西布莉

Emilie Schindler died Oct. 5, 2001, 94 years old. For 50 years she lived in her little house in San Vicente 40 kilometres south-west of Buenos Aires with her cats, dog, and beautiful roses.

艾蜜莉˙新德勒卒於2001年10月5日，享寿94岁，她在布宜诺艾利斯西南边40公里处的圣文生住了50年，住在一栋小房子内，饲养了几只猫狗，种植美丽的玫瑰花。

In a scene from Goldeneye, Bond, played this time by Pierce Brosnan, and his Russian lady-friend Natalya Simonova, played by Izabella Scorupco, leap from an exploding train, proving once again that there is no vehicle, large or small with which 007 can't totally wreak major havoc.

在现场从"黄金眼"， 007 ，这个时候扮演皮尔斯布鲁斯南和他的俄罗斯小姐娜塔莉娅亚娜西蒙，演出伊莎贝拉斯科卢普，飞跃从一列火车爆炸，再次证明，没有任何车辆，或大或小的与007不能完全造成重大破坏。

Jackson and Cecil Hicks, costumes by Mrs and Miss Whelan under the personal supervision of Mrs Michael Gunn, ballets by Jessie Noir, harlequinade by Thomas Otto and sung by Nelly Bouverist, principal girl?

谢尔顿；一八九二年十二月二十六日在迈克尔。冈恩夫人亲自监督下演出，芭蕾舞女演员为杰西。诺亚，丑角为托马斯。奥托）中，是由女主角内莉。布弗里斯特演唱的。

My Blythe kinfolk were descendants of both Henry III's sister Eleanor and her husband, Simon de Montfort, Earl of Leicester, who defeated the king in battle and forced him to accept the most representative parliament up to that time.

我的布莱斯宗族是亨利三世姐姐埃莉诺和丈夫莱切斯特伯爵西蒙。德蒙特福特的后裔，他在战场上打败了国王，迫使英王接受了在当时为止最有代表性的议会。

Stephen, Bloom, and Molly correspond respectively to Telemachus, Ulysses, and Penelope, and each of the eighteen episodes of the novel corresponds to an adventure from the Odyssey.

斯蒂芬布卢姆，和摩莉对应分别为儿子特勒马库斯，尤利西斯和佩内洛普，和每一个18集的新的冒险对应的奥德赛。

After Oscar Hijuelos won the Pulitzer Prize for his sizzling novel of Cuba, The Mambo Kings Play Songs of Love, publishers competed to bring out books by Latinos from a variety of backgrounds: Julia Alvarez's vividly told How the Garcia Girls Lost Their Accents, about four Dominican sisters in the Bronx; Cristina Garcia's sprightly Dreaming in Cuban, about her immigrant family in Miami; Francisco Goldman's The Long Night of White Chickens, set during Guatemala's military rule; When I Was Puerto Rican, Esmeralda Santiago's dreamy paean to her childhood; Drown, Junot Díaz's prickly stories about Dominican street punks.

在奥斯卡·希胡罗斯以古巴主题的激情小说《曼波王演奏爱之歌》荣获普利策奖之后，出版商争先恐后推出各种背景的拉美裔作家的作品。于是便有了朱莉娅·阿尔瓦雷斯叙述布朗克斯区4个多米尼加姐妹成长故事的生动小说《卡西亚姑娘们不再带口音》；克里斯蒂娜·加西亚描绘她在迈阿密的移民家庭的清新明快的《梦回古巴》；弗朗西斯科·戈德曼以危地马拉军统时期为背景的《白鸡的漫长夜》；埃斯梅拉达·圣地亚哥追忆梦幻童年的《我是波多黎各人的岁月》；以及朱诺特·迪亚斯描写多米尼加裔街头无业青年严酷生活的短篇小说集《沉沦》。

The split between the two groups can hardly be papered over.

这两个团体间的分歧难以掩饰。

This approach not only encourages a greater number of responses, but minimizes the likelihood of stale groupthink.

这种做法不仅鼓励了更多的反应，而且减少跟风的可能性。