西他

Beside him on his right stood Mattithiah, Shema, Anaiah, Uriah, Hilkiah and Maaseiah; and on his left were Pedaiah, Mishael, Malkijah, Hashum, Hashbaddanah, Zechariah and Meshullam.

玛他提雅，示玛，亚奈雅，乌利亚，希勒家，和玛西雅站在他的右边。毗大雅，米沙利，玛基雅，哈顺，哈拔大拿，撒迦利亚，和米书兰站在他的左边。

Leontes pleads with him to stay a little longer in Sicilia, but his friend refuses, declaring that he has been away from Bohemia for nine months, which is long enough.

Leontes恳求他留一会儿在西西里岛，但他的朋友拒绝，声称他已远离波西米亚9个月，这是足够长的时间。

Dionysus, who had been worrying about Silenus, sent to ask how Midas wished to be rewarded.

狄俄尼索斯一直在为西勒诺斯担心。现在，他派人问弥达斯有什么要求，他应该怎样报答他。

Dionysus,who had been worrying about Silenus,sent toask how Midas wished to be rewarded.

狄俄尼索斯一直在为西勒诺斯担心。现在，他派人问弥达斯有什么要求，他应该怎样报答他。

One day, old hero silenus, the dionysus'' former teacher, happened to straggle from the main body of the dionysian army as it marched out of thrace into boeotia,and was found sleeping and drunken in the rose gardens.

狄俄尼索斯以前的老师森林之神老西勒诺斯不巧跟队伍走散了。他喝得醉醺醺的，躺在弥达斯的花园里酣然大睡。园丁发现了他，把他捆起来领去见弥达斯。

Dionysus,who had been worrying about Silenus,sent to ask how Midas wished to be rewarded.he replied without hesitation:'please turn all I touch into gold.

狄俄尼索斯一直在为西勒诺斯担心。现在，他派人问弥达斯有什么要求，他应该怎样报答他。弥达斯毫不迟疑地回答说，"请恩准使我摸到的一切都变成金子。"

Dionysus,who had been worrying about silenus,sent toask how midas wished to be rewarded.he replied without hesitation:'please turn all i touch into gold.

狄俄尼索斯一直在为西勒诺斯担心。现在，他派人问弥达斯有什么要求，他应该怎样报答他。弥达斯毫不迟疑地回答说，"请恩准使我摸到的一切都变成金子。"

As enigmatic as he is talented, Kevin Spacey has always kept the details of his private life closely guarded.

简要经历：他很神秘，就象他很有天才一样。凯文斯贝西总对他的私人生活细节严格保密。

Ian trained at the Australian Ballet School and danced and choreographed with The Australian Ballet, Australian Dance Theatre and the Dance Company of New South Wales prior to moving to London in 1977.In London Ian performed with Richard Alston and dancers and started his own ACE funded Ian Spink Group (1978-82). In 1982 he co-founded Second Stride Dance (1982-96) Company with Siobhan Davies and Richard Alston. In 1988 he took over sole artistic directorship of the company with Antony McDonald as associate director, and initiated a move in the company's output towards experimental multi-disciplinary dance and music theatre.

在伦敦，伊恩与理查德·阿尔斯通等舞蹈表演家一起从事舞蹈表演，并自己创建了由ACE资助的伊安·斯宾克集团（1978-82）。1982年，他与西沃恩·戴维斯和理查德·阿尔斯通共同创建了第二步舞蹈公司（1982-96）。1988年，他成为公司唯一艺术指导，副指导由安东尼·麦克唐纳担任；他开启了公司业务的新领域，进军实验性的跨学科舞蹈和音乐剧。

He spoke to Rosie Swash about the songwriting inspiration behind his new album and why he thinks the music industry's problems began with the casette tape.

他谈到对罗西斜对歌曲创作的灵感背后他的新专辑以及为什麼他认为音乐产业的问题开始与盒式磁带。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。