西格尔

In addition to Mozart and Rossini, Bartoli has spent much of her time performing and recording baroque and early classical era music of such composers as Gluck , Vivaldi , Haydn and Salieri .

除了莫扎特，罗西尼，巴托利花了很多时间，她表演和录音巴洛克和早期为格鲁克，维瓦尔第，海顿和萨列里等作曲家的古典音乐的时代。

Gramercy Park opened in the summer of 2006, the design by painter and filmmaker Julian Schnabel taking hotel interiors back to a more homely, bohemian look that once belonged to these artist-filled streets.

格拉梅西公园酒店则在2006年夏天开张，由画家和电影人朱利安·施纳贝尔负责设计。酒店的内部装修因此而回归到一种更为家常和波希米亚式的风格。

The shiny items lend the interiors a snazzy edge worthy of one of her ex-husband's boutique properties (in fact, a baroque headboard in the guest bedroom was a prototype artist Julian Schnabel made for the Gramercy Park Hotel in Manhattan).

值得一提的是一种闪亮的边缘设计与她前夫的精品店的内部设计特性是相符的（事实上，在客房的卧室安上巴洛克风格床头板是朱利安·施纳贝尔在曼哈顿格拉姆西公园酒店的一个艺术原型设计。）。

He reached the 100-goal mark before turning 21 and by the time of his sale to AC Milan in 1961, Greaves had scored an incredible 132 times in 169 appearances.

在21岁之前，格里夫斯的进球就达到了100个。1961年，他转会去了意大利的AC米兰，为切尔西留下了169场打进132球的成绩单。

The player who had taken the burden of goalscoring from Greaves found the net 202 times in 370 games - a Chelsea all-time record.

在格里夫斯离开后，他承担了为球队进球的重任，在370场比赛中攻进了202个球，这也是切尔西成立至今在进球榜的记录。

The importance of young Jimmy Greaves' goals to Chelsea was clear for all to see when the season after he left, we finished a distant bottom in Division One.

自吉米。格里夫斯60年代初离开切尔西之后，球队在失去一名能为球队破门得分的重要球员后的不利影响逐渐显现出来。

It is therefore necessary to reject all theories that bring the book down to a date later than 250 BC, including that of Graetz, who regarded it as Herodian - in which he is followed by Leimdrfer (Erlangen, 1891), who makes Simeon ben Sheta the author - and that of Renan, who places it somewhere before 100 BC These theories are largely based on conjectural interpretations of historical allusions, which, though often attractive, are not convincing.

因此，这是要拒绝所有的理论，使这本书下降至一个日期不迟于250年，包括对格雷茨，谁把它作为herodian -在他之后是l eimdrfer（埃尔兰根， 1 891），谁使西美昂奔s heta作者-即任南，谁的地方，它的某处前1 00年这些理论主要是基于臆测的解释，历史典故，这虽然往往有吸引力，是没有说服力。

WwW.Mv00.CoM This is a highway in the terrorist experience, I believe that after reading this story, you may never want to let the people take you a hitch-hiker on the train ... Geleisian Andrews and吉姆哈Percy is a for the young lovers, in the school holiday period, they decided together自驾游, drove across the entire United States.

这是一个发生在高速公路上的恐怖经历，相信看过这个故事之后，你可能永远都不会让想搭你顺风车的人上车……格蕾丝·安德鲁斯和吉姆·哈尔西是一对年轻的情侣，在学校放假的这段时间里，他们决定结伴自驾游，开车横穿整个美国。

In today's cartoon David Horsey makes fun of Schwarzenegger's address, which was light on substance -- but no one expected much of that anyway.

在今天的漫画中，戴维·霍尔西取笑了施瓦辛格对严肃问题所作的肤浅的讲话———不过，也没人指望他能谈多少有深度的内容。

Shakespeare has left the huguenot's house in Silver street and walks by the swanmews along the riverbank.

77莎士比亚离开了西尔弗街那所胡格诺派教徒的房子，沿着排列在河岸上的天鹅槛定去。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。