的真相。

As the bridge and medium between audience and judiciary administrator, journalists through their cameras let audience catch the point of trial process about many important cases regarded by the public.

电视记者的摄像机时常聚焦法院的审判庭,将社会关注的大案要案的审判过程直接展现给观众,成为沟通观众和法院以及司法机关的司法执法活动的重要媒介和桥梁。

Taking on with another, special program has the characteristic of series, suitable for all the family and so on.

长假电视的特别编排方式是在近两年才受到人们重视的,观众在长假期间的收视习惯和平时也有很大差异,根据观众长假的收视特点对电视节目进行编排,能取得很好的收视效果。

Nowdays, on one side, modernity is becoming an important aesthetics principle of the playwright who wants to express the thought of reality as well as explaining the history. On the other side, It is becoming another important aesthetics principle of audience who are interested in viewing the play because they find the same feeling between the chronicle play and the real society.

现今,当代性一方面成为历史剧创作者的一个重要的美学原则―剧作家在对历史的阐述中表达对现实的思考;另一方面也成为观众对历史剧欣赏的一个重要的美学标准―观众往往因为在历史剧中发现与现实的相通之处而增加观赏的兴趣。

The husband and Steiner, sitting side by side, were laughing complaisantly, and the whole house broke out in a roar when Prulliere, that great favorite, appeared as a general, a masquerade Mars, decked with an enormous plume and dragging along a sword, the hilt of which reached to his shoulder.

她的丈夫和斯泰内肩并肩地坐在一起,得意地笑着。当深受观众喜爱的演员普律利埃尔扮演将军一登场,全场观众大笑起来,他演的玛尔斯是田舍花园①里的战神,头上插着一撮羽毛,腰间挂着一把军刀,军刀高得与肩齐平。

I would like to mention en passant that the powerful art image, however independent of man's will, always means more than it shows, if viewed with association, imagination, and even fantasy. So how can the Chinese people, the carders and the masses, prevent themselves from feeling any empathy for such a topical clay sculpture as "Rent Collecting Courtyard" at all, since they have bitterly and miserably experienced the persecution and even humiliation of Lin Biao and the Gang of Four but have not been able to vent their fury, which is one of the darkest ages in China's history?

附带指出:如果说艺术形象的感人力量,既要依靠形象本身那不以观众的意志为转移的特征,也要依靠观众自己的联想、想象和幻想,那么经受林彪、四人帮迫害以至侮辱、但在当时只能把怒火埋在心里的干部和群众,怎能避免他们那切身的经历,在重新来观赏这样的泥塑时,直接作用于欣赏活动中那设身处地的体验?

Support show team to do online exhibitor and visitor promotion and reduce the promotion cost.

支持展览会展商和观众的在线推广,帮助降低观众和展商的推广成本。

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with.

所以,在各种形式的作品中,观众会看到她在失落信仰、缺少权威、迷失于现实的年代,在权力磁场举枪自轰;会在街道某个角落等待意料之外,又在意料之内的你的出现;会看见他背上一百块板砖,手持行李,徒步走向火车站,背负重担离开原居城巿,藉此表达中国人最是熟悉不过的离乡背井,作者以简洁有力的方式与观众分享让人心生哀愁的"国情"……。

In the works of this genre, viewers may see the subject of a work commit suicide with a gun, be bogged down in a state of faithlessness, lawless and lost in bewildering reality and in the magnetic field of power; and in some corner along the street waiting for the expected as well as the unexpected appearance of 'you'. With one hundred bricks on his back, and luggage in hand, he heads to the railway station, leaving his hometown, fully loaded, for his unknown destiny - an experience we Chinese are most familiar with. The sorrowful National Experience is shared in a clinical manner … See the situation in the shoes of the subjects, where everything seems so ridiculous and yet at the same time not without reason - one does not know if one should cry or laugh.

所以,在各种形式的作品中,观众会看到她在失落信仰、缺少权威、迷失于现实的年代,在权力磁场举枪自轰;会在街道某个角落等待意料之外,又在意料之内的你的出现;会看见他背上一百块板砖,手持行李,徒步走向火车站,背负重担离开原居城巿,藉此表达中国人最是熟悉不过的离乡背井,作者以简洁有力的方式与观众分享让人心生哀愁的"国情"……。

The chapter of audience defines audience from the angle of aesthetic and considers audience as the finisher of performance.

从审美的角度来定义观众概念,审美的核心在于"审",指出观众是表演的最终完成者。

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