西方的

This chapter is divided into three sections, section I, for the analysis of "Lao Zi" annotator in Qing Dynasty in the impact of three religions, it was agreed that "eliminate emotion and regress to humanity" idea. Section II to illustrate mainly the traditional "Lao Zi" annotation in Qing Dynasty, the impact in Western countries began to accept the idea of Western Ideas, output the first "Lao Zi" annotation base on Western Ideas –Yan Fu "Ping Dian Lao Zi"; Section III of "freedom, democracy, equality", to discuss Yan Fu think "Lao Zi" already have many of the modern social values:"free","equality","teamwork".

本章共分为三节，第一节为「复性化情」，析论清代《老子》注家在三教思想的濡染下，一致提出「复性化情」的主张，作为体道、得道的路径；第二节为「会通之道」，说明以传统守成态度为主的清代《老子》注，在西方国家的冲击下，开始接纳西学的理念，开出了第一本以西学解老的著作──严复《评点老子》，此书反映了他中西学术兼容并蓄的思想，他不仅融合儒、释、道的概念，更将西方的科学、哲学纳入《老子》的思考当中；第三节为「自由、民主、平等」，旨在讨论严复认为老子书中已经具备许多近现代的社会价值：「自由」、「平等」「合群」的概念。

And Paul Haggis, with his sensitive observation and carefulness, directs the film from the point of view of complex psychological aspects.

上个世纪的五十多年前，他早就以自身的矛盾折射出西方世界大言不惭的自圆其说；而来自西方的导演兼编剧保罗海吉斯，更是以其敏锐的观察力、从社会学家的关怀与视野取镜，胆大心细的从许多复杂的心理层面切入，完成了这部杰出的电影作品。

It tries to find the special ethos of Chinese nationality as in opposition to western cultural universalism. However, the overall interpretation of China by historicism is ambiguous. Of western civilization, Chinese historicism rejects its value of Enlightenment but accepts its dangerous idea of statism. It can be predicted that the alternative modernity Chinese historicism is pursuing will end up being a de-valued and de-ethicized state power with its system legitimized in the Weberian fashion.

它试图发现中国特殊的民族本真性，以对抗西方的文明一元论，然而，历史主义对中国的整体化诠释是暧昧的，在抛弃西方文明中启蒙价值的同时，却吸纳了其可怕的国家主义，最终其所追求的另类现代性，只是一种去价值和去伦理的国家富强和韦伯式的制度合理化而已。

But the essential truth remains that the West thought more clearly than the East, while preserving with greater faithfulness a more explicit tradition as to cardinal dogmas, and that the West imposed her doctrines and her definitions on the East, and repeatedly, if necessary, reasserted and reimposed them.

但重要的事实仍然是，西方的思想更加明确，比东部地区，同时保留更大的忠诚更为明确的传统，以枢机教条，并说，西方强加给她的教义和她的定义，对东，反反复复，如果有需要，重新树立并重新他们。

Hope you will have a common cognition, the Chinese nation is great, Chinese artist will gradually from the west, they will be on the importance of the Chinese culture and art, Chinese painters understand more artistic hall will also among the world more and more especially since China is obtained painter painter, western accept and respect of hope.

希望大家要有共同的认知，中华民族是伟大的，中国画家的作品将逐渐受到西方的重视，他们会对中国文化艺术的了解越来越多，中国画家跻身世界艺术殿堂也会越来越多，尤其壮年画家，是中国画家获得西方接受和尊重的希望。

Chinese traditional garden has a good feme "the mother of the gardener" over the world, but nowadays, all the landscape architecture is more and more like the western garden style.

中国传统古典园林有&世界园林之母&的美誉，它的形式却已成为&作壁上观&的古董；现代园林在西方的主导下有了长足的发展，却总逃不出西方园林的影子。

These two images of China belong to the type of utopia. Introduction analyzes that tendency of research on the occidental image of China is from literaturestudy to culture study. The resources of this dissertation are the works of three British and AmericanWriters, Dickinson"s Letters from John Chinaman and Ku Hong Ming"s The Spirit of the Chinese People.The method of research is combination of image theory and postcolonial theory.

导论概述了西方中国形象的研究趋势是从文学研究转向文化研究，中国形象在西方的演变，本文所采用材料来源是三位英美来华人士的作品、狄金逊的《约翰中国佬来信》和辜鸿铭的《中国人的精神》，研究方法是形象学与后殖民理论的综合。

PartⅡ. Dickinsons Letters from John Chinaman(also titled Letters from a Chinese official: beingan eastern view of western civilization) depicted the image of China superior to the occidentalworld in religion, social system, civilian life, art and aesthetics by contrasting Chinese andoccidental civilization. The author made use of the image of China as background to criticize Britishsociety, point out the obvious problems and latent crisis, refute the sayings in the Occident whichregarded China as yellow peril, an uncivilized nation.

第二部分。狄金逊的《约翰中国佬》(又名《中国官员来信：对西方文明的看法》)通过中西文化、文明对比的方式，塑造了在思想信仰、社会制度、民众生活、艺术审美等方面均优越于西方的乌托邦式的中国形象，以此来批判英国社会、揭示其存在的危机和弊端。

The peculiar experience of Japanese colonialism on the development of Taiwanese science, technology and medicine also offers an interesting case for those exploring the relationship between colonialism and science.

此外，近代西方的科学、技术和医疗体系如何进入台湾和中国社会﹖如何为适应本土的工作环境而转化﹖如何在旧有的社会文化结构中取得合法性﹖本土的科技工作者如何在这样的体制中创造与转化由西方传来的科技知识﹖也将是我们关怀的重点。

But there were various prejudices in its own development. It was traditional that piano art was considered to be western and western opuses were the main targets for piano studying, while Chinese piano opuses counting for little.

但是在发展过程中却或多或少的存在着这样那样的偏见，较为典型的认为钢琴艺术是西方的，因此，只有西方的作品，才是钢琴学习的主要目标，是作为钢琴教学不可缺少的主流教材，至于是否弹奏中国的钢琴作品则无关轻重。

But we don't care about Battlegrounds.

但我们并不在乎沙场中的显露。

Ah! don't mention it, the butcher's shop is a horror.

啊！不用提了。提到肉，真是糟透了。