西方

With endless wonder and reverence to the 5000 years historic Indus Valley Civilization which is one of the four oldest civilizations of humanity, with deep loves to the people generationally working hard in this mysterious land and in fact with great contribution to civilization of humanity, and with much loves to the arts like oriental hand-knotted carpets created by the people in this land, we think that oriental carpets art should now return to the orient, particular China, where they actually belonging, and become a delicious taste to the emerging high class people over there, after European rich families who have enjoyed the arts of oriental carpets, china and oil painting since past hundreds years, so we decide to present this brochure to Chinese public.

缘于对人类著名的四大文明之一，已有5000多年历史的印度河流域文明的无限遐思和敬仰；缘于对这块神秘土地上世代勤劳耕作，为人类文明做出了极大贡献的人们的热爱；缘于对这块土地上的人们以其勤劳和智慧创造出的包括东方手织地毯艺术在内的诸多文化艺术的喜欢；缘于对东方手织地毯这种特殊的千百年来铺陈于大地母亲之肌，承接人类立足之本的高贵的脚下艺术品的特殊情怀，在西方富裕家庭充分享受东方手织地毯艺术、瓷器艺术和西方绘画艺术的熏陶几百年之后的今天，我们认为，东方手织地毯艺术应当回到她本来就属于的美丽的东方，特别是中国，成为这里快速崛起的新兴阶层的艺术之飨。

With the opening up of China to the west, principally first from Hong Kong and Macau, feng shui became increasingly known and also practiced by western "hongs" or trading companies to satisfy local business communities, and also to encourage luck in business.

随着中国向西方开放，风水首先主要从香港和澳门开始，变得日益为人所知，也被西方的贸易公司所使用，来满足地方工商企业界，也在商业中鼓励了运气。

These two images of China belong to the type of utopia. Introduction analyzes that tendency of research on the occidental image of China is from literaturestudy to culture study. The resources of this dissertation are the works of three British and AmericanWriters, Dickinson"s Letters from John Chinaman and Ku Hong Ming"s The Spirit of the Chinese People.The method of research is combination of image theory and postcolonial theory.

导论概述了西方中国形象的研究趋势是从文学研究转向文化研究，中国形象在西方的演变，本文所采用材料来源是三位英美来华人士的作品、狄金逊的《约翰中国佬来信》和辜鸿铭的《中国人的精神》，研究方法是形象学与后殖民理论的综合。

PartⅡ. Dickinsons Letters from John Chinaman(also titled Letters from a Chinese official: beingan eastern view of western civilization) depicted the image of China superior to the occidentalworld in religion, social system, civilian life, art and aesthetics by contrasting Chinese andoccidental civilization. The author made use of the image of China as background to criticize Britishsociety, point out the obvious problems and latent crisis, refute the sayings in the Occident whichregarded China as yellow peril, an uncivilized nation.

第二部分。狄金逊的《约翰中国佬》(又名《中国官员来信：对西方文明的看法》)通过中西文化、文明对比的方式，塑造了在思想信仰、社会制度、民众生活、艺术审美等方面均优越于西方的乌托邦式的中国形象，以此来批判英国社会、揭示其存在的危机和弊端。

According to the research, in Meiji era,, Taiwanese literates and local inhabitants are influenced by the social culture of Contemporary Revolution in the processes of using Western classic architectural vocabulary, they has escaped from the extreme of repelling and following Western architecture. Moreover, they regard Chinese culture as the principle by degrees, but rationally accept foreign decorated styles.

研究发现日治时期受现代化运动等社会文化之影响，台籍知识份子与地方乡绅对於西洋古典建筑语汇援用过程，已脱离完全排斥西方文明影响或是全盘引用西方建筑型态的两种极端，逐渐以中国文化为内涵主体，但是理性接受西洋之外来的装饰风格。

One is that the original and literal meaning of truth is being true and the other that it is the common topic both for Western logicians and philosophers who understand and interpret it quite differently.

此外还有一个非常重要的原因，西方哲学家所关注的最重要的少数几个核心问题之一，西方哲学中最重要的少数几个核心概念之一，乃是&是真的&这种意义上的东西，而不是&真理&。

The Western culture manner 's " dinner table manners" The habit of have mealing of west is different from we much have, especially colloquy a western meal the party, rules is rather many.

西方文化礼仪之&餐桌礼仪&西方进餐的习惯与我们多有不同，特别是正式的西餐宴会，规矩颇多。

The peculiar experience of Japanese colonialism on the development of Taiwanese science, technology and medicine also offers an interesting case for those exploring the relationship between colonialism and science.

此外，近代西方的科学、技术和医疗体系如何进入台湾和中国社会﹖如何为适应本土的工作环境而转化﹖如何在旧有的社会文化结构中取得合法性﹖本土的科技工作者如何在这样的体制中创造与转化由西方传来的科技知识﹖也将是我们关怀的重点。

The oppotunity to be upgraded and modernised,through the exchange with western culture,was lost.

西方文明通过和华夏文明交流实现了自己的现代化，可是华夏文明中的人文精神却被满清扼杀了，并且还全面阻止了华夏文明向西方学习。

In the process of the "formal revolution" designed to undermine the main narrative formula in the 1980s, the avant-garde novels try to rely on Western modernist literature to deconstruct realism, and thereby integrate themselves into the commonwealth of "world literature" formulated by Western modernisms.

先锋小说在颠覆20世纪80年代文学主流叙述程式的&形式革命&的过程中，试图用西方&现代派&文学作为自己瓦解现实主义的凭藉，并将自己接续到由西方现代主义文学所构成的&世界文学&共同体之中。

Singer Leona Lewis and former Led Zeppelin guitarist Jimmy Page emerged as the bus transformed into a grass-covered carnival float, and the pair combined for a rendition of "Whole Lotta Love".

歌手leona刘易斯和前率领的飞艇的吉他手吉米页出现巴士转化为基层所涵盖的嘉年华花车，和一双合并为一移交&整个lotta爱&。

This is Kate, and that's Erin.

这是凯特，那个是爱朗。