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Li's art seems to draw inspiration from realism's implications about absolute space and time and philosophical discussions about reality, using it for his own sense of self and artistic purpose.

李青在其中发掘的兴味是沿著近代西方思想对现象与真理的思辩,逐步走向自身对生命和创作意义的了解。

It claimed that virtues are not priori norms,but the ex-tension of human lives and needs,human being is first a real individual,butnot just a value sign of absolute relationship,and independecy and autonmyis the essential mark of self-consciouseness of human subject.

它给我们的一个重要启迪是,中国传统伦理道德必须适应时代发展、吸收世界先进文化、在当代中国社会实践中进行创造性转换,其优秀的传统才能得以弘扬;西方现代一切有价值的思想也只有经过中国社会生活实践的选择,并以本土文化进行创造性的诠释,才能够构成中国当代道德文化的有机因素。

That Chinese people's sexuality can be characterised as shame-based, abstinent, traditional and lacking awareness of sexual rights.

并且,在结论处比较了中西女性在性方面的文化差异,认为与西方相比,中国人的性以羞耻感、禁欲的、缺乏革命和权利视角为特点。

Its significance not only takes root in the tradition of abstract expressionism of western modern art, but also relates to the calligraphic aesthetics of Chinese traditional arts.

其意义诠释,既植根于西方现代艺术中的抽象表现主义传统,又同中国传统艺术的书写美学相关。

Beside, Peng also did research on the western abstractionism and is trying to make use of it in new compositions.

彭麒还对20世纪西方抽象主义进行研究,尝试运用抽象手法进行新的创造。

Abstractionism is generated from the traditional Western philosophy, which is featured by the contrast between doctrine and illusion. And abstract painting is an individualized Utopian coding. Some gap does occur between these enlightening concepts and the historic records of art.

关于抽象主义产生于理念与幻象二元对立的西方哲学传统,及抽象绘画是一种个人化的乌托邦编码等颇有启发力的观点,与艺术史实际资料之间,是有一定距离的。

Starting from Master Lin Fengmian, generations of outstanding Chinese artists have, in their inquiries of modern Chinese painting for almost a century, been trying to ingeniously merge the oriental art traditions with the modern western approaches, especially the abstractionism, or to balance the two heritages in a personal fashion so as to achieve a genuine breakthrough in the language of painting. This paradigm came into being in the later half of the century and new masters have been on the rise.

近一个世纪以来,在中国现代绘画的探索中,自林枫眠始,几代中国艺术家的佼佼者一直在试图将东方传统与西方的现代,尤其抽象表现艺术进行了巧妙的结合,或者说是以个人的方式平衡了这两种因素,从而在绘画语言上取得真正的突破,这个框架在此后的半个世纪间已经构成,并出现大家。

The discussion of this issue is barely involved with how the spirit of Utopia and individual value that exist naturally in the Western abstractionism have decayed and weakened while it is developed in China style. Instead, it concerns the gains and losses of 'nationalizing' the oil paintings, safeguarding cautiously the inherent spirit of the modern tradition, which, together with non-painting avant-garde art and figurative paintings, constitutes the three-pillar fine art forms.

这个问题值得讨论之处,已不再是西方抽象主义原本具有的乌托邦精神和个人价值,应如何在迁就地"国化"的过程中衰减和削弱,而是应联系到油画"国化"的得失,警惕地守护这个据说与非绘画性前卫艺术、具像绘画等鼎足而三的现代传统的内在精神。

In the beginning and middle parts of 1980s, The Chinese dramas circle actively developed the Chinese traditional concept of time and space and the freehanded style, boldly borrowing the western absurdism and imagism, and started a new phase of innovation and muti-development.

八十年代初中期,中国戏剧积极拓展我国传统戏剧的时空观、写意性特征,大胆借鉴西方现代戏剧的荒诞化、意象性技巧,出现了探索创新、多元发展的崭新局面。

The University of Bologna, founded in 1088, is the oldest academic institution of the Western World.

建立于1088年的博洛尼亚大学是西方最古老的大学。

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