西他

But all those reports were deceptive; both because in the heat of battle it is impossible to say what is happening at any given moment, and because many of the adjutants never reached the actual battlefield, but simply repeated what they heard from others, and also because, while the adjutant was galloping the two or three versts to Napoleon, circumstances had changed, and the news he brought had already become untrue.

拿破仑派出的副官以及他的元帅们的传令兵不停地从战场上向他驰来，向他报告战斗的情况；但是所有这些报告都是假的，因为在战斗进行得正激烈的时候，无法说出在一定时刻发生了什么事，还因为许多副官并没有到真正战斗的地点，只是转述他们从别人口中听到了东西；还因为副官从西、三俄里外跑到拿破仑这儿，其间情况已经变了，带来的消息已经不真实了。

"I sense a problem, all right," Priscilla replied brittly, somehow managing to convey through her tone that she meant no problem with the physical aspects of the pregnancy.

再一次，马萝达感觉出这个男人是她的盟友。他也知道她说了谎，或至少他和普里西拉一样对她的谎言产生了怀疑，然而他没有向马萝达显示出敌意。

He is best remembered for his 12 Concerti Grossi after Scarlatti and his Essay on Musical Expression , the first music criticism published in English.

他是最好记住他的12格罗西协奏曲后，斯卡拉蒂和他的音乐表达的论文，第一次音乐评论英文出版。

She felt anew the justice of Mr. Darcys objections; and never had she before been so much disposed to pardon his interference in the views of his friend.

她重新又想到达西先生的确没有冤枉她们，他指出她们的那些缺陷确是事实，她深深感觉到，实在难怪他要干涉他朋友和吉英的好事。

Which when Beelzebub perceiv'd, then whom, Satan except, none higher sat, with grave [ 300 ] Aspect he rose, and in his rising seem'd A Pillar of State; deep on his Front engraven Deliberation sat and public care; And Princely counsel in his face yet shon, Majestic though in ruin: sage he stood [ 305 ] With Atlantean shoulders fit to bear The weight of mightiest Monarchies; his look Drew audience and attention still as Night Or Summers Noon-tide air, while thus he spake.

玛门发言终止时，爆发了一阵喝采，他那建议和平的话，正为大家所欢喜。因为他们害怕另一次的战争会带来比地狱更难堪的苦楚，雷神和米迦勒的刀锋，现在想来，心中犹有余悸。而且他们都喜欢在冥土另建王国，或用策略，或经长时间的进展，希望能巍然崛起，与天国分庭抗礼。那时除撒但外，别西卜坐在最高位，他看了这情况，便威严地站起来，好象一根中流砥柱：在他的前额刻着为大众的安危而熟虑的深纹：虽然憔悴，但在眉宇之间仍闪耀着威严王者智慧的光辉。

"You should 'a' ben up at Riley's barn last night," Jim announced inconsequently. A lot of the fellers put on the gloves. There was a peach from West Oakland. They called 'm 'The Rat.' Slick as silk. No one could touch 'm.

&昨天晚上你应该到莱利家的仓库去的，&吉姆换了个话题，告诉他；好多人都戴上手套打过几拳，从西奥克兰来了个好角色，人家叫他'耗子'，手脚麻利，谁都挨不上他的边。

"You should a ben up at Rileys barn last night," Jim announced inconsequently. A lot of the fellers put on the gloves. There was a peach from West Oakland. They called m The Rat. Slick as silk. No one could touch m.

&昨天晚上你应该到莱利家的仓库去的，&吉姆换了个话题，告诉他；好多人都戴上手套打过几拳，从西奥克兰来了个好角色，人家叫他'耗子'，手脚麻利，谁都挨不上他的边。

We see Havel as the Velvet Revolutionary, a man of action, and then the hero as President, who has swapped late nights with other intellectuals in bohemian pubs for a more constricted life surrounded by flunkeys in the 'castle' of the title.

天鹅绒革命期间，他在我们眼中是一个行动者；其后他作总统时，我们视之为英雄，他改变了生活方式，不再深夜与其他知识份子泡在波西米亚酒馆，而是在&城堡&中过着刻板的生活，身边围着一群马屁精。

Faced by the intensitu of total commitment, absolute love, men must be underlings because they are not gods, because they are vulnerable, they mistake, rage, fall down, become comic grotesques, as Othello does when he tries to listen in on Cassio and Iago talking about Biana.

奥赛罗》原是一个不是因为他不是一个自己命运的主人的，而是因为他是人类的。通过intensitu的承诺，是绝对的爱，男人必须自己，因为他们不是神，因为他们很脆弱，他们错了，愤怒，下，奥赛罗》的漫画grotesques，并当他设法偷听凯西奥，伊阿古谈论biana。

Which isn't to say that this collection was some kind of deluxe mush. It was disciplined in its construction, even quite hat-and-gloves formal. The way in which daywear and dressing up flow seamlessly into each other seems to be a theme that has been absorbing Armani of late, so here he offered high-collared shirts, velvet-collared jackets, three-piece suits with waistcoats that buttoned high and old-fashioned.

今年秋冬系列他仍著重材質與印花圖案的呈現，光澤感的天鵝絨、細緻的毛呢、舒暖的棉料，都是他裁製簡練筆挺、合身修長男裝的素材，包括繫帶式毛料大衣、高領衫、針織外套、三件式西裝、皮草大衣，以及粗針織圍巾、手套等配件，都為他建構了男士的貴氣優雅。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。