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The cunning can be seen in Pilgrimage to the West ,for instance pilgrimage's purpose is speciosity.

佛道两家的这种狡黠,在《西游记》中也随处可见。

Health will play a lot of clouds, such as "horse a thousand miles,""Journey to the West","Hero with","flowers in mind,""Ha rafts in mind,""Sweet Basil","Guiyuan Mirror,""chain in mind,""Kite false "," Roar in mind,"" Jade Hairpin "and, especially," Shi Hua called art,"" Sudden Wen-ling,"" gatekeeper kill prison "," strange pairs of Society "and other well-known repertoire.

白云生会戏很多,如《千里驹》、《西游记》、《英雄配》、《百花记》、《霞筏记》、《金不换》、《归元镜》、《连环记》、《风筝误》、《狮吼记》、《玉簪记》等,尤以《拾画叫画》、《惊变闻铃》、《守门杀监》、《奇双会》等剧目著名。

Pigsy is another hero of the Journey to the West . Ugly-looking and vulgar, he is thought to be like an uneducated peasant or petty trader without any iota of sacredness about him. He is very gluttony. Where there are goodies available, his mouth will begin to water.

猪八戒是《西游记》中的第二号人物,他不仅生得丑陋,而且一身俗气,有人说他像一个农民,也有人说他是一个小市民,反正在他身上我们看不到神圣的光环。

This is very much like pig Journey to the hands of weapons, making unfounded.

这是非常像猪西游记手中的武器,提出毫无根据的。

I acquired a collection of books on Chinese civilizations, art, ceramics, textiles and read them voraciously, albeit in English. I read translated versions of the Journey to the West, Water Margin and Romance of the Three Kingdoms. I frequented talks on Chinese ceramics, attended a Chinese textile conference in Hong Kong only to find that some of the best collections were in European and American hands.

我买了一大堆介绍中国文明、艺术、陶器、纺织品的英文书,读得津津有味,我也找来了《西游记》、《水浒传》和《三国演义》的英译版本,我常常去听有关介绍中国陶器的讲座,以及在香港出席一个有关中国纺织品的会议,我发现中国的一些最好的珍藏品已落在欧美人士手中。

The journey to the west and the folklore, associated with vulgarism literature and Chant, trying to put the text into a primitive stage.

用俗语文学结合少数民族歌谣等,把文本还原到原始阶段,考查《西游记》与民间传说的关系。

I am planning to write a book, and I intend to entitle it The Journey Westward.

我准备写一本书,打算将它命名为《西游记》。

I am planning to write a book, I intend to entitle it The Journey Westward.

我准备写一本书,打算将它命名为《西游记》。

The people and objects floating through Gao Bo's works are without roots - perhaps they come from a momentary memory or a spark of interest. Looking at Gao Bo's works brings pictorial information stored deep in the mind to light, yet within a second these mind-images fade again, leaving behind a memory of all the images that lie underneath Gao Bo's warm and languid sketching. In Gao Bo's consciousness, these images don't stop at realism or simply exposit like some historical legend - in the end they reach towards the fringes of nothingness.These images can call up rich associations in our minds yet often these are false associations. For example, in "Gray Face" this is not the mystical dog of the god Erlang in Journey to the West; the rickety bridge in "River Bed" is certainly not a reference to a rainbow in Heaven; the story of "Contest" is not about two dogs running and pretending to be in love but a story of race dogs controlled by humans.

散漫在高波作品中的人与物没有根源,也许它们是源于个人瞬间的兴趣和记忆,有关知识的、情感的和在脑子里存储的图象信息随之而来,也可以随之而去,只是在温和缓慢的描绘背后还有一丝对所有形象匆匆停留过后的怀念,它们在高波的意识之中并不是一次停留于现实或者历史神话般司空见惯的陈述,它们的结果最终都是通向虚无的边缘,尽管那些形象似乎可以唤起我们丰富的联想,比如《灰色的脸》,它绝不是西游记中二郎神的天犬,在《河床》中不牢靠的拱桥,肯定不是寓指天堂里的彩虹,《竞赛》讲述的故事并不是两只在假装为爱情奔跑的狗,而是被人为所驱使的赛狗。

This paper proposes to discuss the Nobel laurite Gao Xingjian's Lingshan or the Soul Mountain by analyzing its relationship with such classical Chinese novels as the Xiyou ji or the Journey to the West .

本文将对诺贝尔文学奖获得者作家高行健的代表作《灵山》和中国古典小说吴承恩所著《西游记》进行对比分析。

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