西他

The first bride died in mysterious circumstances; the second, after thirty-three years of marriage, five children and the death of their eldest son, he abandoned; the third, a young actress on tour with him in Australia, he married bigamously.

他的第一任太太在婚后不久就遭遇离奇的变故而逝世；第二任太太，与他一起经历了长达三十三年的婚姻，为他生下五个儿女，在他们的长子离世之后，遭到他的抛弃；第三任太太，是一位年轻女演员，其时二人共赴澳洲旅行，布西科冒著重婚之不韪娶了她。

Mr. Creighton tried to run, but Cleve Smith blocked him and pointed to his waistband as if he had a gun. Then, Mr. Creighton said, he saw Mr. Taylor try to hand a gun to Mr. Francis.

谈尔顿试着逃跑，但是克里夫斯密斯拦住了他，指着他的腰牌好像他有枪一样，然后，谈尔顿说他看见泰勒把枪给了弗朗西斯

Maxi grew up in Rosario Sante Fe and lived just a few streets away from the Estadio Marcelo Bielsa - home to his boyhood heroes Newell's Old Boys. At the age of 18 he realised the dream of wearing the red and black of 'The Lepers' and went on to score 20 goals in 56 league appearances in his first three seasons.

马克西在罗萨里奥长大，他住詩蛛他儿时偶像纽维尔老伙计球星马塞洛·比尔萨很近的地方。18岁的时候他实现了自己的梦须穿上了纽维尔老伙计的红黑球衫，在头三个赛季里他出场56次打进20球。

Maxi grew up in Rosario, Sante Fe and lived just a few streets away from the Estadio Marcelo Bielsa - home to his boyhood heroes, Newell's Old Boys. At the age of 18 he realised the dream of wearing the red and black of 'The Lepers' and went on to score 20 goals in 56 league appearances in his first three seasons.

马克西在罗萨里奥长大，他住在离他儿时偶像纽维尔老伙计球星马塞洛·比尔萨很近的地方。18岁的时候他实现了自己的梦想穿上了纽维尔老伙计的红黑球衫，在头三个赛季里他出场56次打进20球。

Three of his disciples, Potitus, Basilicus, and Lucanus, are mentioned by Eusebius as being true to their master's dualism, but Apelles, his chief disciple, though he went farther than his master in rejecting the Old-Testament Scriptures, returned to monotheism by considering the Inspirer of Old-Testament prophecies to be not a god, but an evil angel.

他的三名弟子， potitus ， basilicus ， lucanus ，所提到的尤西比乌斯作为真正的他们掌握的二元论，但apelles ，他的首席弟子，他虽然到远超过他的主人在拒绝旧圣经经文，回到神考虑inspirer旧圣经预言将不是神，而是一种邪恶的天使。

His letter to Sergius with great politeness explains that he had said the emperor was wrong, and had quoted the famous words of St. Leo's Tome to Flavian:"Agit utraque natura cum alterius communione quod proprium est" as plainly defining two distinct but inseparable operations; Sergius was responsible for leading him into error by sending him the letter of Mennas.

他写信给谢尔盖与伟大的礼貌解释说，他曾表示，天皇是错误的，并引用了这句名言，圣利奥的圣多美和普林西比，以弗拉维安：& agit utraque的Natura暨alterius communione和proprium预测：&由于明显的界定两种截然不同的，但不可分割的行动；谢尔盖是负责领导把他的错误，派出他的信

Jack said he'd had a thing going with the wife of a rancher down the road in Childress and for the last few months he'd slank around expecting to get shot by Lureen or the husband, one.

埃尼斯说他和一个在狼耳酒吧打零工的女人搞上了——他如今在西格诺给斯图特埃米尔干活——不过也没什么结果，因为那女的有的地方不太招他待见；杰克则说他近来和切尔德里斯公路边上一家牧场的老板娘有一腿。

He lost his family which makes him tearing and affects the rest of his life. 3.My parents did not agree me to study abroad, I don't know if I should give in or try my best to persuade them. 4.Edega is inarticulate,therefore he always abides dumbly when Jessica gets angry with him. 5.The festive background music assorts with his mood because he has just engaged with his girlfriend. 6.The system made harsh noise constanly,which indicates it can not work normally.

失去家人使他崩溃了，这一悲惨的事件一直影响着她的余生 3父母都反对我出国深造，我不知道是该让步还是尽力说服他们 4埃德加不善言辞，所以每当杰西卡对他发泄怒气时，他只是默默地忍受着 5欢快的背景音乐与他的心情很相称，因为刚刚与心爱的女友订了婚 6系统不时发出刺耳的噪音，表明它无法正常运转

His own possessions, safety, life, he would have hazarded for Lucie and her child, without a moment's demur; but the great trust he held was not his own, and as to that business charge he was a strict man of business.

为了露西和她的孩子他可以拿自己的生命、财产和安全去冒险，但由他负责的巨大公司却不属于他，对待业务责任他一向是个严格的办事人员。

For moses,he knows his toes aren't roses as moses supposes his toes to be!

对摩西来说，他知道他的脚趾不是玫瑰，因为他只是假设他的脚趾是玫瑰。

We have no common name for a mime of Sophron or Xenarchus and a Socratic Conversation; and we should still be without one even if the imitation in the two instances were in trimeters or elegiacs or some other kind of verse--though it is the way with people to tack on 'poet' to the name of a metre, and talk of elegiac-poets and epic-poets, thinking that they call them poets not by reason of the imitative nature of their work, but indiscriminately by reason of the metre they write in.

索夫农 、森那库斯和苏格拉底式的对话采用的模仿没有一个公共的名称；三音步诗、挽歌体或其他类型的诗的模仿也没有——人们把&诗人&这一名词和格律名称结合到一起，称之为挽歌体诗人或者史诗诗人，他们被称为诗人，似乎只是因为遵守格律写作，而非他们作品的模仿本质。

The relationship between communicative competence and grammar teaching should be that of the ends and the means.

交际能力和语法的关系应该是目标与途径的关系。